Allan Tépper

Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.

Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us

Blackmagic: We’re ready to remove the Band-Aid!
How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
AbelCine updates its free Field Of View Comparator for Blackmagic Cinema Camera
Sony quietly announces the NX30 camcorder, a little sister to the NX70
Make your iMac matte without spending money or applying any screen protector
AJA announces T-TAP, the US$249 palm-sized, self-powered bridge from Thunderbolt to HDMI or SDI
For broadcast news, “Starbucks is the new microwave!”
iPad video journalism comes of age at NAB 2012
NAB 2012 applause! Blackmagic’s cinema camera uses HFS+ formatting rather than weak FAT32
At NAB 2012: Jordan, Okada & Tépper join Laporte and Lindsay on MacBreak Weekly
1st handheld dynamic microphones with hybrid XLR/USB/iPad connectivity from Audio Technica
PsF’s missing workflow, Part 10:  FCP X
Why an iPad is like a 4x5 view camera, and why you’ll need a black “focusing cloth”
Sound Device’s PIX recorders: a closer look as of firmware 1.07
Bandito Brothers use multiple HP DreamColors + Adobe Premiere for Act of Valor
GH2 adds missing AVCHD 29.97PsF… but worsens its already non-standard HDMI output
AJA and Sound Devices embrace Sony NXCAM’s timecode-over-HDMI
How to get the “24p” look for your live-switched multicam shoot
Avid now lets you edit video on your iPad for US$4.99. Should you?
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Pegasus Thunderbolt RAID5 from PROMISE
Can a professional really use Premiere Elements 10?
PsF’s missing workflow, Part 9: Premiere Elements 10
Sony’s FS100 camera to become “WorldCam” via free firmware update
Sony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
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Monday, July 12, 2010

TecnoTur episode 3 (English): Karl Soulé of Adobe and Tamara Benavente of Ellanvannin Multimedia

Karl Soulé of Adobe: little known benefits in Premiere CS5/Tamara Benavente and her short film Lost and Found

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TecnoTur episode 3 (English) is now available. Tamara Benavente of Ellanvannin Multimedia tells Allan Tépper and the TecnoTuristas about how she produced her latest short film Lost and Found, using a Sony camera and Adobe Premiere. Then Karl Soulé of Adobe tells us about some little known yet extraordinary features in Premiere CS5. Here are details about this episode contents, and how to hear it free, or become a subscriber.

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Thursday, May 06, 2010

The exodus from Final Cut Pro to Adobe Premiere CS5 has begun

Adobe’s power and market share increases while Flash wanes

On April 5th, 2010, I published the article Will Adobe’s new Mercury technology provoke a sudden exodus from Final Cut Pro to CS5?. At that point, the title was still a question. Since then, NAB 2010 came and went without a word from Apple regarding the potential future of Final Cut Pro and Final Cut Studio. Apple’s complete silence on this topic seems to indicate that Apple is much more focused on the consumer market, especially their mobile devices, and no longer on professional applications and hardware. This is further revealed by Apple’s continuing release of MacBookPro 13” and 15” models without ExpressCard34 slots, which is now offered exclusively in the 17” model… and by the complete lack of direct eSATA ports on any Apple laptop. In the meantime, Adobe has already shipped Premiere CS5 for both Mac and Windows. As stated previously, CS5’s Mercury engine can handle multi-layers of H.264 raw footage in real time very gracefully. (CS4 can also do that, although not nearly so gracefully.) Based upon private e-mails and conversations with editors yesterday, the exodus from Apple’s Final Cut Pro to Adobe’s Premiere CS5 for many began yesterday.

