Adobe Beyond Adobe

Find out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation.





The Adobe Posters:

Bill Roberts: Director, Product Management

Colin Smith: Sr. Solutions Engineer – DMO

Michael Coleman: Sr. Product Manager, Video Editing Workflows

Ginna Baldassarre: Sr. Product Manager, Production Premium

Dave Helmly: Sr. Business Development Manager

Dennis Radeke: Business Development Manager

Kevin Towes: Product Mgr Flash Media Server

Karl Soule: Sr. Solutions Engineer – DMO

Jason Levine: Sr. Evangelist

Kevin Monahan Online Technical Evangelist

Steve Forde Sr. Product Manager, After Effects

Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro

Michelle Gallina Sr. Product Marketing Manager, Production Premium

Ellen Wixted Sr. Product Manager, Production Premium

Colin Stefani Senior Program Manager, Audio

Todd Kopriva Online Technical Evangelist

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Complete Archives
David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Adobe is coming to a city near you!
Philip Bloom on why he has switched to Adobe Creative Suite 6 Production Premium
Adobe wows NAB 2012 attendees with Creative Suite 6 Production Premium, secures 5 prestigious awards
The Girl with the Dragon Tattoo: how Creative Suite Production Premium was used
Philip Bloom tests Adobe Premiere Pro CS6
How Premiere Pro CS6 was used to create new music video for Keith Urban’s “For You”
We’re revealing the upcoming Creative Suite 6 Production Premium Release
Adobe Tips & Flicks recordings
Act of Valor world premiere with Navy SEALs
Accelerate your RED workflow with Adobe Premiere Pro CS5.5
How technology is influencing storytelling and filmmaking
NVIDIA Maximus and Adobe Premiere Pro CS5.52
On the set of Vincent Laforet’s short film Möbius
Resources for Choosing a Graphics Card for Adobe Premiere Pro
Adobe really is open
David Dessel’s personal transition to Adobe Premiere Pro
Ask a CS Pro: Mastering the Adobe Premiere Pro Timeline Panel
Ask a CS Pro: Intro to sound design with Adobe Audition
Easing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al Mooney
Color correction and color grading tutorials
Ask a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere Pro
Details on the Production Premium switching offer
Adobe is Here to Compete
A Note on Adobe Premiere Pro

Thursday, November 18, 2010

Switching to Adobe Premiere Pro-A 4-part switcher series

Michelle Gallina | 11/18- 06:41 PM

See why Final Cut Editors have made the switch to Adobe Premiere Pro

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More and more Final Cut editors are using Adobe Premiere Pro CS5 to make them more efficient. If you’re wondering if Adobe Premiere Pro is really worth the switch, check out the four-part web series (replay links are listed below) featuring Final Cut editors and how and why they use Adobe Premiere Pro CS5. You’ll learn the real story on Adobe Premiere Pro’s Mercury Playback Engine, what it means to edit DSLR footage natively, and how you can remove bottlenecks in your pipeline when working with Adobe After Effects and Photoshop. To follow up the series, check out the Q&A session to see if your burning questions were answered.

Don’t forget to check out the resources we have for Final Cut and Avid editors here making the switch to Adobe Premiere Pro. We have also created a 7-part video series that answer a ton of questions. Check it out on AdobeTV. For information on hardware support, we have a special site just for that purpose and even have benchmarking data to give you the real scoop on Mercury. Finally, for all things revolving around HDSLR video editing, Adobe has created a site that is full of free video tutorials and tips & tricks.

more »

*VIDEO*
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Software • (25) Comments • Most recent comments by: bambam, bambam, bambam, Andreas Urra, skyler, lightprismtv, Bill Nelson, Michelle Gallina, lightprismtv, Tom Daigon, • Permalink


Monday, February 22, 2010

Post’s West Coast Editor Daniel Restuccio Visits Adobe’s Headquarters

Scott Gentry | 02/22- 01:57 PM

...to find out what’s on tap for the company’s Production Premium collection of applications

View the interview: Video Here


Editing
Software • (1) Comments • Most recent comments by: wsmith, • Permalink


Friday, February 19, 2010

Happy 20th Anniversary Photoshop!

