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Allan Tépper
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users. Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us 
How to get the “24p” look for your live-switched multicam shootAvid now lets you edit video on your iPad for US$4.99. Should you?AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?Pegasus Thunderbolt RAID5 from PROMISECan a professional really use Premiere Elements 10?PsF’s missing workflow, Part 9: Premiere Elements 10Sony’s FS100 camera to become “WorldCam” via free firmware updateSony’s NX70 camera to receive its missing 29.97p framerate via free firmware updatePsF’s missing workflow, Part 8: ClipWrap to the rescuePsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.xPsF’s missing workflow, Part 6: Tépper asks the camera manufacturers…PsF’s missing workflow, Part 5: Átomos hires a stripper!PsF’s missing workflow, Part 4: file-based HD video recordersPsF’s missing workflow, Part 3: Sony’s AVCHD & NXCAM camerasPsF’s missing workflow, Part 2: the Canon XA10 cameraPsF’s missing workflow Part 1: BENIGN PsF versus MALIGNANT PsFMac Mini for pro video editing: a field report from GuatemalaDaVinci Resolve training at Staff/HDTV in GuatemalaBlackmagic breaks Thunderbolt price budget with US$299 Intensity ExtremeAJA announces Io XT interface with Thunderbolt at IBC in AmsterdamMatrox adds optional Thunderbolt connectivity to existing MXO2 family interfacesBlackmagic delivers its first Thunderbolt-based i/o interface, the UltraStudio 3DRelief after Apple’s segregation of keyboards in the USARoland QUAD-CAPTURE: the little sister of the OCTA-CAPTUREWhy FCP X’s secondary monitor should be 1920x1200, not 1920x1080
February 2012January 2012December 2011November 2011October 2011September 2011August 2011July 2011June 2011April 2011March 2011February 2011January 2011November 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008September 2008Complete Archives |
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Sony upgrades 3G HDV camcorders to universal, for a small feeNow you can upgrade your Sony 3G HDV camcorder to 25p and world-class compatibility!
Readers of my recent articles in ProVideo Coalition, past articles in Latin American magazines, and those who have attended my seminars are aware of the many 25p production advantages over “24p” (23.976p) production, especially when the video is shot on HDV and the workflow is to take advantage of HDMI or HD-SDI capture. Up until now, producers in the USA (and other 60Hz American countries) who have chosen progressive Sony HDV cameras and appreciate the advantages of 25p had no choice but to go through “unofficial channels” to purchase the 25p/50Hz version of the camera. The ones I know are all very happy with the choice and with the workflow. However, they aren’t so happy that after spending so much extra for the camera and optional worldwide warranty, they still don’t have the flexibility of the 60Hz (59.94Hz) modes, in order to be able to shoot at “30p” (29.97p) or even “60i” (59.94i) for a slow-motion shot. Although most of them prefer 25p for their own productions, some of them are also often subcontracted to “shoot only” for other producers who aren’t so informed about 25p, and often request video to be shot at “30p” or “60i”. Fortunately, Sony USA has now recognized the need for a universal version of their 3G (3rd-generation) of HDV camcorders, which now encompass the HVR-S270, HVR-Z5 and HVR-Z7. See details about Sony’s upgrade program later in this article. more »
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BoinxTV: “Say goodbye to post-production”BoinxTV can convert your Mac computer into a live video production studio
BoinxTV is a new product from Boinx Software Ltd. in Puchheim, Germany. You may have seen other products from Boinx, like FotoMágico, iStopMotion, iVeZeen, Mouseposé, and PhotoPresenter. BoinxTV was first launched in November 2008 and was quickly updated to 1.1 at the beginning of December. Like the infamous Video Toaster from NewTek, BoinxTV offers to convert your computer into a live production studio. One of the first noticeable differences is that BoinxTV is for the Mac. more »Page 1 of 1 pages Advertisement |
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Designer Templates for Final Cut Studio
Professionally designed templates for Final Cut Pro and Motion
Students, customers, and colleagues have been asking me for years to design templates for Motion and Final Cut Pro. I always resisted, because I didn’t want to do it unless I could do something that would really stand out.
Over the past several months I have been working with Ripple Training and a professional design team to do just that.
To be considered for listing, contact pr (at) provideocoalition (dot) com
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