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*VIDEO*
CS5
Editing
Post Production
Software
Final Cut Pro • (11) Comments • Most recent comments by: Jim Hines, Jay Gannon, Adam Wilt, Brett Perry, Martin Baker, Fremen, Dean Harrington, Michael Horton, Sproketz, Zak Ray, • Permalink


Monday, February 22, 2010

NewTek’s TriCaster TCXD300 ignites 3rd multicam revolution, now in HD

Standalone, portable HD studio mixer, character generator, recorder, streamer…

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Any video professional with a couple of decades of experience under her/his belt will remember the original Video Toaster, which was a card that ran in a Commodore Amiga computer, and (among many others) included the infamous Kiki wipe. Despite very minor defects, the original Video Toaster —in its era— represented a revolution for multi-camera live (or live-on-tape) productions. Now NewTek has given birth to the HD-capable version of the 3rd-generation product. The TriCaster TCXD300 is an amazing standalone box that works in either SD or HD, and can record internally or externally, in addition to encoding live webcasts in HD. It has a high quality character generator and includes virtual sets. After attending an intense, multiple-hour demonstration in Miami, conducting a radio interview for both of TecnoTur’s audio channels (the current Castilian channel, and the upcoming English channel) with two TriCaster team members, and a followup e-mail interaction with NewTek’s executive VP of engineering, I now know that there is no exaggeration in stating that the TriCaster TCXD300 is indeed the 3rd multicam revolution for HD live-to-disk, HD live-to-air, or HD live-to-web production. Experience many of the details in this article.

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*VIDEO*
Audio
Cameras
compression
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Hardware
Post Production
Production
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Vendor Channels • (3) Comments • Most recent comments by: wsmith, Allan Tépper, wsmith, • Permalink


Sunday, January 31, 2010

GoogleVoice improves its functionality on the iPhone

Clarifications about misinformation published by some other tech journalists

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GoogleVoice has recently improved its functionality on the iPhone by upgrading its optimized iPhone website, both esthetically and operationally. In light of the misinformation published by some other tech journalists, I must clarify that GoogleVoice has been working fine on the iPhone for many months, at least with three of its features. I have been using GoogleVoice on my iPhone since July 2009 to place inexpensive outgoing international calls, which has been my main reason for using it. Since that date, GoogleVoice has also worked for incoming calls to the iPhone, although I don’t regularly use that feature for now. Even though I don’t regularly use the incoming call feature —or GoogleVoice’s other features so far— I do cover all of them in this article, in addition to explaining specifically how GoogleVoice has improved when placing outgoing international calls from the iPhone as a result of this recent update. I’ll also cover how I expect the GoogleVoice service to grow even further in the coming months.

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Friday, January 29, 2010

Apple approves voice & video over iPhone’s 3G/Fring + iCall beat Skype

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Apple recently approved voice over iPhone’s 3G data connection, and now Fring and iCall have beaten both Skype and Truphone in updating their respective iPhone applications to take advantage of the newly approved feature. The other two possible voice conduits —which already existed for the iPhone and some other smartphones— are GSM and WiFi. In this article, I’ll review what these two applications have done so far, and what they’ve added with this newly approved third option. I’ll also cover Fring’s new video calling over 3G option.

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Tuesday, January 26, 2010

Skype’s certified HD webcams: a first look

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As I explained in the related article Skype goes HD, Skype software now supports full-raster HD 720p (1280x720) for Windows computers, and I expect the same support for Mac computers very soon. So far, Skype has certified HD webcams from two different manufacturers. All of these certified models use onboard H.264 hardware encoding to alleviate CPU cycles and bandwidth, and are expected to be available in early 2010. In this article, you’ll see the their photos, prices, and published specs. Each manufacturer has chosen to emphasize different types specifications, as you will read.

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*VIDEO*
Cameras
compression
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Software • (4) Comments • Most recent comments by: Allan Tépper, IEBA, DanConklin, • Permalink


Tuesday, January 26, 2010

Skype goes HD for computers + embedded in certain consumer HDTV sets

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Earlier this month, Skype announced its support for progressive, full-raster HD 720p (1280x720) on Windows computers, and is to be embedded in certain consumer HDTV sets. For readers unfamiliar with it, Skype is free software for Mac & Windows computers —in addition to certain mobile phones and other handheld mobile devices— which facilitates 1-on-1 or multi-user communication. Skype software offers any combination of text chat, high-quality audio chat, and video chat (device dependent). Regardless of the device used at either end, all Skype-to-Skype communication is free (less the cost of the device itself and the Internet connection. In addition, at extremely low cost, Skype optionally offers the placing Skype calls to POTS (Plain Old Telephone Service) numbers, and/or receiving POTS calls via Skype. As has been Skype’s historical fashion, the company has upgraded the Windows versions of the software first, although I expect the HD capability added to the Mac version shortly. Skype is also used for remote invitees in TV talk shows, and the addition of HD 720p will certainly augment its use in that application.

