Apple
Masters of Final Cut reveal time-saving tips and powerful techniques for picture editing, graphics animation, audio post, color grading, delivery and asset management.
|
 |
With Support from Apple
Tuesday, January 27, 2009
Adam Wilt | 01/27- 11:51 PM
Using RED footage directly in Final Cut Studio 2, courtesy of RED’s plugins.
Last November, RED Digital Cinema Camera Company released an installer adding RED functionality to Apple Final Cut Studio 2:
- RED QuickTime Codec v3.7.0 (read-only REDCODE decoding for QuickTime).
- An FCP Log and Transfer plugin, v1.0.0, to read RED’s compressed raw R3D files and import them as REDCODE-native or transcode them to ProRes422.
- A RED tab in Color’s primary grading room, letting you tweak the RAW parameters of an R3D or MOV file using the REDCODE codec.
- A white paper telling you what to do with all this stuff.
Let’s look at how these additions enable using RED footage in Final Cut Studio, how you set them up, and how they can benefit you.
more »
Page 1 of 1 pages
|
 |
New on Apple.com
Electric Entertainment
Producing TV heist series "Leverage" is an inside job with Final Cut.
TF1
France’s largest private broadcaster chooses Final Cut for its tapeless production workflow.
|
Scott Simmons | 01/31
Wherein the Editblog attempts a new Quicktip for every day in February
Matt Jeppsen | 01/31
Quick tips for freelancers
Matt Jeppsen | 01/29
Screaming fast solid-state storage, better battery life
Scott Simmons | 01/29
Apple patent appliction hints at future software
Matt Jeppsen | 01/28
Film Lighting Diagrams and notes, courtesy of Roger Deakins, ASC, BSC
|
|
|
|