Allan Tépper

Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.

Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us

How to get the “24p” look for your live-switched multicam shoot
Avid now lets you edit video on your iPad for US$4.99. Should you?
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Pegasus Thunderbolt RAID5 from PROMISE
Can a professional really use Premiere Elements 10?
PsF’s missing workflow, Part 9: Premiere Elements 10
Sony’s FS100 camera to become “WorldCam” via free firmware update
Sony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
PsF’s missing workflow, Part 8: ClipWrap to the rescue
PsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.x
PsF’s missing workflow, Part 6: Tépper asks the camera manufacturers…
PsF’s missing workflow, Part 5: Átomos hires a stripper!
PsF’s missing workflow, Part 4: file-based HD video recorders
PsF’s missing workflow, Part 3: Sony’s AVCHD & NXCAM cameras
PsF’s missing workflow, Part 2: the Canon XA10 camera
PsF’s missing workflow Part 1: BENIGN PsF versus MALIGNANT PsF
Mac Mini for pro video editing: a field report from Guatemala
DaVinci Resolve training at Staff/HDTV in Guatemala
Blackmagic breaks Thunderbolt price budget with US$299 Intensity Extreme
AJA announces Io XT interface with Thunderbolt at IBC in Amsterdam
Matrox adds optional Thunderbolt connectivity to existing MXO2 family interfaces
Blackmagic delivers its first Thunderbolt-based i/o interface, the UltraStudio 3D
Relief after Apple’s segregation of keyboards in the USA
Roland QUAD-CAPTURE: the little sister of the OCTA-CAPTURE
Why FCP X’s secondary monitor should be 1920x1200, not 1920x1080
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Friday, September 09, 2011

Blackmagic breaks Thunderbolt price budget with US$299 Intensity Extreme

The US$299 Intensity Extreme is the first bus-powered a/v Thunderbolt interface, although not the first bus-powered device.

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At IBC in Amsterdam, Blackmagic has just announced its second Thunderbolt audio/video i/o interface, the US$299 Intensity Extreme. For about 70% less in price than Blackmagic’s first Thunderbolt product, the Intensity Extreme is also the first bus-powered a/v Thunderbolt interface, although not the first bus-powered device (since Matrox’s Thunderbolt adapter is bus-powered, but it is not an audio/video interface itself, but the connection to one). When connected with a laptop (i.e. MacBook Air or MacBook Pro), the Intensity Extreme will be powered by the laptop’s internal battery via the Thunderbolt connection. This article will describe exactly what you’ll get —and what you won’t get— if you choose the US$299 Intensity Extreme interface from Blackmagic, and its availability.

more »


Friday, September 09, 2011

AJA announces Io XT interface with Thunderbolt at IBC in Amsterdam

AJA’s Io XT is the first professional audio/video with a loopable Thunderbolt connection.

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Today AJA announced and is showing its new Io XT audio/video interface with Thunderbolt at IBC stand 7.F11 in Amsterdam, Netherlands. Unlike other Thunderbolt-capable professional i/o interfaces from other manufacturers which I have covered earlier this week here in ProVideo Coalition magazine, the Io XT from AJA is the first and only one so far to offer loop-ability (aka “daisy-chaining”) to other Thunderbolt peripherals or even standard DVI/HDMI monitors via an inexpensive adapter or cable (under US$30 in most cases). This first look at AJA’s Io XT will cover its features, specs, and pricing.

more »


Monday, September 05, 2011

Matrox adds optional Thunderbolt connectivity to existing MXO2 family interfaces

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Matrox is the first (and so far, the only) manufacturer of professional audio/video interfaces to offer the possibility of adding Thunderbolt connectivity to any of their existing products which are already in the field. Matrox now offers this capability for any of the MXO2 family of interfaces, which currently include the MXO2 Mini, MXO2 LE, MXO2 (original), and MXO2 Rack. Since almost the beginning of the MXO2 family, all of the interfaces have been available either with (or without) Matrox’s Max option, which performs hardware-based accelerated H.264 encoding from within popular professional video editing and encoding applications, and with a choice of either PCIe or ExpressCard/34 interface to a host computer. As first shown at NAB 2011 and now delivering in September 2011, Thunderbolt is the third available option, allowing connection of any Thunderbolt-capable Mac. This article covers how this works, what it means, and what the upgrade will cost you (or the price of admission if you don’t yet own any MXO2 family interface).

more »

*VIDEO*
Apple
compression
Editing
GentryMedia Sister Sites
Mac Coalition
ProVideo Coalition
Hardware
Post Production • (3) Comments • Most recent comments by: mplocksmith, Allan Tépper, Andy, • Permalink


Monday, September 05, 2011

Blackmagic delivers its first Thunderbolt-based i/o interface, the UltraStudio 3D

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Blackmagic Design has begun shipping its first Thunderbolt based audio/video i/o interface, which is officially known as the UltraStudio 3D. As its suffix indicates, it is capable of 3D stereoscopic workflows, although it is certainly capable of 2D workflows too. However, we must be diligent and refer to it with its full name (including the “3D” suffix) in order to differentiate it from other Blackmagic models whose names also begin with “UltraStudio”. This first look at the US$995 UltraStudio 3D will cover its features, specs, and even an initial limitation for HP DreamColor monitors, together with a somewhat costly workaround. You’ll also learn everything you need to know about the UltraStudio 3D’s end-point Thunderbolt connection and its current limitations.

more »

*VIDEO*
3D
GentryMedia Sister Sites
Mac Coalition
Pro3D Coalition
ProVideo Coalition
Hardware
Post Production
Stereoscopic • (11) Comments • Most recent comments by: Dan Carr, Allan Tépper, Dan Carr, Allan Tépper, aloe vera drank, friv, Conscientian, Allan Tépper, Conscientian, Allan Tépper, • Permalink


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