Allan Tépper
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.
Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us
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Friday, September 09, 2011
The US$299 Intensity Extreme is the first bus-powered a/v Thunderbolt interface, although not the first bus-powered device.
At IBC in Amsterdam, Blackmagic has just announced its second Thunderbolt audio/video i/o interface, the US$299 Intensity Extreme. For about 70% less in price than Blackmagic’s first Thunderbolt product, the Intensity Extreme is also the first bus-powered a/v Thunderbolt interface, although not the first bus-powered device (since Matrox’s Thunderbolt adapter is bus-powered, but it is not an audio/video interface itself, but the connection to one). When connected with a laptop (i.e. MacBook Air or MacBook Pro), the Intensity Extreme will be powered by the laptop’s internal battery via the Thunderbolt connection. This article will describe exactly what you’ll get —and what you won’t get— if you choose the US$299 Intensity Extreme interface from Blackmagic, and its availability. more »
Friday, September 09, 2011
AJA’s Io XT is the first professional audio/video with a loopable Thunderbolt connection.
Today AJA announced and is showing its new Io XT audio/video interface with Thunderbolt at IBC stand 7.F11 in Amsterdam, Netherlands. Unlike other Thunderbolt-capable professional i/o interfaces from other manufacturers which I have covered earlier this week here in ProVideo Coalition magazine, the Io XT from AJA is the first and only one so far to offer loop-ability (aka “daisy-chaining”) to other Thunderbolt peripherals or even standard DVI/HDMI monitors via an inexpensive adapter or cable (under US$30 in most cases). This first look at AJA’s Io XT will cover its features, specs, and pricing. more »
Monday, September 05, 2011
Matrox is the first (and so far, the only) manufacturer of professional audio/video interfaces to offer the possibility of adding Thunderbolt connectivity to any of their existing products which are already in the field. Matrox now offers this capability for any of the MXO2 family of interfaces, which currently include the MXO2 Mini, MXO2 LE, MXO2 (original), and MXO2 Rack. Since almost the beginning of the MXO2 family, all of the interfaces have been available either with (or without) Matrox’s Max option, which performs hardware-based accelerated H.264 encoding from within popular professional video editing and encoding applications, and with a choice of either PCIe or ExpressCard/34 interface to a host computer. As first shown at NAB 2011 and now delivering in September 2011, Thunderbolt is the third available option, allowing connection of any Thunderbolt-capable Mac. This article covers how this works, what it means, and what the upgrade will cost you (or the price of admission if you don’t yet own any MXO2 family interface).
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Monday, September 05, 2011
Blackmagic Design has begun shipping its first Thunderbolt based audio/video i/o interface, which is officially known as the UltraStudio 3D. As its suffix indicates, it is capable of 3D stereoscopic workflows, although it is certainly capable of 2D workflows too. However, we must be diligent and refer to it with its full name (including the “3D” suffix) in order to differentiate it from other Blackmagic models whose names also begin with “UltraStudio”. This first look at the US$995 UltraStudio 3D will cover its features, specs, and even an initial limitation for HP DreamColor monitors, together with a somewhat costly workaround. You’ll also learn everything you need to know about the UltraStudio 3D’s end-point Thunderbolt connection and its current limitations.
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Clint Milby
Groundbreaking DP Tries His Hand At Manufacturing HDSLR Support Products
Mark Christiansen
Create a 2.5D background scene instantaneously
Mark Spencer
Going deeper into the new Roles feature in the Final Cut Pro X Update
Scott Simmons
As of October the crossgrade price goes up $500
Terence Curren
Is there any room left for new ideas, or are we doomed to work on repeats of previous projects forever?
Art Adams
Fill light isn’t just for controlling contrast; its quality and placement can make or break your shot.
Chris and Trish Meyer
Another selection of “hidden gems” (and essential advice), this time from Chapter 40 of Creating Motion Graphics with After Effects.
Mark Christiansen
This script makes text changes, even on a large scale, almost straightforward.
Adam Wilt
The first aftermarket handle designed specifically for the NEX-FS100.
Scott Simmons
The first update for FCPX gains some big features
Clint Milby
What The HDSLR Speculators Are Saying
Art Adams
One more chapter in my “It’s not the camera, it’s the creativity behind the camera” series.
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