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Adobe Beyond Adobe Find out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation. The Adobe Posters: Mark Randall: Chief Strategist Bill Hensler: VP Product Development Simon Hayhurst: Sr. Dir., Product Management Hart Shafer: Product Manager Production Premium Giles Baker: Group Product Manager, Editing Workflow Michael Coleman: Product Manager, After Effects Nate Gentner: Product Manager, Encore, Visual Communicator & Community Steve Kilisky:Product Manager, Interactive Futures Dave Helmly: Sr. Business Development Manager Dennis Radeke: Business Development Manager Lawson Hancock: Product Manager, Audio Kevin Towes: Product Mgr Flash Media Server May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 November 2009 October 2009 September 2009 June 2009 May 2009 March 2009 February 2009 December 2008 November 2008 October 2008 September 2008 August 2008 April 2008 March 2008 Complete Archives Category Archives David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection Adobe is coming to a city near you! Philip Bloom on why he has switched to Adobe Creative Suite 6 Production Premium Adobe wows NAB 2012 attendees with Creative Suite 6 Production Premium, secures 5 prestigious awards The Girl with the Dragon Tattoo: how Creative Suite Production Premium was used Philip Bloom tests Adobe Premiere Pro CS6 How Premiere Pro CS6 was used to create new music video for Keith Urban’s “For You” We’re revealing the upcoming Creative Suite 6 Production Premium Release Adobe Tips & Flicks recordings Act of Valor world premiere with Navy SEALs Accelerate your RED workflow with Adobe Premiere Pro CS5.5 How technology is influencing storytelling and filmmaking NVIDIA Maximus and Adobe Premiere Pro CS5.52 On the set of Vincent Laforet’s short film Möbius Resources for Choosing a Graphics Card for Adobe Premiere Pro Adobe really is open David Dessel’s personal transition to Adobe Premiere Pro Ask a CS Pro: Mastering the Adobe Premiere Pro Timeline Panel Ask a CS Pro: Intro to sound design with Adobe Audition Easing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al Mooney Color correction and color grading tutorials Ask a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere Pro Details on the Production Premium switching offer Adobe is Here to Compete A Note on Adobe Premiere Pro		2012 May David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection Adobe is coming to a city near you! Philip Bloom on why he has switched to Adobe Creative Suite 6 Production Premium Adobe wows NAB 2012 attendees with Creative Suite 6 Production Premium, secures 5 prestigious awards April The Girl with the Dragon Tattoo: how Creative Suite Production Premium was used Philip Bloom tests Adobe Premiere Pro CS6 How Premiere Pro CS6 was used to create new music video for Keith Urban’s “For You” We’re revealing the upcoming Creative Suite 6 Production Premium Release March Adobe Tips & Flicks recordings February Act of Valor world premiere with Navy SEALs Accelerate your RED workflow with Adobe Premiere Pro CS5.5 January How technology is influencing storytelling and filmmaking 2011 December NVIDIA Maximus and Adobe Premiere Pro CS5.52 On the set of Vincent Laforet’s short film Möbius November Resources for Choosing a Graphics Card for Adobe Premiere Pro Adobe really is open October David Dessel’s personal transition to Adobe Premiere Pro September Ask a CS Pro: Mastering the Adobe Premiere Pro Timeline Panel August Ask a CS Pro: Intro to sound design with Adobe Audition Easing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al Mooney Color correction and color grading tutorials Ask a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere Pro July Details on the Production Premium switching offer June Adobe is Here to Compete A Note on Adobe Premiere Pro Would you recommend Premiere Pro to your friends and colleagues? Adobe’s Vision for Professional Video May Adobe CS5.5 Production Premium Road Show April See how Thunderbolt makes