Allan Tépper

Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.

Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us

How to get the “24p” look for your live-switched multicam shoot
Avid now lets you edit video on your iPad for US$4.99. Should you?
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Pegasus Thunderbolt RAID5 from PROMISE
Can a professional really use Premiere Elements 10?
PsF’s missing workflow, Part 9: Premiere Elements 10
Sony’s FS100 camera to become “WorldCam” via free firmware update
Sony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
PsF’s missing workflow, Part 8: ClipWrap to the rescue
PsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.x
PsF’s missing workflow, Part 6: Tépper asks the camera manufacturers…
PsF’s missing workflow, Part 5: Átomos hires a stripper!
PsF’s missing workflow, Part 4: file-based HD video recorders
PsF’s missing workflow, Part 3: Sony’s AVCHD & NXCAM cameras
PsF’s missing workflow, Part 2: the Canon XA10 camera
PsF’s missing workflow Part 1: BENIGN PsF versus MALIGNANT PsF
Mac Mini for pro video editing: a field report from Guatemala
DaVinci Resolve training at Staff/HDTV in Guatemala
Blackmagic breaks Thunderbolt price budget with US$299 Intensity Extreme
AJA announces Io XT interface with Thunderbolt at IBC in Amsterdam
Matrox adds optional Thunderbolt connectivity to existing MXO2 family interfaces
Blackmagic delivers its first Thunderbolt-based i/o interface, the UltraStudio 3D
Relief after Apple’s segregation of keyboards in the USA
Roland QUAD-CAPTURE: the little sister of the OCTA-CAPTURE
Why FCP X’s secondary monitor should be 1920x1200, not 1920x1080
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
April 2011
March 2011
February 2011
January 2011
November 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
September 2008

Complete Archives


Sunday, January 16, 2011

Google political move stifles web video distribution & complicates our workflow

Google has thrown a monkey wrench in present & future recommended practices

image

In case you didn’t hear yet, Google recently announced the elimination of support for H.264 in HTML5 video in its popular Chrome web browser within the next few months, in favor of WebM (VP8) and Theora video códecs. Despite Google’s official justifications for the move in the name of openness, many analysts (including myself) see this as a political move against Apple, and even hypocritical since the Chrome browser has contained (and will continue to contain) an embedded Flash player. Our logical conclusion is that Google’s next step will be to drop support for H.264 in its Android operating system too. This happens after H.264 already has achieved support from Adobe, Apple, and even Microsoft. Up until now, Google’s Chrome browser has directly supported H.264 with HTML5’s video tag. Before this shocking below the belt punch, many content producers were well along the way of offering HTML5 video with H.264, playable as raw or automatic fallback to the same file embedded in Flash if the browser didn’t support it in HTML5, as I have covered in my seminars. However, as we see the writing on the wall, this will likely no longer be sufficient for the ever popular Android devices as they likely become updated to newer versions which would purposefully exclude H.264 playback, especially considering the poor Flash performance on most of the current Android devices that even support it at all. So within a short time, the preferred video códecs for Android devices will likely be WebM (VP8) or Theora, while for Apple iOS devices (AppleTV, iPad/iPhone/iPod Touch), it will remain to be H.264.

more »

*VIDEO*
Apple
Business
compression
Distribution
GentryMedia Sister Sites
Apps4Phones
Apps4Tablets
Mac Coalition
Hardware
Mobile Devices
Web Video • (11) Comments • Most recent comments by: patrickortman, Bill Nelson, Burn-E, Simon Wyndham, Burn-E, Simon Wyndham, Rob, Allan Tépper, stephen v2, Allan Tépper, • Permalink


Wednesday, November 24, 2010

TecnoTur 6 (Castilian): interviews with Escuchalibros, RAMM Animation, and actress Carla Sánchez

2D animation in Latin America, audiobook production in Spain, and Venezuelan actress/model Carla Sánchez

image

TecnoTur episode 6 in Castilian (aka “Spanish”) is now available. In episode 6, we learn about Venezuelan actress/model Carla Sánchez’s latest projects, and we briefly discuss Allan Tépper’s book Unleash GoogleVoice’s hidden power for 3G, WiFi, and free international roaming. Then we present the 2nd part of our interview with Rafael Andreu of RAMM Animation, whose projects have included the Castilian version of Sesame Street (Plazo Sésamo in Latin America or Barrio Sésamo in Spain). Finally, we discuss audiobook production with Victoria Mesas García of Escuchalibros of Spain. Here are details about how to hear TecnoTur free, or become a subscriber.

more »

*VIDEO*
Audio
Distribution
GentryMedia Sister Sites
Apps4Phones
ProAudio Coalition • (1) Comments • Most recent comments by: sofhiee, • Permalink


Sunday, September 26, 2010

TecnoTur 5 (English): interviews with SingularSoftware (PluralEyes + more) and OWC (iMac w/eSATA)

