Allan Tépper
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.
Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us
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Wednesday, October 28, 2009
Anachronisms keep popping up, both in and out of our tech circles.
During a recent translation/localization project for a major NLE manufacturer, my friend Rubén Abruña and I ran into a conundrum when debating with our client about how a few words should be translated. Among them was the word Slate, which Rubén and I (and everyone else we personally know in Spain and Latin America) had called Pizarra. We were quite shocked when our client told us that they wanted to use the word Claqueta, which actually corresponds with the word Clapstick. For us, the difference between a Slate and a Clapstick were clear: A Slate just shows information. While a Clapstick may show information, it always has a sound-producing “clapper” which was created to facilitate synchronizing audio and video in post. In fact, as far as we are concerned, both Clapstick and Claqueta are onomatopoeia, or words that were created to imitate the sound created by the device. For that reason, Rubén and I were quite clear about why we called a Slate as a Pizarra, and a Clapstick as a Claqueta. However, I began to discuss this with industry colleagues in Latin America/Spain, delve into the etymologies of each term, and discovered that —whether we like it or not, even Slate (Pizarra) is an anachronism.
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Sunday, October 18, 2009
Jon Fairhurst of P3Pictures has done quite a study on audio options for hybrid cameras. Although P3Pictures uses a Canon 5D Mark II for its testing, at least some of their conclusions could apply to other hybrid cameras, including the Canon 7D, Panasonic Lumix GH1, and others yet to be released. P3Pictures’ goal with these scientific tests is to find the most professional quality sound, with mid-priced equipment. In all tests, P3Pictures uses the M-Audio Microtrack II, Zoom H4n, BeachTek DXA-5D, and the juicedLink CX 231. The first test is done with a closely placed shotgun mic. The second test uses a camera-mounted shotgun. The third test is with a wireless lavaliere microphone. Part 4 is foley recording, and Part 5 explores the noise floor of each option. Part 6 are P3Pictures’ conclusions. Here come the videos…
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Thursday, April 09, 2009
Learn how to produce a professional audio podcast in Miami, April 14th
Now is your chance to attend a seminar about professional audio podcast production. You will learn the fundamental differences between tradtional radio broadcasts, live Internet radio, and audio podcasts… and the advantages of the latter; how to design your audio podcast format; the standard elements (intros, outros, bumpers, etc.); hardware and software to produce your audio podcast; how to conduct high-quality telephone interviews; audio editing of your podcast; compression versus normalization; how to add chapters and graphics to your enhanced audio podcast; how to upload your podcast; and how to create an RSS feed which is compatible with iTunes and other podcast aggregators.
The date is April 14th, and the place is Miami, Florida. Although there is a charge of US$100 per person, attendees will receive a coupon good for a 40% discount off of the recommended audio podcast production software for Mac. Click here for more information, or to register.
Sunday, March 08, 2009
Roxio is offering excellent value in its new Pro bundle
With version 10, Roxio (now a division of Sonic Solutions) offers a Pro bundle of Toast, which includes a total of 12 applications, most of which are multilingual. As many veteran Mac users know, the Toast application was born way before MacOS X (10.0). Back then, Toast was necessary to do something as simple as burning a CD, since before 10.0, the MacOS didn’t include onboard CD burning. Although CD and DVD burning capability is now part of the MacOS X (with much less depth than with Toast), the Toast application has grown quite a bit to cover many other tasks. Without even going into the bundled applications yet, you may know that Toast 10 can now burn data CDs, data DVDs, and data Blu-rays, and span data over more than one disk. Toast 10 can also do simple authoring of video DVDs and Blu-rays, as well as create “AVCHD disks”, which is HD material burned on a standard single or dual-layer DVD, and is playable on some Blu-ray players, and on the Sony PS3. But I’m only beginning to describe what the base Toast 10 application can do!
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Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
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...plus an update on what’s next for the Apprentice series.
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Plus a little screencast in this blog post on a topic we didn’t get to cover.
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Use a boom mic and some common sense!
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Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
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Motion Magic on MacBreak Studio
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These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Allan Tépper
If you agree, please sign the online petition requesting the required updates.
Michelle Gallina
CS6 Production Premium Road Show
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New videos from Brian Maffitt
Allan Tépper
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