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Back to the Stunning Good Looks »    (Page 1 of 1 pages for this article ) Monday, August 30, 2010 Filed under: Business •Cameras •Hardware •Lighting •Post Production •Pre-Production •Production •Software •Tips •Training • The Best of Stunning Good Looks Art Adams | 08/30 A directory of my best articles, sorted by topic. This entry is a guide to my best articles, sorted by topic. Enjoy! BEHIND-THE-SCENES/PRODUCTION/LIGHTING My Love Affair with Alexa (Alexa) Lighting Against the Wind: The Making of a Mime Music Video (Canon 7D) VFX Tell the Story in California State Fair Spots (RED ONE M) Behind the Scenes of “Rambus: 20th Anniversary” (RED ONE M) WEAVE PSA’s: Excellence on a Budget (RED ONE M) A Tale of Forbidden Love, Shot on RED (RED ONE M) Anatomy of a Spot: Commonwealth Club (RED ONE M) Tiger Lillies Music Video (RED ONE M) My First Shoot with the Canon 5D (Canon 5D Mk II) Behind-the-Scenes of a Facebook Mobile Spec Spot (RED ONE M) Anatomy of a Porsche Spec Spot (Sony F35) Porsche F35 Spec Spot Revealed (Sony F35) Porsche Spot VFX Breakdown (Sony F35) My First Shoot with the Sony F35 The RED ONE Outdoors (RED ONE M) Lighting Simply for the RED ONE (RED ONE M) No on Prop 8: Shot on RED (RED ONE M) “Conversation”: Anatomy of an HD Spot (Sony F900) “I Decide”: Anatomy of a No-Budget HD Spot (Panasonic HPX-500) The Thorons: Anatomy of an HD Spot (Sony F900) Oops, We Did It Again: Gorgeous Pictures from the HVX-200 (Panasonic HVX-200) It’s Not the Budget, It’s Where You Put the Camera! (Panasonic HVX-200) My First RED Shoot: The Training Wheels Come Off! (RED ONE M) The Debut: Wii Spec Spot Now Online (RED ONE M) CRAFT ADVICE Lighting Advice for Budding DP’s Random Tips from a Professional Camera Operator Composition Occurs in both Space and Time Advice to a Camera Trainee How to Break Into the Camera Department The Fine Art of Negotiating CAMERA AND LIGHTING TECHNOLOGY Alexa Dynamic Range: It’s All In How You Use It Canon 5D: How Much Dynamic Range Does It Really Have? RED ONE MX Latitude Tests IR Filter Cheat Sheet Arri Alexa and Far Red RED ONE MX IR Tests Step into the Matrix: What I Learned from Examining RED’s Build 30 Color Science Everyone Looks Sexy at 1000fps Rough Guide to Flicker-Free Shooting Mysteries of Color and Light The Last Far Red Filter You’ll Ever Need? Tiffen T1 and Sony EX1/EX3/F35 Why Do Blue Filters Hurt So Much? The Not-So-Technical Guide to S-Log and Log Gamma Curves The Secret of P2 Slating EQUIPMENT AND TOOLS GearNex: The Next Generation of Gear Head Two New Sharp-Looking Charts from DSC Labs Tiffen DFX2 Digital Filters The ND .90 Filter as an IR Pre-Production Tool (Page 1 of 1 pages for this article ) Back to Stunning Good Looks »                          NAB 2012: Assorted Snapshots Adam Wilt | 05/08 A few cool things I saw at the show that didn’t fit into any other articles. NAB is too big a show in too short a time to see more than a fraction of it. I’ve covered a few things in some depth (as have other PVC folks), but there’s plenty more that slips by without proper coverage. Here, I have a few photos… NAB 2012: RED Adam Wilt | 05/07 RED’s Ted Schilowitz discusses 2012’s products, and a photo gallery. RED’s “Leader of the Rebellion” Ted Schilowitz held a press conference at NAB on Monday, describing the projects and products RED is working on. Rather than paraphrase him, I’ve got him on card (well, it’s not “on… NAB 2012: Camera Support Adam Wilt | 05/05 A few of the interesting bits ‘n’ bobs that make cameras usable. At NAB I found support vendors at the affordable end of the spectrum I hadn’t seen before, comfy Aaton-style handgrips, F65 tweaks by Carlos Acosta, and a “drive-by demo” of a handy zoom/focusing lever. You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE. Commenting is not available in this weblog entry.				The Best of Stunning Good Looks LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse CAMERAS: Food Fights with the FS700 CAMERA MATH: The Importance of Ratios GEEK-OUT: The Matrix, Reloaded Lighting Fire and Liquids: Playtime with the Sony FS700 LED Light Tests: Flesh Tone and Color Comparison Shootout BEHIND THE SCENES: Smoke in the Woods with the Canon 5D LED Light Tests: PRG Sponsors an LED Light Shootout CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color CAMERAS: Now It’s Rocket Science Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D GEEK OUT: The Non-Technical Technical Guide to Sony OLED Monitors LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card LIGHTING STRATEGIES: Exploiting a Single Light Source BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot” LIGHTING STRATEGIES: Placing the Fill Light for Faces LIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows? For You, a Panel Discussion LIGHTING STRATEGIES: Soft Light vs. Hard Light Pulse Width Modulation is NOT Your Friend LIGHTING STRATEGIES: Placing a Hard Key Light The Simplest, Fastest Interview Lighting Setup—Ever. The Future of Technology is You Fill Light: The Underdog of Lighting Blue Nile Shines Thanks to the Canon 5D and Apple Color You’ve read my writing, now hear my talking Anatomy of a Spot: T-Mobile DSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live Without Arri Alexa and Rosco LitePads Come Through for OnLive’s First National Spot 3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects ProPhoto Coalition ProAudio Coalition Pro3D Coalition HDSLR Coalition News RSS Feeds NewsLetter Contact Adobe Vendor Blog Sony Livewire VideoGuys Createasphere

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