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Filed under: Editing •Post Production •

Premiere Pro C4 and After Effects CS4 Workflow Using the NEW Native RED R3D Plug-in

Format

Select 4K for the Format setting.

Resolution

Next, select 1/4 for the Resolution setting and hit OK.

Full A full debayer to extract a 1:1 resolution (slowest).

Half HQ A high quality 1/2 resolution debayer (faster than a full debayer).

Half Quick A fast debayer for 1/2 resolution (faster than Half HQ but not as smooth).

Quarter 1/4 resolution output.

Eighth 1/8th resolution output.

Sixteenth 1/16th resolution output.

Next, save the project and quit Premiere. When Premiere is reopened, changes to RED source settings will be applied globally to all 4K clips in the project. Premiere Pro will now playback, import and export all RED 4K footage at 1/4, or 1K resolution.

Individual global settings can be specified for 2K, 3K and 4K media. It is not possible to apply different settings to individual clips.

The settings for each of the R3D Formats (4K, 3K, 2K) are stored separately and remembered. For example, once you set up parameters for 4K, switching to 2K allows you to set up different parameters for 2K.

Quality

Extracts varying levels of quality to improve playback speed.

Highest always use this setting for final output. Default is highest.

Medium lower quality, used for better playback performance.

Chroma Denoise

Denoise on red/blue channels. Default is Off.

Debayer Detail

Controls the debayer’s detail quality. Default is Highest.

OLPF Compensation

Controls the optical low-pass filter (OLPF) that refines edge detail. Used to eliminate color Moire fringes. Default is Off.

Timecode

Select the timecode track to use from the R3D file.

Camera Setup uses the the TC track that was selected as primary in the camera.

Edge Code selects the continuous media based timecode track.

External/TOD selects the external jam sync’d TC (or internal clock TC when not jammed).

Maximum Bit Depth

Selects the bit depth.

On 32-bit float

Off 8-bit

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