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Apple Masters of Final Cut reveal time-saving tips and powerful techniques for picture editing, graphics animation, audio post, color grading, delivery and asset management. April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 Complete Archives Category Archives Automation Mixing Stills in Final Cut Pro Plugins You Should Know About FXScript: FCP’s Most Under-appreciated Feature Inside the New Mac Pros The History of SmoothCam ProRes: A Closer Look Setting Up Soundtrack Pro For 5.1 Monitoring Editing in Motion Part 2 Editing in Motion Part 1 Composite Modes in Final Cut Pro RED+FCP: ProRes Clips from Log and Transfer 3 Ways to Get RED Footage into Final Cut Pro Choose Apple’s Spanish keyboard, even if you only type in English Discover DisplayPort’s untapped power for pro video RED+FCP: Native REDcode Importing Do It Yourself 6TB Video Array on a Mac Large Scale Final Cut Pro Installations, Part II Tutorial - How To Get The Most Out Of Your Easy Setup Part 3 Why Pro Res Should Be Your Only Res & The AJA IoHD Part 1 Reality TV Post with Final Cut Make Custom Templates for FCP Tutorial - How To Get The Most Out Of Your Easy Setup Part 2 Fun with Motion Templates Preparing FCP Sequences for Color		2009 April Automation Mixing Stills in Final Cut Pro March Plugins You Should Know About FXScript: FCP’s Most Under-appreciated Feature Inside the New Mac Pros The History of SmoothCam ProRes: A Closer Look February Setting Up Soundtrack Pro For 5.1 Monitoring Editing in Motion Part 2 Editing in Motion Part 1 Composite Modes in Final Cut Pro RED+FCP: ProRes Clips from Log and Transfer 3 Ways to Get RED Footage into Final Cut Pro Choose Apple’s Spanish keyboard, even if you only type in English Discover DisplayPort’s untapped power for pro video January RED+FCP: Native REDcode Importing 2008 December Do It Yourself 6TB Video Array on a Mac Large Scale Final Cut Pro Installations, Part II November Tutorial - How To Get The Most Out Of Your Easy Setup Part 3 Why Pro Res Should Be Your Only Res & The AJA IoHD Part 1 Reality TV Post with Final Cut Make Custom Templates for FCP Tutorial - How To Get The Most Out Of Your Easy Setup Part 2 October Fun with Motion Templates Preparing FCP Sequences for Color Time Stretching Music Surround Patching Optical Flow Speed Effects DVD Studio Pro: Leaving 4x3 behind for good September How To Get The Most Out Of Your Easy Setup Part 1 Offline To Online For An HD Project August The Magic of Conform in Soundtrack Pro 2 Tapeless Cinematography Workflow v2 July Compressor 3: A “virtual Cluster” Makes an Impressive Speed Boost Ten Reasons To Switch To Final Cut Studio		3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse Art Adams \| 05/24- 11:24 AM *Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…* I love stacking cucolorii… David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection Todd_Kopriva \| 05/22- 12:31 PM *Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.* In December… After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition Chris and Trish Meyer \| 05/21- 08:53 AM *...plus an update on what’s next for the Apprentice series.* As… Advertisements

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