Scott Gentry | 02/19- 12:56 AM

For 20 years, the world has used Adobe Photoshop software to transform creative inspiration into nearly everything we see in print, online, and across media. Come celebrate with us. PhotoShop Celebration

Take a trip down memory lane with Photoshop founders – John Knoll, Thomas Knoll, Russell Brown, and Steve Guttman. They will tell you the story of how an amazing coincidence of circumstances spawned a cultural paradigm shift unparalleled in our lifetime.


Software • (1) Comments • Most recent comments by: Charles Angus, • Permalink


Tuesday, October 20, 2009

The Future is 64-bit

Michelle Gallina | 10/20- 10:05 AM

“The future is purchased by the present.” – Simon Johnson

image

It’s common knowledge among post-production pros that 64-bit operating systems are the best choice for top-of-the-line performance, especially when producing HD or higher-resolution content. After 3 versions of simultaneous 64 bit and 32 bit support for After Effects and Premiere Pro, we wanted to let you know today that CS4 will be the last version of Adobe’s leading video applications to support 32 bit operating systems.

The majority of video professionals have already transitioned to 64-bit capable systems, including Mac OS X Leopard, Snow Leopard, or 64-bit versions of Windows Vista and Windows 7 operating systems. Almost all Intel-based Macs are 64-bit friendly, and if you bought your PC after 2005, chances are it’s capable of running a 64-bit operating system (if it’s not already!). 

New Macs run 64-bit directly; if you are buying a new PC, make sure to choose the Windows 7 64-bit version. You’ll see up to 200% performance gains on CS4 Production Premium immediately, and you’ll avoid having to upgrade the OS later.

By focusing exclusively on 64-bit operating systems and native 64-bit support for After Effects and Premiere Pro, we’ll be able to offer even better performance and large project stability for the industry by building on the support we have delivered for the last several development cycles. 

We’ve optimized and architected the past three versions of Adobe Premiere Pro and After Effects to deliver better performance on 64-bit operating systems, and our customers have seen significant productivity gains as a result. For example, HD workflows using CS4 Production Premium on a 64-bit system with 16GB RAM are 50% to 200% faster than they would be on a 32-bit system with 4GB of RAM. Performance gains include increased editing speed, rapid switching between tools, and faster rendering—leaving you more time to be creative. 

Because of the dramatically superior performance native 64-bit OS support delivers, the CS4 releases are the last versions that will support 32-bit operating systems. Why? We believe that developing professional tools that leverage up-to-date hardware and operating systems is the best way to deliver great performance. We’ve heard loud and clear from our customers that performance is critical, and from a technology perspective, we know that only 64-bit operating systems are able to deliver the horsepower video professionals require. Our investment in developing the first truly native 64-bit professional video production tools sets the stage for the industry’s future by delivering the performance video pros require.

For more information on the benefits you’ll get from running Adobe software on a 64-bit operating system today and in the future, read our 64-bit whitepaper. For details on our move to 64-bit only in the future, check out our 64-bit FAQ.

Simon

Sr. Director of Product Management

Dynamic Media


Software • (11) Comments • Most recent comments by: barrymaur, justinbieb, ilan, Daniel Goldschlager, Bjorn Ahlen, DanConklin, AntonyM, Chris Meyer, AntonyM, stephen v2, • Permalink


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Tips on accelerating your workflow with Adobe Creative Suite 5 Production Premium


You’ve all heard that Adobe CS5 Production Premium delivers amazing performance. But don't take our word for it: Check out the results from an independent benchmarking study on the power of Production Premium.


CS5 Benchmarks

Learn how you can upgrade your system to take advantage of Adobe CS5 Production Premium.

Upgrading Your System for CS5

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See how the lens fits onto and works with the camera

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Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

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On this week’s MacBreak Studio

Litepanels Illuminates Chroma and Luma at NAB 2012
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Check out two on-camera lights that were featured at the show









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