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*VIDEO*
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Web Video • (0) Comments • • Permalink


Friday, January 22, 2010

Avid Media Composer 101 courseware translated/localized for Latin America/Spain

Avid contracted the translation/localization to Rubén Abruña and Allan Tépper.

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After many months of teamwork, the Avid Media Composer 101 courseware is now available in a translated and localized version for Latin America & Spain. As a result, many Avid MC101 students in those areas can now benefit from having this courseware in their own language. My friend Rubén Abruña of iLevel and I had the honor of receiving this contract from Avid in 2009. The first draft of our translation/localization was initially used in September 2009 at an Avid training event in Santiago, Chile, South America, both to teach a group of new students, as well as to generate feedback from certified Avid instructors from the region. In this article, you’ll see the behind the scenes of this project, which combined our knowledge of the techie video terms in each language, as well as that of the regionalisms and political debates that surround this type of a project.

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*VIDEO*
Editing
PR News
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Training • (0) Comments • • Permalink


Wednesday, January 20, 2010

Tépper’s predictions for iPhoneOS 4.0

Google/Android’s current advantages; demystifying Nexus One misinformation

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While many writers are concentrating on the anxiously anticipated Apple tablet, I have chosen to leave that topic alone until after its official announcement. If you are interested in that, see Alex Lindsay’s and Chris Meyer’s great articles here in ProVideo Coalition. I have decided to publish my predictions for iPhoneOS 4.0, based upon my own desires for features, as well as those expressed by the general market, and some features offered already on some Google/Android-based mobile devices —especially the recent Nexus One— which are currently missing from the iPhone. I am surprised that these desirable features haven’t even been mentioned by other popular media outlets who have reviewed the Nexus One. So keep reading to discover my predictions for iPhoneOS 4.0, and some little known capabilities of the Nexus One and some other Google/Android devices.

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Tuesday, December 15, 2009

SFTP: An open letter to all software developers with FTP-only support

Regular FTP is quite dangerous; SFTP is much safer.

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You know who you are: Adobe, Apple, DVcreators, elGato, Telestream, and others. Even though we would love to have a utopian world —and a utopian Internet—, we are certainly not there yet. There are bad guys out there, and we can’t afford to make it easy for them. That’s why there are secure websites (https) and secure e-mail encryption (SSL). Fortunately, there are many good software programs that already support SFTP, including CoreFTP, Cyberduck, Fetch, Transmit, and Übercaster. And from Apple, even iWeb (starting with the ’09 version) supports SFTP. So why don’t Adobe Media Encoder, Compressor, DVKitchen, Turbo.264HD, and EpisodePro support SFTP too? All of these are professional tools, but for some unknown reason, they alarmingly all lack SFTP support as of the publication date of this article.

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Distribution
Software
Tips
Web Video • (2) Comments • Most recent comments by: Allan Tépper, Todd_Kopriva, • Permalink


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David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
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Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

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These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
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How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
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David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection

Todd_Kopriva | 05/22- 12:31 PM

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition

Chris and Trish Meyer | 05/21- 08:53 AM

...plus an update on what’s next for the Apprentice series.

As we mentioned what now seems like ages ago, we spent a year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. The introduction plus one or more additional videos from each course are available for free preview; we re-posted here on PVC the videos that contain tips and instruction you might find useful. Well, the series is done, and we’re off writing the next edition of the book. But before we go, we had one last video to share with you, which may be of interest to any After Effects user who still has to create both 16:9 and 4:3 versions of their compositions.

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