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Adobe Beyond AdobeFind out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation. The Adobe Posters:
Bill Roberts: Director, Product Management Colin Smith: Sr. Solutions Engineer – DMO Michael Coleman: Sr. Product Manager, Video Editing Workflows Ginna Baldassarre: Sr. Product Manager, Production Premium Dave Helmly: Sr. Business Development Manager Dennis Radeke: Business Development Manager Kevin Towes: Product Mgr Flash Media Server Karl Soule: Sr. Solutions Engineer – DMO Jason Levine: Sr. Evangelist Kevin Monahan Online Technical Evangelist Steve Forde Sr. Product Manager, After Effects Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro Michelle Gallina Sr. Product Marketing Manager, Production Premium Ellen Wixted Sr. Product Manager, Production Premium Colin Stefani Senior Program Manager, Audio Todd Kopriva Online Technical Evangelist 
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How technology is influencing storytelling and filmmakingNVIDIA Maximus and Adobe Premiere Pro CS5.52On the set of Vincent Laforet’s short film MöbiusResources for Choosing a Graphics Card for Adobe Premiere ProAdobe really is openDavid Dessel’s personal transition to Adobe Premiere ProAsk a CS Pro: Mastering the Adobe Premiere Pro Timeline PanelAsk a CS Pro: Intro to sound design with Adobe AuditionEasing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al MooneyColor correction and color grading tutorialsAsk a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere ProDetails on the Production Premium switching offerAdobe is Here to CompeteA Note on Adobe Premiere ProWould you recommend Premiere Pro to your friends and colleagues?Adobe’s Vision for Professional VideoAdobe CS5.5 Production Premium Road ShowSee how Thunderbolt makes CS5.5 faster at NABProduction Premium CS5.5 storms onto the scene.Digital Rebels: The New Generation of Filmmakers & StorytellersAdobe’s Mercury Playback Engine & Apple’s new MacBook Pro 17″ with ThunderBoltPremiere Pro on a Mac – what is the truth?CUDA, Mercury Playback Engine, and Adobe Premiere ProOptimizing for performance: Adobe Premiere Pro and After EffectsAdobe Premiere Pro CS5 now offers GPU acceleration on laptops |
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Workflow Flexibility Through Final Cut ProImport and AAF project file exchange—new in Adobe Premiere Pro CS4
An update to Adobe Premiere Pro CS4 (4.01) opens the door to even greater workflow flexibility by making it possible to open any Final Cut Pro project in Adobe Premiere Pro and by adding OMF export and enhanced AAF support. more »RED Support for Adobe Premiere Pro CS4, After Effects CS4 and Encore CS4RED Camera Adobe Importer offers RED Camera Support for Adobe Premiere Pro CS4, After Effects CS4 and Encore CS4 The beta version of the RED Camera Adobe Importer Plug-in is going to be available in the next few weeks for customers to download at http://www.red.com/support. The plug-in brings native support for RED R3D files to Adobe Premiere Pro CS4, After Effects CS4 and Encore CS4 and allows 4K resolution native R3D files to be dropped straight onto the timeline without transcoding or rewrapping, so editors can work with a truly native, color-rich, 4K tapeless workflow on their desktop tools. To use the RED/Adobe workflow, customers must With the native support for RED R3D files offered by the plug-in, Adobe is furthering the integration of tapeless camera formats into its line of professional video products, and making post-production workflows faster, more flexible, and more efficient. Direct your customers to the RED/Adobe Partnership Statement and FAQ for more information. P.S. We will have a video on how we support Red on AdobeTV when it’s available! Page 1 of 1 pages |
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