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The Adobe Posters:
Bill Roberts: Director, Product Management
Colin Smith: Sr. Solutions Engineer – DMO
Michael Coleman: Sr. Product Manager, Video Editing Workflows
Ginna Baldassarre: Sr. Product Manager, Production Premium
Dave Helmly: Sr. Business Development Manager
Dennis Radeke: Business Development Manager
Kevin Towes: Product Mgr Flash Media Server
Karl Soule: Sr. Solutions Engineer – DMO
Jason Levine: Sr. Evangelist
Kevin Monahan Online Technical Evangelist
Steve Forde Sr. Product Manager, After Effects
Ginna Baldassarre Sr. Product Manager, Adobe Premiere Pro
Michelle Gallina Sr. Product Marketing Manager, Production Premium
Ellen Wixted Sr. Product Manager, Production Premium
Colin Stefani Senior Program Manager, Audio
Todd Kopriva Online Technical Evangelist
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Monday, December 05, 2011
Michelle Gallina | 12/05- 04:02 PM
Learn how Adobe CS 5.5 Production Premium handled the cutting edge demands of Vincent Laforet’s short film Möbius.
On December 8 writer, producer and vfx artist Jon Carr presented how his team leveraged the capabilities of Adobe Creative Suite 5.5 Production Premium to help complete the short film Möbius edited by Vashi Nedomansky and directed by Vincent LaFloret.
Here is a recording of the session.
You can watch Möbius here: http://vimeo.com/31525127
Möbius was shot using a prototype of the new Canon EOS C300 camera and was edited using Adobe Premiere Pro with effects shots produced using Adobe After Effects. Also integral to post production process were Adobe Story, Adobe Photoshop Extended and Adobe Media Encoder.
Here are some highlights from Jon’s presentation:
Adobe Story
> Plays nicely with other popular screenwriting tools such as Final Draft
> The collaboration features of Adobe Story allowed Jon and his co-writer Justin Hamilton to share the script, mark up and make comments and have a dialog about needed changes.
> The outline view lists scenes and uses color-coded dots to identify characters used in each scene. This feature helped Jon’s team save money by identifying a scene requiring a single actor that could be rewritten to instead not use that character.
Adobe Premiere Pro
> Editorial started with 18 hours of source material and a tight schedule so editor Vashi Nedomansky was able to pass Adobe Premiere Pro project files back and forth with other team members to help identify selects and speed the editing process.
> Other NLEs would have required the C300’s Canon XF media to be transcoded before it could be edited, but Adobe Premiere Pro was able to work with the media natively so no transcoding was necessary.
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Michelle Gallina
Learn how Adobe CS 5.5 Production Premium handled the cutting edge demands of Vincent Laforet’s short film Möbius.
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