Blackberry podcast consumption app, Covert Affairs’ Venezuelan episode, conversations with Bruce Sharpe of Singular Software and Larry O’Connor of Other World Computing

image

TecnoTur episode 5 (English) is now available. In episode 5, Carla Sánchez and Allan Tépper discuss RIM/Blackberry’s new podcast consumption application. Next comes Larry O’Connor of OWC (Other World Computing), creator of the revolutionary eSATA modification for certain Apple iMac computers, as well as SSDs (Solid State Drives) and other products. Finally, we converse with Bruce Sharpe of Singular Software about 3D/stereo editing workflow, PluralEyes, DualEyes and their latest application, Presto. Here are details about how to hear TecnoTur free, or become a subscriber.

more »


Sunday, September 05, 2010

An open letter to Apple’s iTunes Podcasting Team

Allan Tépper requests three improvements in iTunes’ podcast handling, plus one more thing

image

Dear Apple’s iTunes Podcasting Team:
We love podcasting, and we love the fact that Apple’s iTunes has helped to facilitate the growth of this relatively new medium since 2005 with iTunes 4.9. Congratulations on releasing iTunes 10 now, in 2010. This letter is to point out three key areas where you need to improve the user experience of podcast subscription and commenting, especially with regard to podcasting in worldwide markets and with its use with mobile devices, and in some cases where some of your competitors (i.e. Google/Android and RIM/Blackberry) already offer podcast subscription apps which are much more user-friendly than the current iTunes podcasting experience. Oh, and of course, there will be one more thing!

more »


Advertisement

Sunday, January 31, 2010

GoogleVoice improves its functionality on the iPhone

Clarifications about misinformation published by some other tech journalists

image

GoogleVoice has recently improved its functionality on the iPhone by upgrading its optimized iPhone website, both esthetically and operationally. In light of the misinformation published by some other tech journalists, I must clarify that GoogleVoice has been working fine on the iPhone for many months, at least with three of its features. I have been using GoogleVoice on my iPhone since July 2009 to place inexpensive outgoing international calls, which has been my main reason for using it. Since that date, GoogleVoice has also worked for incoming calls to the iPhone, although I don’t regularly use that feature for now. Even though I don’t regularly use the incoming call feature —or GoogleVoice’s other features so far— I do cover all of them in this article, in addition to explaining specifically how GoogleVoice has improved when placing outgoing international calls from the iPhone as a result of this recent update. I’ll also cover how I expect the GoogleVoice service to grow even further in the coming months.

more »


Friday, January 29, 2010

Apple approves voice & video over iPhone’s 3G/Fring + iCall beat Skype

image

Apple recently approved voice over iPhone’s 3G data connection, and now Fring and iCall have beaten both Skype and Truphone in updating their respective iPhone applications to take advantage of the newly approved feature. The other two possible voice conduits —which already existed for the iPhone and some other smartphones— are GSM and WiFi. In this article, I’ll review what these two applications have done so far, and what they’ve added with this newly approved third option. I’ll also cover Fring’s new video calling over 3G option.

more »


Sunday, November 01, 2009

Connect your pro XLR microphone to your iPhone

Apple’s free VoiceMemo application for iPhone makes it attractive to connect your pro XLR microphone

image

Starting with software version 3.0 of the iPhone, Apple includes an audio recorder application called VoiceMemo. Many people who have used it have been quite impressed with the quality it offers. There have been other audio recording applications for the iPhone, but nothing is more tempting than using one that’s already there, especially one with an attractive icon and slick graphical interface. Given its simplicity and high-quality, Apple’s VoiceMemo covers almost any purpose. However, no matter how well it sounds with the iPhone’s internal microphone, for a professional journalist, image is also very important. That’s why I searched for a special cable that allows connecting a professional XLR microphone into an iPhone.

more »

Audio
GentryMedia Sister Sites
Apps4Phones
Hardware
Mobile Devices • (7) Comments • Most recent comments by: Steve Borsch, RC Fisher, Allan Tépper, haikunick, Allan Tépper, keenast, • Permalink


Page 1 of 1 pages

Advertisement



2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen

Getting watery trick shots with this DSLR housing

Any Way You Want It
Mark Spencer

Setting Up a Rig in Motion 5 on MacBreak Studio

Editing with Final Cut Pro X
Mark Spencer

7 Professional Editors Share Their FCP X Experiences

Another week in After Effects
Rich Young

A news roundup

Redrock Micro’s ultraCage for the C300
Clint Milby

New Cage Fits New Camera Like A Glove

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Scott Simmons

If you haven’t heard they have moved from FCP7 to Media Composer

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Scott Simmons

The ease of setup and managing multicam clips makes this the best FCPX update yet

25 Camera Angles in 25 Minutes
Mark Spencer

Multicamera Editing in Final Cut Pro X

Expression Shorts - Numerical Readout
David Torno

Create numerical readouts for use in HUD style graphics.

If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
Terence Curren

The best event for keeping up to speed in the post production world.







2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

image

How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank