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Allan Tépper
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users. Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us 
How to get the “24p” look for your live-switched multicam shootAvid now lets you edit video on your iPad for US$4.99. Should you?AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?Pegasus Thunderbolt RAID5 from PROMISECan a professional really use Premiere Elements 10?PsF’s missing workflow, Part 9: Premiere Elements 10Sony’s FS100 camera to become “WorldCam” via free firmware updateSony’s NX70 camera to receive its missing 29.97p framerate via free firmware updatePsF’s missing workflow, Part 8: ClipWrap to the rescuePsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.xPsF’s missing workflow, Part 6: Tépper asks the camera manufacturers…PsF’s missing workflow, Part 5: Átomos hires a stripper!PsF’s missing workflow, Part 4: file-based HD video recordersPsF’s missing workflow, Part 3: Sony’s AVCHD & NXCAM camerasPsF’s missing workflow, Part 2: the Canon XA10 cameraPsF’s missing workflow Part 1: BENIGN PsF versus MALIGNANT PsFMac Mini for pro video editing: a field report from GuatemalaDaVinci Resolve training at Staff/HDTV in GuatemalaBlackmagic breaks Thunderbolt price budget with US$299 Intensity ExtremeAJA announces Io XT interface with Thunderbolt at IBC in AmsterdamMatrox adds optional Thunderbolt connectivity to existing MXO2 family interfacesBlackmagic delivers its first Thunderbolt-based i/o interface, the UltraStudio 3DRelief after Apple’s segregation of keyboards in the USARoland QUAD-CAPTURE: the little sister of the OCTA-CAPTUREWhy FCP X’s secondary monitor should be 1920x1200, not 1920x1080
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PluralEyes for Premiere Pro CS5 (Mac) reviewedYou’ll wonder how you ever survived without it
If you ever record dual-system audio or multiple camera angles without synchronized timecode, you’ll wonder how you ever survived without PluralEyes added to your editing software. Users of Premiere Pro CS5 for Mac who are aware of PluralEyes for other editing programs will be happy to know that a version of PluralEyes is now available for their preferred app too. This article will go over PluralEyes’ general features and then illustrate the specific workflow used with Premiere Pro CS5 compared to the way it works with other video editing software. more »
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PMW-F3 Dynamic Range Test
Abel Cine tests Sony F3 Dynamic Range on the charts
Abel Cine has been doing a short series of tests on the new PMW-F3 camera from Sony, and the latest episode is a very thorough dynamic range test. In it, they chart the F3 at a solid 12-stops of dynamic range, and then go on to show how the various Cine Gamma modes affect the way information the camera is capturing. It’s a very well done test video, watch below…
Digital Rebels: The New Generation of Filmmakers & Storytellers
At NAB, 2011: Hear from a new breed of filmmakers who are changing the rules for film production and distribution
If you’re attending NAB this year, don’t miss Adobe’s panel discussion at 12:00 on Tuesday, April 12 in room S222 called Digital Rebels: The New Generation of Filmmakers & Storytellers to hear from a new breed of filmmakers who are changing the rules for film production and distribution. The panel will be hosted by Johnny Loiocono, SVP and General Manager of Adobe’s Digital Media Solutions business unit.
Defying the big, bloated movie budgets of the past, today’s digital rebels are making their films fast and with surprisingly low budgets. But make no mistake; the caliber and quality of these films is right up there with the best of the best. Featured panelists include Tyler Nelson, Assistant Editor on the smash hit The Social Network among many other high-profile Hollywood projects; Gareth Edwards, an award-winning British filmmaker whose latest project Monsters has received critical acclaim on the global independent film circuit; and Jacob Rosenberg, filmmaker, author and digital media expert who has contributed to many films including Avatar, Superman Returns, and Dust to Glory. The panel will discuss what tools they’re using—such as RED and DSLR cameras, and software that provides integrated solutions and workflows that make this amazing storytelling possible.
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