Allan Tépper
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.
Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us
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Monday, February 22, 2010
Standalone, portable HD studio mixer, character generator, recorder, streamer…
Any video professional with a couple of decades of experience under her/his belt will remember the original Video Toaster, which was a card that ran in a Commodore Amiga computer, and (among many others) included the infamous Kiki wipe. Despite very minor defects, the original Video Toaster —in its era— represented a revolution for multi-camera live (or live-on-tape) productions. Now NewTek has given birth to the HD-capable version of the 3rd-generation product. The TriCaster TCXD300 is an amazing standalone box that works in either SD or HD, and can record internally or externally, in addition to encoding live webcasts in HD. It has a high quality character generator and includes virtual sets. After attending an intense, multiple-hour demonstration in Miami, conducting a radio interview for both of TecnoTur’s audio channels (the current Castilian channel, and the upcoming English channel) with two TriCaster team members, and a followup e-mail interaction with NewTek’s executive VP of engineering, I now know that there is no exaggeration in stating that the TriCaster TCXD300 is indeed the 3rd multicam revolution for HD live-to-disk, HD live-to-air, or HD live-to-web production. Experience many of the details in this article.
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Sunday, February 14, 2010
Podcasts directly on your tabletop radio, car radio, HDTV, or Blu-ray player: No computer required!
The medium that most of us call podcasting has gone way beyond the Pod. When I say that, I am referring to both known etymologies of the term podcast: 1) The first, which refers specifically to Apple’s iPod devices. 2) The second, which states that the letters P—O—D in podcasting are actually an acronym for the words Portable On Demand. Of course, almost everyone knows that the programs which are popularly called podcasts can now be played on computers and multiple portable mobile devices, including iPads, iPods, iPhones, Blackberries and a handful of other portable audio players and other smart mobile telephones. But beyond that, some people are not yet aware that the market is now being flooded with many other devices that can receive and play these “podcast” programs directly, without any computer in the loop, including some HDTV sets, and even an in-dash car radio which connects to the Internet wirelessly. In this article, you’ll discover those, plus Internet table radios and inexpensive set top boxes which tune podcasts directly, without a computer. You’ll also get to reason with me about whether we should still be calling this medium podcasting, and keep calling the programs podcasts… and what this all means, both for content producers and for listeners/viewers.
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Friday, February 12, 2010
JuicedLink affirms that using a 20KHz tone is “evil”, and that their solution is benign.
By introducing the DN101, any of the existing CX family of preamps from JuicedLink can now interface properly with the current audibly-challenged hybrid cameras and defeat their AGC (Automatic Gain Control) in a benign way. We know that the best way to record audio with these cameras is with a separate professional audio recorder. However, there are occasions when there isn’t time to sync separate audio in post (even when you have the help of a wonderful tool like PluralEyes). In those cases, we want the best possible audio available from the camera, even though it certainly won’t be as good as what an independent pro audio recording would be. JuicedLink has always shown a purist engineering attitude, and is known for their tutorial videos which successfully translate audio engineering terms and concepts for the layperson. In one of its latest videos called Tones are evil!, JuicedLink’s president and engineer explains why he believes that his method of defeating the AGC in cameras is superior to 20 KHz tone-based methods used by competitors like Beachtek. Learn more about this issue, the JuiceLink company, philosophy, and audio products in this article.
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Thursday, February 04, 2010
By adding mobile compatibility, Vimeo loses one of its few remaining Achilles’ heels.
Vimeo, a leading video hosting/gallery site offering both paid and free models, has finally added mobile capability for its paying clients. This capability finally allows Vimeo Plus members to make their videos compatible with mobile devices like the iPhone, iPod Touch, Palm Pre, and Google/Android devices like the Nexus One. Vimeo Plus members can also now have the option to have web-based 1080p videos (although the wisdom of that today is debatable). Finally, all videos on Vimeo —whether from Plus members or standard members— will now have the option to be viewed either with the new HTML5 (ßeta) player (browser dependent), or the pre-existing Flash player (device dependent). This article will cover these three new features in more detail, and discuss their ramifications, both for content creators and content viewers.
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Mark Spencer
And how to find some shy keyframes that prefer to stay hidden
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How to get motion blur to appear in embedded Motion projects
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How to get your Motion project to have transparency in Final Cut Pro
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