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Adobe Beyond AdobeFind out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation. The Adobe Posters:
Bill Roberts: Director, Product Management Colin Smith: Sr. Solutions Engineer – DMO Michael Coleman: Sr. Product Manager, Video Editing Workflows Ginna Baldassarre: Sr. Product Manager, Production Premium Dave Helmly: Sr. Business Development Manager Dennis Radeke: Business Development Manager Kevin Towes: Product Mgr Flash Media Server Karl Soule: Sr. Solutions Engineer – DMO Jason Levine: Sr. Evangelist Kevin Monahan Online Technical Evangelist Steve Forde Sr. Product Manager, After Effects Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro Michelle Gallina Sr. Product Marketing Manager, Production Premium Ellen Wixted Sr. Product Manager, Production Premium Colin Stefani Senior Program Manager, Audio Todd Kopriva Online Technical Evangelist 
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How technology is influencing storytelling and filmmakingNVIDIA Maximus and Adobe Premiere Pro CS5.52On the set of Vincent Laforet’s short film MöbiusResources for Choosing a Graphics Card for Adobe Premiere ProAdobe really is openDavid Dessel’s personal transition to Adobe Premiere ProAsk a CS Pro: Mastering the Adobe Premiere Pro Timeline PanelAsk a CS Pro: Intro to sound design with Adobe AuditionEasing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al MooneyColor correction and color grading tutorialsAsk a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere ProDetails on the Production Premium switching offerAdobe is Here to CompeteA Note on Adobe Premiere ProWould you recommend Premiere Pro to your friends and colleagues?Adobe’s Vision for Professional VideoAdobe CS5.5 Production Premium Road ShowSee how Thunderbolt makes CS5.5 faster at NABProduction Premium CS5.5 storms onto the scene.Digital Rebels: The New Generation of Filmmakers & StorytellersAdobe’s Mercury Playback Engine & Apple’s new MacBook Pro 17″ with ThunderBoltPremiere Pro on a Mac – what is the truth?CUDA, Mercury Playback Engine, and Adobe Premiere ProOptimizing for performance: Adobe Premiere Pro and After EffectsAdobe Premiere Pro CS5 now offers GPU acceleration on laptops |
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Native Red support coming to Adobe Premiere Pro and After EffectsOn the heels of some great camera announcements at NAB, Red has announced new support for editing in Adobe Premiere Pro and After Effects. This means that you will soon be able to use your native, non-transcoded R3D files directly within Adobe Premiere Pro CS3 and After Effects CS3. Some RED users are buzzing about it on the RedUser.net forums. I also want to note that if you’re editing in FCP, you may want to consider upgrading to Production Premium. If you have FCP and any Adobe product (After Effects, Photoshop, Illustrator) you can save up to $200 on the upgrade price costing you $899. We have a special FCP website if you want more info. Page 1 of 1 pages |
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