Art Adams

A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.

Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).

His web site is at www.artadams.net.

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CAMERAS: Food Fights with the FS700
CAMERA MATH: The Importance of Ratios
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LED Light Tests: PRG Sponsors an LED Light Shootout
CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color
CAMERAS: Now It’s Rocket Science
Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D
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For You, a Panel Discussion
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Pulse Width Modulation is NOT Your Friend
LIGHTING STRATEGIES: Placing a Hard Key Light
The Simplest, Fastest Interview Lighting Setup—Ever.
The Future of Technology is You
Fill Light: The Underdog of Lighting
Blue Nile Shines Thanks to the Canon 5D and Apple Color
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Monday, February 28, 2011

The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro

Take these to heart and become the editor’s best friend.

Slate training was my introduction to one of the most important tenets of filmmaking: always think of the next person down the production line. In the case of slating, this means taking care of the poor assistant editor who has to sync and track dailies based on your notes and your slating technique.

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Training• (5) Comments• Most recent comments by: Mitch Lewis, mgilna, Scott Simmons, Art Adams, Steven Bradford, • Permalink


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The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro
Art Adams

Take these to heart and become the editor’s best friend.





The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro

Art Adams | 02/28- 02:37 PM

Take these to heart and become the editor’s best friend.

Slate training was my introduction to one of the most important tenets of filmmaking: always think of the next person down the production line. In the case of slating, this means taking care of the poor assistant editor who has to sync and track dailies based on your notes and your slating technique.

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