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Monday, April 19, 2010

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Soundbooth CS5

Lawson Hancock | 04/19

Improved Multitrack Workflows and Expanded Content Library Will Upgrade Your Sound Palette

What’s new in Soundbooth CS5?  We are offering new multitrack workflows and additional royalty-free sound effects and scores for enhancing your video and Flash projects.

We first introduced support for multitrack projects in Soundbooth CS4.  With Soundbooth CS5 the enhanced multitrack enables you to easily work with large multitrack projects.  Additional workflow enhancements include the ability to split and copy clips.

For any videographers or Flash developers looking for royalty-free content Soundbooth CS5 is a must have upgrade.  We’ve tripled our on-line sound effects library to 10,000 (up from 3,000 in CS4).  This gives you a much wider range of sounds to add to your projects using the Resource Central panel in Soundbooth CS5.  We’ve also more than doubled our customizable score library from 50 in CS4 to 130 in CS5.  This includes a range of musical genres plus natural sound environments, all of which can be customized to fit the mood and length of your project. 

In previous releases of Soundbooth we had two categories of scores—a set of free scores and a set of scores bundles that could be purchased.  Now in CS5 the scores from those bundles are available for free along with some brand new ones.  So for the $99 (US) upgrade price to Soundbooth CS5 you’ll get over $700 worth of royalty-free content.

The workflow for adding sound effects and scores to your multitrack projects has also been improved.  Now you simply drag and drop any sound effect or score from our on-line Resource Central library directly onto your timeline just like you would any asset from the files panel. 

With better multitrack workflows, an expanded royalty-free content library and Soundbooth’s task-based restoration and audio sweetening tools you’ll be ready to make any project with Production Premium CS5 look and sound great. To find out more, check out the Soundbooth pages Adobe.com.

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This is number one reason I use Sony Vegas. It is a DAW and NLE in one tool. Despite appealing features in other NLEs, the going back and forth between apps, no matter how “integrate” is a huge waste of time and energy and big loss in flexibility and editing power.

All this should be right in Premiere, on the timeline. Yes there are times when the advanced tools of a audio editor like Sound Forge are needed but for film and video work, it is greatly superior to have audio and video in one app.

Posted by stephen v2  on  04/19  at  12:41 PM


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Disclosure, to comply with the FTC’s rules 16 CFR Part 255 This article was either written by Adobe employees or for Adobe by an outside contractor. It is intended for the Adobe Channel on ProVideo Coalition, which Adobe sponsors.


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