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Adobe Premiere Pro 3D Stereoscopic Realtime Editing

I’ve created a start-to-finish workflow on how you can create a 3D stereoscopic workflow in Adobe Premiere Pro CS5 using complementary tools that are on the market today. It’s a must see for anyone getting started with 3D Stereo. This seven-part series covers Active, Passive and Anaglyph viewing as well how to play your videos on a consumer 3D TV. It’s a ton of information so I broke up the series into bite-sized pieces. Let me know if you have any questions and enjoy!—Dave

Part 1: The Gear

http://www.youtube.com/watch?v=nCPtPVLCTCE

Part 2: The Glasses & Installation

http://www.youtube.com/watch?v=Aqi_qivG82c

Part 3: Importing Footage & Using the Cineform Plug-In

http://www.youtube.com/watch?v=n-7GC2bPXIU

Part 4: Editing 3D footage in Adobe Premiere Pro CS5

http://www.youtube.com/watch?v=iR_vfGqTdGo

Part 5: Editing 3D footage in Adobe Premiere Pro CS5

http://www.youtube.com/watch?v=IHD5NBrWXxo

Part 6: Editing 3D footage in Adobe Premiere Pro CS5

http://www.youtube.com/watch?v=3IRjLAe2VVU

Part 7: Editing 3D footage on a Mac (Cineform beta)

http://www.youtube.com/watch?v=CrMqpyurfQA

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Thank you! This is invaluable. I’ve counted on you now several times for a very thorough quick start in regard to PPro and have subscribed to your YouTube channel. Carry on.

Posted by Jim Hines  on  07/15  at  07:44 AM

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Thanks for the excellent workflow with regards to Cineform.

While Cineform is great for ease of use and particularly the First Light / Tangent device, Stereoscopic 3D even without Cineform is excellent in CS5!

here’s a related article on building an NLE and Di suite that will give the big boys something to think about: http://realvision.ae/blog/2010/05/a-realtime-4k-stereo-3d-movie-editing-and-di-suite-for-under-5000/

Regards

Posted by realvision  on  07/18  at  07:48 AM

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clydeD (realvision) While I agree with you that the hardware you mention + CS5 can do the job, in the “below 5K” gear you quote you are not taking into account the costly RAID HD you need to work with 2K files, no to mention 4K.
That should add a hefty figure over your estimate.

Posted by .(JavaScript must be enabled to view this email address)  on  07/19  at  07:46 PM

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Hi Daniel, It’s true if your looking at editing a feature length movie, you can never have enough storage space (Even non Raid).

The article included just 1TB of storage. That is really at the low-end, but as a sort of “starter pack” for realtime 4K editing.

Overall your correct, that Storage space will grow and with it the price. This is true for any premium priced NLE system as well.

Regards,
Clyde

Posted by realvision  on  07/19  at  11:35 PM

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