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Monday, August 30, 2010

Filed under: BusinessCamerasHardwareLightingPost ProductionPre-ProductionProductionSoftwareTipsTraining

The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

BEHIND-THE-SCENES/PRODUCTION/LIGHTING

My Love Affair with Alexa (Alexa)

Lighting Against the Wind: The Making of a Mime Music Video (Canon 7D)

VFX Tell the Story in California State Fair Spots (RED ONE M)

Behind the Scenes of “Rambus: 20th Anniversary” (RED ONE M)

WEAVE PSA’s: Excellence on a Budget (RED ONE M)

A Tale of Forbidden Love, Shot on RED (RED ONE M)

Anatomy of a Spot: Commonwealth Club (RED ONE M)

Tiger Lillies Music Video (RED ONE M)

My First Shoot with the Canon 5D (Canon 5D Mk II)

Behind-the-Scenes of a Facebook Mobile Spec Spot (RED ONE M)

Anatomy of a Porsche Spec Spot (Sony F35)

Porsche F35 Spec Spot Revealed (Sony F35)

Porsche Spot VFX Breakdown (Sony F35)

My First Shoot with the Sony F35

The RED ONE Outdoors (RED ONE M)

Lighting Simply for the RED ONE (RED ONE M)

No on Prop 8: Shot on RED (RED ONE M)

“Conversation”: Anatomy of an HD Spot (Sony F900)

“I Decide”: Anatomy of a No-Budget HD Spot (Panasonic HPX-500)

The Thorons: Anatomy of an HD Spot (Sony F900)

Oops, We Did It Again: Gorgeous Pictures from the HVX-200 (Panasonic HVX-200)

It’s Not the Budget, It’s Where You Put the Camera! (Panasonic HVX-200)

My First RED Shoot: The Training Wheels Come Off! (RED ONE M)

The Debut: Wii Spec Spot Now Online (RED ONE M)

CRAFT ADVICE

Lighting Advice for Budding DP’s

Random Tips from a Professional Camera Operator

Composition Occurs in both Space and Time

Advice to a Camera Trainee

How to Break Into the Camera Department

The Fine Art of Negotiating

CAMERA AND LIGHTING TECHNOLOGY

Alexa Dynamic Range: It’s All In How You Use It

Canon 5D: How Much Dynamic Range Does It Really Have?

RED ONE MX Latitude Tests

IR Filter Cheat Sheet

Arri Alexa and Far Red

RED ONE MX IR Tests

Step into the Matrix: What I Learned from Examining RED’s Build 30 Color Science

Everyone Looks Sexy at 1000fps

Rough Guide to Flicker-Free Shooting

Mysteries of Color and Light

The Last Far Red Filter You’ll Ever Need? Tiffen T1 and Sony EX1/EX3/F35

Why Do Blue Filters Hurt So Much?

The Not-So-Technical Guide to S-Log and Log Gamma Curves

The Secret of P2 Slating

EQUIPMENT AND TOOLS

GearNex: The Next Generation of Gear Head

Two New Sharp-Looking Charts from DSC Labs

Tiffen DFX2 Digital Filters

The ND .90 Filter as an IR Pre-Production Tool

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Revisiting the RED workflow, Smoke 2012 style

Marc-Andre Ferguson | 02/03

image

My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…

LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card

Art Adams | 01/29

Lighting a bounce card is easy, right? Right… IF you know the basics. Here they are.

Is bounce light really just about aiming a light at a white card and walking away? No. There are a couple of tricks to getting the most out of your bounce source, and I can show them to you fairly quickly using…

Stereo 3D Video Production with GoPro

Jeff Foster | 01/29

Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software

Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it like I am, you quickly realize that there are few turnkey workflows out there to capture and process 3D Stereo video that’s easy to setup, shoot and edit Stereo pairs.…

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Revisiting the RED workflow, Smoke 2012 style

Marc-Andre Ferguson | 02/03

image

My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…

LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card

Art Adams | 01/29

Lighting a bounce card is easy, right? Right… IF you know the basics. Here they are.

Is bounce light really just about aiming a light at a white card and walking away? No. There are a couple of tricks to getting the most out of your bounce source, and I can show them to you fairly quickly using…

Stereo 3D Video Production with GoPro

Jeff Foster | 01/29

Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software

Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it like I am, you quickly realize that there are few turnkey workflows out there to capture and process 3D Stereo video that’s easy to setup, shoot and edit Stereo pairs.…

Quick Look: Sony F65 4K Digital Cine Camera

Adam Wilt | 01/28

BandPro’s Jeff Cree shows off the F65 at Videofax in San Francisco.

Last week, San Francisco rental house extraordinaire Videofax took delivery of Sony F65 #15, and on Thursday BandPro’s Jeff Cree came up to show off the camera to local DPs, ACs, and DITs. I was able…

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