Allan Tépper

Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.

Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us

Blackmagic: We’re ready to remove the Band-Aid!
How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
AbelCine updates its free Field Of View Comparator for Blackmagic Cinema Camera
Sony quietly announces the NX30 camcorder, a little sister to the NX70
Make your iMac matte without spending money or applying any screen protector
AJA announces T-TAP, the US$249 palm-sized, self-powered bridge from Thunderbolt to HDMI or SDI
For broadcast news, “Starbucks is the new microwave!”
iPad video journalism comes of age at NAB 2012
NAB 2012 applause! Blackmagic’s cinema camera uses HFS+ formatting rather than weak FAT32
At NAB 2012: Jordan, Okada & Tépper join Laporte and Lindsay on MacBreak Weekly
1st handheld dynamic microphones with hybrid XLR/USB/iPad connectivity from Audio Technica
PsF’s missing workflow, Part 10:  FCP X
Why an iPad is like a 4x5 view camera, and why you’ll need a black “focusing cloth”
Sound Device’s PIX recorders: a closer look as of firmware 1.07
Bandito Brothers use multiple HP DreamColors + Adobe Premiere for Act of Valor
GH2 adds missing AVCHD 29.97PsF… but worsens its already non-standard HDMI output
AJA and Sound Devices embrace Sony NXCAM’s timecode-over-HDMI
How to get the “24p” look for your live-switched multicam shoot
Avid now lets you edit video on your iPad for US$4.99. Should you?
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Pegasus Thunderbolt RAID5 from PROMISE
Can a professional really use Premiere Elements 10?
PsF’s missing workflow, Part 9: Premiere Elements 10
Sony’s FS100 camera to become “WorldCam” via free firmware update
Sony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
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Wednesday, October 28, 2009

Beware the attack of the anachronisms!

Anachronisms keep popping up, both in and out of our tech circles.

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During a recent translation/localization project for a major NLE manufacturer, my friend Rubén Abruña and I ran into a conundrum when debating with our client about how a few words should be translated. Among them was the word Slate, which Rubén and I (and everyone else we personally know in Spain and Latin America) had called Pizarra. We were quite shocked when our client told us that they wanted to use the word Claqueta, which actually corresponds with the word Clapstick. For us, the difference between a Slate and a Clapstick were clear: A Slate just shows information. While a Clapstick may show information, it always has a sound-producing “clapper” which was created to facilitate synchronizing audio and video in post. In fact, as far as we are concerned, both Clapstick and Claqueta are onomatopoeia, or words that were created to imitate the sound created by the device. For that reason, Rubén and I were quite clear about why we called a Slate as a Pizarra, and a Clapstick as a Claqueta. However, I began to discuss this with industry colleagues in Latin America/Spain, delve into the etymologies of each term, and discovered that —whether we like it or not, even Slate (Pizarra) is an anachronism.

more »

*VIDEO*
Audio
Production • (7) Comments • Most recent comments by: Jordi J. Recort, Rubén, Allan Tépper, Jordi J. Recort, Allan Tépper, Jordi J. Recort, • Permalink


Sunday, October 18, 2009

Audio options for hybrid cameras: a study by P3Pictures

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Jon Fairhurst of P3Pictures has done quite a study on audio options for hybrid cameras. Although P3Pictures uses a Canon 5D Mark II for its testing, at least some of their conclusions could apply to other hybrid cameras, including the Canon 7D, Panasonic Lumix GH1, and others yet to be released. P3Pictures’ goal with these scientific tests is to find the most professional quality sound, with mid-priced equipment. In all tests, P3Pictures uses the M-Audio Microtrack II, Zoom H4n, BeachTek DXA-5D, and the juicedLink CX 231. The first test is done with a closely placed shotgun mic. The second test uses a camera-mounted shotgun. The third test is with a wireless lavaliere microphone. Part 4 is foley recording, and Part 5 explores the noise floor of each option. Part 6 are P3Pictures’ conclusions. Here come the videos…

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Audio
Production • (0) Comments • • Permalink


Thursday, April 09, 2009

Professional Audio Podcasting seminar, April 14th in Miami

Learn how to produce a professional audio podcast in Miami, April 14th

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Now is your chance to attend a seminar about professional audio podcast production. You will learn the fundamental differences between tradtional radio broadcasts, live Internet radio, and audio podcasts… and the advantages of the latter; how to design your audio podcast format; the standard elements (intros, outros, bumpers, etc.); hardware and software to produce your audio podcast; how to conduct high-quality telephone interviews; audio editing of your podcast; compression versus normalization; how to add chapters and graphics to your enhanced audio podcast; how to upload your podcast; and how to create an RSS feed which is compatible with iTunes and other podcast aggregators.

The date is April 14th, and the place is Miami, Florida. Although there is a charge of US$100 per person, attendees will receive a coupon good for a 40% discount off of the recommended audio podcast production software for Mac. Click here for more information, or to register.



Sunday, March 08, 2009

Toast 10 Titanium Pro package: a great upgrade

Roxio is offering excellent value in its new Pro bundle

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With version 10, Roxio (now a division of Sonic Solutions) offers a Pro bundle of Toast, which includes a total of 12 applications, most of which are multilingual. As many veteran Mac users know, the Toast application was born way before MacOS X (10.0). Back then, Toast was necessary to do something as simple as burning a CD, since before 10.0, the MacOS didn’t include onboard CD burning. Although CD and DVD burning capability is now part of the MacOS X (with much less depth than with Toast), the Toast application has grown quite a bit to cover many other tasks. Without even going into the bundled applications yet, you may know that Toast 10 can now burn data CDs, data DVDs, and data Blu-rays, and span data over more than one disk. Toast 10 can also do simple authoring of video DVDs and Blu-rays, as well as create “AVCHD disks”, which is HD material burned on a standard single or dual-layer DVD, and is playable on some Blu-ray players, and on the Sony PS3. But I’m only beginning to describe what the base Toast 10 application can do!

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*VIDEO*
Audio
Distribution • (6) Comments • Most recent comments by: Methew Symonds, greek, Chrissand, Allan Tépper, Chrissand, • Permalink


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How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
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David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection

Todd_Kopriva | 05/22- 12:31 PM

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition

Chris and Trish Meyer | 05/21- 08:53 AM

...plus an update on what’s next for the Apprentice series.

As we mentioned what now seems like ages ago, we spent a year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. The introduction plus one or more additional videos from each course are available for free preview; we re-posted here on PVC the videos that contain tips and instruction you might find useful. Well, the series is done, and we’re off writing the next edition of the book. But before we go, we had one last video to share with you, which may be of interest to any After Effects user who still has to create both 16:9 and 4:3 versions of their compositions.

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