Click Here

(Page 1 of 1 pages for this article )

Tuesday, October 18, 2011

Filed under: *VIDEO*AppleFinal Cut ProEditingGentryMedia Sister SitesMac CoalitionProVideo CoalitionHardwarePost Production

Mac Mini for pro video editing: a field report from Guatemala

Allan Tépper | 10/18

Despite gloomy predictions from the naysayers, the Mac Mini beats the MacPro tower for video editing.

image

Many readers of ProVideo Coalition magazine may recall my recent article Mac Mini w/Thunderbolt: preferred platform for many new editing systems. However, some of the readers had doubts, and one naysayer even dared to comment via LinkedIn: “This is hilarious garbage. No serious editor, in their right mind, would do this.” Another commenter via LinkedIn supposed that it would stand up for standard-definition video editing only, but would never work for HD 1080p editing. Fortunately, here is a detailed report from a very serious commercial production company in Guatemala, that has recently replaced two MacPro towers with Mac Mini i7 with Thunderbolt, together with a Thunderbolt RAID5 disk array, and a Thunderbolt-based professional audio/video i/o device. Here you’ll see the exact software and hardware configuration used, performance, and enthusiastic comments from the editor. On the other hand, you’ll even learn where not to use a Mac Mini.

Mac Mini configuration at Staff HDTV/Alta Definición in Guatemala

Staff HDTV/Alta Definición purchased the following configuration for two of their editing rooms:

image

  • Mac Mini i7 built-to-order with Thunderbolt and 2.7GHz processor, 500GB hard drive
  • RAM upgraded to 8GB via 3rd-party upgrade kit
  • PROMISE Pegasus RAID5 disk array R4 8TB (4x2TB)
  • Blackmagic UltraStudio 3D audio/video i/o
  • Final Cut Pro 7 (They already owned it.)
  • JVC DT-V24L1 monitor connected to the UltraStudio 3D’s HDMI output (They already owned this now discontinued monitor, as well as the Samsung GUI monitor.)

All of the above is repeated in two different editing rooms. Staff HDTV/Alta Definición has decided (for now) to stay with Final Cut Pro 7 since Final Cut Pro X (as of today) cannot work completely with a professional a/v interface. Although they already owned Final Cut Pro 7 and the monitors, they needed to purchase the new Mac Minis with Thunderbolt, the disk arrays, and the professional audio/video i/o device immediately after IBC. The lack of immediate availability of Thunderbolt-based i/o devices from AJA and Matrox made their decision quite simple, and that’s why they purchased two UltraStudio 3D interfaces, which I covered in this recent article. The lack of direct compatibility with the HP DreamColor was not an issue with these editing rooms, since in these rooms they have the mentioned JVC monitors which can accept either digital RGB or digital YUV with no problem. (Staff HDTV/Alta Definición does have an HP DreamColor in their new grading suite, which I covered in this recent article DaVinci Resolve training at Staff/HDTV in Guatemala.)

Pegasus/Mac Mini performance according to Blackmagic Disk Speed Test

image

Speed test I performed when I visited Guatemala. Click here for a larger view of this report.

This disk performance beats by far the performance that Staff HDTV/Alta Definición previously got with their MacPro tower using an external eSATA-based system, despite the fact that the older one was also a 4-drive array using RAID0 (generally higher performance, although without any redundancy), and the Pegasus is configured for RAID5 (which has redundancy). The increase in performance is likely to be due to a combination of factors, including the faster magnetic drives available today, the Thunderbolt connection, and the hardware-based RAID controller in the Pegasus, as opposed to the software-based RAID they used before.

Other comments regarding FCP 7 performance with this system

Staff HDTV/Alta Definición has already been editing with the Mac Mini system for over a month, mainly with 1080p. When I asked the Staff HDTV/Alta Definición editors what other aspects of editing with Final Cut Pro 7 changed using the Mac Mini system as described above, their response was that absolutely every other aspect of editing has become much faster. I asked about possible heat, and they responded that the Mac Mini does get warm after several hours of editing, and they are considering adding a cooler base of the type sold for laptops, like this one.

When a Mac Mini is not the best choice

For the moment, the Mac Mini is not the best choice for applications that are extremely GPU-dependent, like when using DaVinci Resolve. That’s why Staff HDTV/Alta Definición used one of the MacPro towers which they retired from the editing suite for use in their new grading room, as described in my recent related article DaVinci Resolve training at Staff/HDTV in Guatemala. This may change soon, when it becomes feasible to add Thunderbolt-connected external GPUs.