CS5.5 faster at NAB Production Premium CS5.5 storms onto the scene. March Digital Rebels: The New Generation of Filmmakers & Storytellers Adobe’s Mercury Playback Engine & Apple’s new MacBook Pro 17″ with ThunderBolt Premiere Pro on a Mac – what is the truth? CUDA, Mercury Playback Engine, and Adobe Premiere Pro February Optimizing for performance: Adobe Premiere Pro and After Effects 2010 December Adobe Premiere Pro CS5 now offers GPU acceleration on laptops November Switching to Adobe Premiere Pro-A 4-part switcher series Scaling in Adobe Premiere Pro CS5 October An Adobe Premiere Pro Switcher Story September Classroom: After Effects CS5 video tutorial series for beginners What sort of postings do you want from Adobe? August To Transcode or Not to Transcode July Adobe Premiere Pro 3D Stereoscopic Realtime Editing Output module constraints in After Effects CS5 June Color Subsampling, or What is 4:4:4 or 4:2:2?? What is YUV? The Life of an Audio Engineer Camera workflow guides in Adobe Premiere Pro CS5 and After Effects CS5 It’s official! Adobe Audition is coming to the Mac! Adobe Story Survey 8-bit, 10-bit, 32-bit, and more May Open workflows in Adobe Premiere Pro CS5 with Final Cut & Media Composer New RED Mysterium-X support in Adobe tools DSLR Workflow Pt 2 - Keying, Time Remapping & Stills in Premiere Pro CS5 The changing landscape of CS5 for Broadcast (part 2) Native DSLR Editing in Premiere Pro CS5 April Adobe CS5 Production Premium and HP hardware is the fast line - always! The changing landscape of CS5 for Broadcast (part 1) What is Adobe Story? Soundbooth CS5 Adobe Conversations from the NAB Show Floor After Effects CS5 is finally here! Welcome to CS5 Tapeless Support in Adobe Premiere Pro CS5 & After Effects CS5 Adobe intends to deliver iPhone Packager in CS5. It’s up to Apple to allow or disallow apps Check out the new Mercury Playback Engine in Adobe Premiere Pro CS5 Don’t Miss the CS5 Launch Event Adobe Sessions at the NAB Post Production Conference Adobe Education Showcase at NAB 2010 CNN, ESPN and Adobe Discuss Broadcasting’s New Realities After Effects is Faster Check out what people are saying about CS5 Production Premium March Debunking Mercury Myths Animate Lower Thirds in Photoshop then use in Premiere Pro and After Effects Invitation to participate in usability studies by Adobe “That’s Amazing”, and More Reactions to CS5 Using the Flip HD and Other Pocket USB Cameras With Premiere Pro CS4 Editing iPhone 3G Videos with Premiere Pro CS4 Finalizing the Look and Sound of a Multicam Project Creative Suite 5 is coming! Catch up with the Adobe Video product teams on Facebook Adobe Creative Suite Buzz Hub One giga-reasons why your workflow will change February Adobe is looking for Senior Product Managers for Professional Video Editing Post’s West Coast Editor Daniel Restuccio Visits Adobe’s Headquarters Happy 20th Anniversary Photoshop! 2009 November Technology Sneek Peek: Adobe® Mercury Playback Engine Premiere Pro 4.2 & AVC-Intra October The Future is 64-bit September Matrox and other 3rd Party I/O Vendors with CS4 Adobe Story Using Kuler Color Themes June Creative Suite 4 updates on Adobe Premiere Pro and After Effects Open Screen Project-Reinventing Storytelling in the Digital Age May New Short&Suite on AdobeTV…and a new look Searchable Video Now Available For You To Create March Perfecting Green Screen Photos 64 Bit 64 bit OS and Adobe products NLEs: How Native Workflows Help You Save		3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse Art Adams \| 05/24- 11:24 AM *Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…* I love stacking cucolorii… David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection Todd_Kopriva \| 05/22- 12:31 PM *Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.* In December… After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition Chris and Trish Meyer \| 05/21- 08:53 AM *...plus an update on what’s next for the Apprentice series.* As… Advertisements

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