Adobe Beyond Adobe

Find out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation.





The Adobe Posters:

Bill Roberts: Director, Product Management

Colin Smith: Sr. Solutions Engineer – DMO

Michael Coleman: Sr. Product Manager, Video Editing Workflows

Ginna Baldassarre: Sr. Product Manager, Production Premium

Dave Helmly: Sr. Business Development Manager

Dennis Radeke: Business Development Manager

Kevin Towes: Product Mgr Flash Media Server

Karl Soule: Sr. Solutions Engineer – DMO

Jason Levine: Sr. Evangelist

Kevin Monahan Online Technical Evangelist

Steve Forde Sr. Product Manager, After Effects

Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro

Michelle Gallina Sr. Product Marketing Manager, Production Premium

Ellen Wixted Sr. Product Manager, Production Premium

Colin Stefani Senior Program Manager, Audio

Todd Kopriva Online Technical Evangelist

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Complete Archives
Adobe is coming to a city near you!
Philip Bloom on why he has switched to Adobe Creative Suite 6 Production Premium
Adobe wows NAB 2012 attendees with Creative Suite 6 Production Premium, secures 5 prestigious awards
The Girl with the Dragon Tattoo: how Creative Suite Production Premium was used
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A Note on Adobe Premiere Pro
Would you recommend Premiere Pro to your friends and colleagues?

Thursday, November 18, 2010

Switching to Adobe Premiere Pro-A 4-part switcher series

Michelle Gallina | 11/18- 06:41 PM

See why Final Cut Editors have made the switch to Adobe Premiere Pro

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More and more Final Cut editors are using Adobe Premiere Pro CS5 to make them more efficient. If you’re wondering if Adobe Premiere Pro is really worth the switch, check out the four-part web series (replay links are listed below) featuring Final Cut editors and how and why they use Adobe Premiere Pro CS5. You’ll learn the real story on Adobe Premiere Pro’s Mercury Playback Engine, what it means to edit DSLR footage natively, and how you can remove bottlenecks in your pipeline when working with Adobe After Effects and Photoshop. To follow up the series, check out the Q&A session to see if your burning questions were answered.

Don’t forget to check out the resources we have for Final Cut and Avid editors here making the switch to Adobe Premiere Pro. We have also created a 7-part video series that answer a ton of questions. Check it out on AdobeTV. For information on hardware support, we have a special site just for that purpose and even have benchmarking data to give you the real scoop on Mercury. Finally, for all things revolving around HDSLR video editing, Adobe has created a site that is full of free video tutorials and tips & tricks.

more »

*VIDEO*
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Software • (25) Comments • Most recent comments by: bambam, bambam, bambam, Andreas Urra, skyler, lightprismtv, Bill Nelson, Michelle Gallina, lightprismtv, Tom Daigon, • Permalink


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Tips on accelerating your workflow with Adobe Creative Suite 5 Production Premium


You’ve all heard that Adobe CS5 Production Premium delivers amazing performance. But don't take our word for it: Check out the results from an independent benchmarking study on the power of Production Premium.


CS5 Benchmarks

Learn how you can upgrade your system to take advantage of Adobe CS5 Production Premium.

Upgrading Your System for CS5

Native support in Adobe Premiere Pro CS5 means you won't waste valuable production time transcoding or rewrapping, and always have access to the original file's pristine quality. Check out the workflow guides we have available for all tapeless cameras.

Using a Tapeless (file-based) Workflow

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
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Orad News and Products from NAB 2012
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Learn about what we discovered when we stopped by the Orad booth

ATTO Debuts New Products at NAB 2012
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Take a look at the ExpressSAS 6Gb/s Host Bus Adapters

Check out a Number of Hardware and Software Options from B&H
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Everything you need in one place

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.









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