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Art Adams
A native of Northern California, Art Adams spent ten years in LA--first at film school (Loyola Marymount) and then working in the film industry. He started out as a camera assistant on low budget features and worked his way into spots, music videos, features, sitcoms and episodic television shows. He transitioned from assistant to operator to DP by the time he returned to the San Francisco Bay Area in 1993. Currently Art focuses his energies on shooting spots and high end corporate productions, as well as special venue and blue/green screen projects. He likes jobs that make his brain hurt with ingenuity and cleverness. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine and Film/Tape World. 
September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008Complete ArchivesCategory Archives
Too Much Data!The Secret of P2 SlatingRewiring WiredComposition Occurs in both Space and TimeWhat Wired Didn’t Understand about Depth of FieldWired Magazine Gets the RED Totally WrongRGB and the F23The Swing of ThingsAdvice to a Camera TraineeThe Fine Art of NegotiatingMake the Entrance Pupil Your FriendTip from the TrenchesWevi’s wobble but they don’t break upLighting diagrams for the Mac: OmnigraffleGo craaaaazy: fill from the key side!It’s still not the camera!Ooops, we did it againRED Build 16: A Camera Whose Time Has ComeDymo Discpainter, Part DeuxUntrustworthyIt’s not the budget, it’s where you put the camera!Dymo Discpainter: First ImpressionsThe Compleat Idiot’s Guide to RED Post on a BudgetThe Debut: Wii Spec Spot, shot on RED, now online at PVCMy first RED shoot: The training wheels come off! |
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Monday, May 12, 2008The Compleat Idiot’s Guide to RED Post on a BudgetWritten by a complete post idiot, these RED tips may make your life slightly easier
This is by no means a definitive manual on how to post RED footage. Rather, this is how I managed to work with R3D footage while creating a spec spot using the RED. Your mileage may vary. I expect to be flamed repeatedly regarding my handling of this shoot’s post process, but from the ashes I hope to extract some knowledge as to how to do it all better next time. We did not record any sound on the shoot, so that part of the post process is not addressed. Yay! For behind-the-scenes action, see Adam Wilt’s post on the shoot itself. more »Cameras • Editing • Post Production • Production • (13) Comments • Most recent comments by: Jason Chocianowski, Jendra Jarnagin, Adam Wilt, Michael Scott, Mike Burton, Mike Prevette, Mike Burton, Mike Prevette, Mike Prevette, Mike Prevette, • Permalink Page 1 of 1 pages |
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The Compleat Idiot’s Guide to RED Post on a BudgetWritten by a complete post idiot, these RED tips may make your life slightly easier This is by no means a definitive manual on how to post RED footage. Rather,… Advertisements |
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