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Adobe Beyond AdobeFind out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation. The Adobe Posters:
Bill Roberts: Director, Product Management Colin Smith: Sr. Solutions Engineer – DMO Michael Coleman: Sr. Product Manager, Video Editing Workflows Ginna Baldassarre: Sr. Product Manager, Production Premium Dave Helmly: Sr. Business Development Manager Dennis Radeke: Business Development Manager Kevin Towes: Product Mgr Flash Media Server Karl Soule: Sr. Solutions Engineer – DMO Jason Levine: Sr. Evangelist Kevin Monahan Online Technical Evangelist Steve Forde Sr. Product Manager, After Effects Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro Michelle Gallina Sr. Product Marketing Manager, Production Premium Ellen Wixted Sr. Product Manager, Production Premium Colin Stefani Senior Program Manager, Audio Todd Kopriva Online Technical Evangelist 
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How technology is influencing storytelling and filmmakingNVIDIA Maximus and Adobe Premiere Pro CS5.52On the set of Vincent Laforet’s short film MöbiusResources for Choosing a Graphics Card for Adobe Premiere ProAdobe really is openDavid Dessel’s personal transition to Adobe Premiere ProAsk a CS Pro: Mastering the Adobe Premiere Pro Timeline PanelAsk a CS Pro: Intro to sound design with Adobe AuditionEasing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al MooneyColor correction and color grading tutorialsAsk a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere ProDetails on the Production Premium switching offerAdobe is Here to CompeteA Note on Adobe Premiere ProWould you recommend Premiere Pro to your friends and colleagues?Adobe’s Vision for Professional VideoAdobe CS5.5 Production Premium Road ShowSee how Thunderbolt makes CS5.5 faster at NABProduction Premium CS5.5 storms onto the scene.Digital Rebels: The New Generation of Filmmakers & StorytellersAdobe’s Mercury Playback Engine & Apple’s new MacBook Pro 17″ with ThunderBoltPremiere Pro on a Mac – what is the truth?CUDA, Mercury Playback Engine, and Adobe Premiere ProOptimizing for performance: Adobe Premiere Pro and After EffectsAdobe Premiere Pro CS5 now offers GPU acceleration on laptops |
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Perfecting Green Screen PhotosCleaning out the green on green screen
My friend Rufus Deuchler recently gave me a challenge. I started in video production working with virtual sets and chromakeying over a decade ago. I’ve used many different technologies over the years to remove green screens and blue screens, and found various techniques for preserving the original colors in the remaining video. However, I had never used Photoshop to do it before. It’s actually quite easy using the new Adjustments and Masks panels in Photoshop CS4. Let’s start with a picture of Rufus, where the green has already been removed. Look at the color of the edge of the hair, and the side of Rufus’s face. It has a green tinge to it. more »64 BitThe best $300 (or less!) you can spend this year? I’ve had some more thoughts on the ideas of 64bit and it’s value in light of this poor economy. I mean what’s the point of talking about 64bit if you can’t actually use it? With that in mind, I set out to see how much moving to 64bit on the PC platform would actually cost the average consumer. more »64 bit OS and Adobe products64 or 32? Which one to use today?
I blogged on a tutorial from Event DV around editing workflows with AVCHD. In that same issue, contributor Jan Ozer wrote an article called CS4 at 64 that delves into the differences that he observed between Adobe applications and how they perform differently between 32bit Windows XP and 64bit Windows Vista. more »
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NLEs: How Native Workflows Help You SaveA study of contrasts I recently received the latest issue of Event DV, which is an excellent magazine with some solid writers. Each month they’ve got some excellent contributions from Photoshop wiz, Lance Gray and an editorial from Jan Ozer. Event DV also has a recurring tutorial called Cut Lines which represents how to do things with Apple’s Final Cut Pro. It too is good, but I can’t help but often compare how things are done in Premiere Pro (call me biased. This month’s article was about how to edit AVCHD content. If you’re curious to read the article, you can view it here. Author Joe McManus does a very good job of outlining the basic steps to editing content inside of FCP as well as outline one potential technical pitfall that he encountered. BUT…. more »
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