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The Editing of “Courageous” Part One

Steve Hullfish | 10/14

The off-line edit of a RED feature film

Last October, I had the rare opportunity to edit a feature film called “Courageous,” which is in theaters now. “Courageous” was the number one new movie the weekend it opened (September…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

I had great fun last week presenting the Final Cut Pro X multicam editing webinar for Moviola Filmmaking Webinars. It was a lightning fast 90 minutes and we covered a lot of ground but we didn’t get through everything I wanted to cover. The On-Demand version…

Editing and Effects Together in One Editor Part 2

Brian Mulligan | 05/15

The NLE revolution isn’t over… Enter Autodesk Smoke for Mac

Editing & Effects All-In-One
Autodesk has always been known for the strength of their effects and image processing tools. The tools in Smoke have been used in everything…

Automation Mixing

Stills in Final Cut Pro

Plugins You Should Know About

FXScript: FCP’s Most Under-appreciated Feature

Inside the New Mac Pros

The History of SmoothCam

ProRes: A Closer Look

Setting Up Soundtrack Pro For 5.1 Monitoring

Editing in Motion Part 2

Editing in Motion Part 1

Composite Modes in Final Cut Pro

RED+FCP: ProRes Clips from Log and Transfer

3 Ways to Get RED Footage into Final Cut Pro

Choose Apple’s Spanish keyboard, even if you only type in English

Discover DisplayPort’s untapped power for pro video

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