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Adobe Beyond AdobeFind out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about, and get a glimpse into their vision on everything from product direction to hot trends in the worlds of video production and content creation. The Adobe Posters:
Bill Roberts: Director, Product Management Colin Smith: Sr. Solutions Engineer – DMO Michael Coleman: Sr. Product Manager, Video Editing Workflows Ginna Baldassarre: Sr. Product Manager, Production Premium Dave Helmly: Sr. Business Development Manager Dennis Radeke: Business Development Manager Kevin Towes: Product Mgr Flash Media Server Karl Soule: Sr. Solutions Engineer – DMO Jason Levine: Sr. Evangelist Kevin Monahan Online Technical Evangelist Steve Forde Sr. Product Manager, After Effects Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro Michelle Gallina Sr. Product Marketing Manager, Production Premium Ellen Wixted Sr. Product Manager, Production Premium Colin Stefani Senior Program Manager, Audio Todd Kopriva Online Technical Evangelist 
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011May 2011April 2011March 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010November 2009October 2009September 2009June 2009May 2009March 2009February 2009December 2008November 2008October 2008September 2008August 2008April 2008March 2008Complete Archives
David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projectionAdobe is coming to a city near you!Philip Bloom on why he has switched to Adobe Creative Suite 6 Production PremiumAdobe wows NAB 2012 attendees with Creative Suite 6 Production Premium, secures 5 prestigious awardsThe Girl with the Dragon Tattoo: how Creative Suite Production Premium was usedPhilip Bloom tests Adobe Premiere Pro CS6How Premiere Pro CS6 was used to create new music video for Keith Urban’s “For You”We’re revealing the upcoming Creative Suite 6 Production Premium ReleaseAdobe Tips & Flicks recordingsAct of Valor world premiere with Navy SEALsAccelerate your RED workflow with Adobe Premiere Pro CS5.5How technology is influencing storytelling and filmmakingNVIDIA Maximus and Adobe Premiere Pro CS5.52On the set of Vincent Laforet’s short film MöbiusResources for Choosing a Graphics Card for Adobe Premiere ProAdobe really is openDavid Dessel’s personal transition to Adobe Premiere ProAsk a CS Pro: Mastering the Adobe Premiere Pro Timeline PanelAsk a CS Pro: Intro to sound design with Adobe AuditionEasing the transition to Adobe Premiere Pro: Ask a CS Pro session with Al MooneyColor correction and color grading tutorialsAsk a Creative Suite Pro: Update Your Demo Reel with Adobe Premiere ProDetails on the Production Premium switching offerAdobe is Here to CompeteA Note on Adobe Premiere Pro |
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NLEs: How Native Workflows Help You SaveA study of contrasts I recently received the latest issue of Event DV, which is an excellent magazine with some solid writers. Each month they’ve got some excellent contributions from Photoshop wiz, Lance Gray and an editorial from Jan Ozer. Event DV also has a recurring tutorial called Cut Lines which represents how to do things with Apple’s Final Cut Pro. It too is good, but I can’t help but often compare how things are done in Premiere Pro (call me biased. This month’s article was about how to edit AVCHD content. If you’re curious to read the article, you can view it here. Author Joe McManus does a very good job of outlining the basic steps to editing content inside of FCP as well as outline one potential technical pitfall that he encountered. BUT…. more »
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