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Allan Tépper
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users. Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us 
Blackmagic: We’re ready to remove the Band-Aid!How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTUAbelCine updates its free Field Of View Comparator for Blackmagic Cinema CameraSony quietly announces the NX30 camcorder, a little sister to the NX70Make your iMac matte without spending money or applying any screen protectorAJA announces T-TAP, the US$249 palm-sized, self-powered bridge from Thunderbolt to HDMI or SDIFor broadcast news, “Starbucks is the new microwave!”iPad video journalism comes of age at NAB 2012NAB 2012 applause! Blackmagic’s cinema camera uses HFS+ formatting rather than weak FAT32At NAB 2012: Jordan, Okada & Tépper join Laporte and Lindsay on MacBreak Weekly1st handheld dynamic microphones with hybrid XLR/USB/iPad connectivity from Audio TechnicaPsF’s missing workflow, Part 10: FCP XWhy an iPad is like a 4x5 view camera, and why you’ll need a black “focusing cloth”Sound Device’s PIX recorders: a closer look as of firmware 1.07Bandito Brothers use multiple HP DreamColors + Adobe Premiere for Act of ValorGH2 adds missing AVCHD 29.97PsF… but worsens its already non-standard HDMI outputAJA and Sound Devices embrace Sony NXCAM’s timecode-over-HDMIHow to get the “24p” look for your live-switched multicam shootAvid now lets you edit video on your iPad for US$4.99. Should you?AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?Pegasus Thunderbolt RAID5 from PROMISECan a professional really use Premiere Elements 10?PsF’s missing workflow, Part 9: Premiere Elements 10Sony’s FS100 camera to become “WorldCam” via free firmware updateSony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
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Tépper’s predictions for iPhoneOS 4.0Google/Android’s current advantages; demystifying Nexus One misinformation
While many writers are concentrating on the anxiously anticipated Apple tablet, I have chosen to leave that topic alone until after its official announcement. If you are interested in that, see Alex Lindsay’s and Chris Meyer’s great articles here in ProVideo Coalition. I have decided to publish my predictions for iPhoneOS 4.0, based upon my own desires for features, as well as those expressed by the general market, and some features offered already on some Google/Android-based mobile devices —especially the recent Nexus One— which are currently missing from the iPhone. I am surprised that these desirable features haven’t even been mentioned by other popular media outlets who have reviewed the Nexus One. So keep reading to discover my predictions for iPhoneOS 4.0, and some little known capabilities of the Nexus One and some other Google/Android devices. more »Connect your pro XLR microphone to your iPhoneApple’s free VoiceMemo application for iPhone makes it attractive to connect your pro XLR microphone
Starting with software version 3.0 of the iPhone, Apple includes an audio recorder application called VoiceMemo. Many people who have used it have been quite impressed with the quality it offers. There have been other audio recording applications for the iPhone, but nothing is more tempting than using one that’s already there, especially one with an attractive icon and slick graphical interface. Given its simplicity and high-quality, Apple’s VoiceMemo covers almost any purpose. However, no matter how well it sounds with the iPhone’s internal microphone, for a professional journalist, image is also very important. That’s why I searched for a special cable that allows connecting a professional XLR microphone into an iPhone. more »
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Roxio Streamer: a free video streaming client for iPhone/iPod TouchWith Roxio Streamer, you can watch your content anywhere you have WiFi or 3G
Roxio (a division of Sonic Solutions) has launched Roxio Streamer, a free application for the Apple iPhone or iPod Touch which allows you to do true video streaming of video files from your Mac to your iPhone or iPod Touch. It doesn’t matter whether you are in the same home or building, or anywhere else on the planet where you have either WiFi or 3G access (3G, only with the iPhone 3G). Unlike downloading, true streaming will not fill up the iPhone’s (or iPod Touch’s) memory with the entire videos you watch. The videos you stream can be your own, those you have recorded with your TiVo, or with your EyeTV. more »Encoding web video in the age of the iPhoneWe can’t afford to prevent over six million Internauts from seeing our content by making the wrong decision.
The last time I looked, Apple had already sold over six million iPhones after just 13 months since its initial launch. I don’t think that there have been six million extra standard computers sold (desktops and laptops) in the past year, compared to prior years’ sales. As a result, I conclude that mobile handheld communication devices [like the iPhone (plus the iPod Touch, Blackberry, Treo, and some others)] represent the fastest-growing segment of Internauts (Internet users). Increasingly, I find myself having to warn my friends and clients against using Flash for their website and web video, since Flash is simply not playable on the most popular mobile handheld devices. (There are some handheld devices that play Flash as Adobe quickly points out, but I said “most popular”!) The formats that the popular handheld mobile devices play well are HTML, animated GIF, and H.264. Many graphic designers are so into the Flash rage, they attempt to minimize this vital and practical issue, in the hope that someday Flash might play on the most popular mobile handheld devices. I don’t know about you, but my clients and I need to communicate, sell, and eat today, not someday. We can’t afford to prevent over six million Internauts from seeing our content by making the wrong decision. more »Advertisement |
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David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.
After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
...plus an update on what’s next for the Apprentice series.
As we mentioned what now seems like ages ago, we spent a year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. The introduction plus one or more additional videos from each course are available for free preview; we re-posted here on PVC the videos that contain tips and instruction you might find useful. Well, the series is done, and we’re off writing the next edition of the book. But before we go, we had one last video to share with you, which may be of interest to any After Effects user who still has to create both 16:9 and 4:3 versions of their compositions.
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