Allan Tépper

Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.

Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us

Blackmagic: We’re ready to remove the Band-Aid!
How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
AbelCine updates its free Field Of View Comparator for Blackmagic Cinema Camera
Sony quietly announces the NX30 camcorder, a little sister to the NX70
Make your iMac matte without spending money or applying any screen protector
AJA announces T-TAP, the US$249 palm-sized, self-powered bridge from Thunderbolt to HDMI or SDI
For broadcast news, “Starbucks is the new microwave!”
iPad video journalism comes of age at NAB 2012
NAB 2012 applause! Blackmagic’s cinema camera uses HFS+ formatting rather than weak FAT32
At NAB 2012: Jordan, Okada & Tépper join Laporte and Lindsay on MacBreak Weekly
1st handheld dynamic microphones with hybrid XLR/USB/iPad connectivity from Audio Technica
PsF’s missing workflow, Part 10:  FCP X
Why an iPad is like a 4x5 view camera, and why you’ll need a black “focusing cloth”
Sound Device’s PIX recorders: a closer look as of firmware 1.07
Bandito Brothers use multiple HP DreamColors + Adobe Premiere for Act of Valor
GH2 adds missing AVCHD 29.97PsF… but worsens its already non-standard HDMI output
AJA and Sound Devices embrace Sony NXCAM’s timecode-over-HDMI
How to get the “24p” look for your live-switched multicam shoot
Avid now lets you edit video on your iPad for US$4.99. Should you?
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Pegasus Thunderbolt RAID5 from PROMISE
Can a professional really use Premiere Elements 10?
PsF’s missing workflow, Part 9: Premiere Elements 10
Sony’s FS100 camera to become “WorldCam” via free firmware update
Sony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
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Tuesday, March 24, 2009

Panasonic Lumix DMC-GH1: a first look from a videographer’s perspective

The ongoing development of truly hybrid photographic/video cameras has taken several steps forward with the GH1

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When I first heard about the Panasonic Lumix GH1 from my friend Steve (who saw a prototype and actually got to shoot with it at PMA 2009 in Las Vegas), I didn’t think too much about it. I incorrectly assumed that the GH1 was yet one more of those digital SLR photographic cameras that could also shoot HD video, although with more limitations than desired. But after investigating further, I realized that that first assumption was way off. The GH1 represents several steps forward in the ongoing development of truly hybrid photographic/video cameras, since it removes many of the limitations that other D-SLRs have imposed when used to shoot HD video.

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*VIDEO*
Cameras
Hardware • (4) Comments • Most recent comments by: JasonE, gloch, Pedro, Mezigue, • Permalink


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