Link to the original article

Here is a link to my original article Mac Mini w/Thunderbolt: preferred platform for many new editing systems.

Allan Tépper’s books, consulting, articles, seminars, and audio programs

Contact Allan Tépper for consulting, or find a full listing of his books, articles and upcoming seminars and webinars at AllanTepper.com. Listen to his TecnoTur program, which is now available both in Castilian and in English, free of charge. Search for TecnoTur in iTunes or visit TecnoTur.us for more information.

Disclosure, to comply with the FTC’s rules

None of the manufacturers listed in this article is paying Allan Tépper or TecnoTur LLC specifically to write this article. Some of the manufacturers listed above have contracted Tépper and/or TecnoTur LLC to carry out consulting and/or translations/localizations/transcreations. Many of the manufacturers listed above have sent Allan Tépper review units. So far, none of the manufacturers listed above is/are sponsors of the TecnoTur programs, although they are welcome to do so, and some are, may be (or may have been) sponsors of ProVideo Coalition magazine. Some links to third parties listed in this article and/or on this web page may indirectly benefit TecnoTur LLC via affiliate programs.

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

The main question is what is the CoDec used. Native .mts? H264 ? transcoded to ProRes?

Posted by .(JavaScript must be enabled to view this email address)  on  10/19  at  01:30 AM


The mini is so small, instead of a USB fan underneath, why not put the whole CPU / drive system inside a “dorm” refrigerator and crank it real cold?

It’d be the cheapest way ($50 or so) to be like the overclockers who use extreme cold to boost the efficiency of overclocked CPUs.

Posted by IEBA  on  10/24  at  05:49 PM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Blackmagic: We’re ready to remove the Band-Aid!
How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
AbelCine updates its free Field Of View Comparator for Blackmagic Cinema Camera
Sony quietly announces the NX30 camcorder, a little sister to the NX70
Make your iMac matte without spending money or applying any screen protector
AJA announces T-TAP, the US$249 palm-sized, self-powered bridge from Thunderbolt to HDMI or SDI
For broadcast news, “Starbucks is the new microwave!”
iPad video journalism comes of age at NAB 2012
NAB 2012 applause! Blackmagic’s cinema camera uses HFS+ formatting rather than weak FAT32
At NAB 2012: Jordan, Okada & Tépper join Laporte and Lindsay on MacBreak Weekly
1st handheld dynamic microphones with hybrid XLR/USB/iPad connectivity from Audio Technica
PsF’s missing workflow, Part 10:  FCP X
Why an iPad is like a 4x5 view camera, and why you’ll need a black “focusing cloth”
Sound Device’s PIX recorders: a closer look as of firmware 1.07
Bandito Brothers use multiple HP DreamColors + Adobe Premiere for Act of Valor
GH2 adds missing AVCHD 29.97PsF… but worsens its already non-standard HDMI output
AJA and Sound Devices embrace Sony NXCAM’s timecode-over-HDMI
How to get the “24p” look for your live-switched multicam shoot
Avid now lets you edit video on your iPad for US$4.99. Should you?
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Pegasus Thunderbolt RAID5 from PROMISE
Can a professional really use Premiere Elements 10?
PsF’s missing workflow, Part 9: Premiere Elements 10
Sony’s FS100 camera to become “WorldCam” via free firmware update
Sony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
PsF’s missing workflow, Part 8: ClipWrap to the rescue
PsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.x
PsF’s missing workflow, Part 6: Tépper asks the camera manufacturers…
PsF’s missing workflow, Part 5: Átomos hires a stripper!
PsF’s missing workflow, Part 4: file-based HD video recorders







Relief after Apple’s segregation of keyboards in the USA

Allan Tépper | 08/26

image

If you read my recent article Apple USA unfortunately segregates Mac Mini’s keyboard options here in ProVideo Coalition magazine, you may now feel relief. After exploring…

Can a Mac mini handle dual-screen HD editing?

Adam Wilt | 10/11

I compare an early 2009 and a late 2010 Mac mini with a three-year-old MacBook Pro.

At work, I have a big, snorting, hairy beast of a MacPro, but at home I want something small, quiet, and abstemious with the power—yet still capable of dual-screen HD editing with reasonable playback performance when I need it. I’ve tested two…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank