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Adobe Beyond AdobeFind out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation. The Adobe Posters:
Bill Roberts: Director, Product Management Colin Smith: Sr. Solutions Engineer – DMO Michael Coleman: Sr. Product Manager, Video Editing Workflows Ginna Baldassarre: Sr. Product Manager, Production Premium Dave Helmly: Sr. Business Development Manager Dennis Radeke: Business Development Manager Kevin Towes: Product Mgr Flash Media Server Karl Soule: Sr. Solutions Engineer – DMO Jason Levine: Sr. Evangelist Kevin Monahan Online Technical Evangelist Steve Forde Sr. Product Manager, After Effects Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro Michelle Gallina Sr. Product Marketing Manager, Production Premium Ellen Wixted Sr. Product Manager, Production Premium Colin Stefani Senior Program Manager, Audio Todd Kopriva Online Technical Evangelist 
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010November 2009October 2009September 2009June 2009May 2009March 2009February 2009December 2008November 2008October 2008September 2008August 2008April 2008March 2008Complete Archives
Adobe is coming to a city near you!Philip Bloom on why he has switched to Adobe Creative Suite 6 Production PremiumAdobe wows NAB 2012 attendees with Creative Suite 6 Production Premium, secures 5 prestigious awardsThe Girl with the Dragon Tattoo: how Creative Suite Production Premium was usedPhilip Bloom tests Adobe Premiere Pro CS6How Premiere Pro CS6 was used to create new music video for Keith Urban’s “For You”We’re revealing the upcoming Creative Suite 6 Production Premium ReleaseAdobe Tips & Flicks recordingsAct of Valor world premiere with Navy SEALsAccelerate your RED workflow with Adobe Premiere Pro CS5.5How technology is influencing storytelling and filmmakingNVIDIA Maximus and Adobe Premiere Pro CS5.52On the set of Vincent Laforet’s short film MöbiusResources for Choosing a Graphics Card for Adobe Premiere ProAdobe really is openDavid Dessel’s personal transition to Adobe Premiere ProAsk a CS Pro: Mastering the Adobe Premiere Pro Timeline PanelAsk a CS Pro: Intro to sound design with Adobe AuditionEasing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al MooneyColor correction and color grading tutorialsAsk a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere ProDetails on the Production Premium switching offerAdobe is Here to CompeteA Note on Adobe Premiere ProWould you recommend Premiere Pro to your friends and colleagues? |
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New Red Camera Adobe SupportComing From Red: Adobe Production Premium support ! For a few weeks now I have been checking out the new Red Camera Adobe Importer plug-in for Premiere Pro, AfterEffects, and Encore. For their first Adobe CS3 plug-in, they’ve done some excellent work. Their importer plug-in makes using the native R3D file type as easy as any of the other tapeless formats we currently support with CS3. As with our P2 and XDCAM support, importing is as easy as drag and drop or you can still use the standard File>Import dialog. The Plug-in gets installed in the Adobe Common MediaCore folder and is shared by all Adobe video applications. Yes, there are plug-ins for both Intel Mac and Windows. Windows users might consider using Vista64 so they can address more than 3.6 GB of RAM for the larger frame sizes(yes - currently CS3 can only address upto 4GB of Ram on Windows ** stayed tuned ** we’ll have a better answer - more on that later) Vista users, just remember to turn off all of the friendly Vista helpful messages like “Cancel or Allow?” ) more »Page 1 of 1 pages |
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