(Page 2 of 2 pages for this article  <  1 2)

Filed under: *VIDEO* •Audio •Distribution •Hardware •Production •

MONOGRAM’s BCC is a portable studio that changes the rules of the game

Click here for page 2 of this article.

Look Ma’, no physical keyboard!

Thanks to the 19-inch diagonal touch screen which is hinged inside the BCC’s special Pelican case, no physical control panel, T-bar, or keyboard is required with the BCC. All user input to assign sources, change sources, or enter character generation text is all handled via the touch screen. However, for anyone who may insist on using them, the BCC has three USB ports which can allow their connection and use.

One of BCC’s character generator interface screen. Text may be entered via BCC’s on-screen virtual keyboard (as in the cases of the iPad/iPhone/Android) or optionally with a USB keyboard.

Look Ma’, no monitors required!

For the same reason mentioned above, there is no need to purchase, carry, connect, or use any external monitor to see sources or even program output. This is not only a reduction in cost, but also a major reduction in the “shlep” factor.

BCC’s image editor.

BCC’s media library.

BCC’s unique template-based source system

Although for experienced video producers, a minor mental reboot is required to discard the traditional video “switcher” methodology, once you absorb BCC’s template-based system, everything becomes more logical and more efficient. First of all, there is no longer the traditional row of numbered buttons for sources. Using the touch screen interface, your finger taps a visual source directly. Before a production, you create a project with all of the required sources. Rather than selecting a transition type during the production, you pre-program each source’s attributes, including its in-transition and (if appropriate, in the case of a pre-recorded video clip) the out-transition. Each one can be a cut, a dissolve of a any desired duration, or any digital effect transition. Each one can be with or without a lower third graphic, which also can be pre-programmed for its in-transition and out-transition. What if you want to go to camera 2, sometimes as a cut and other times as a 25-frame or 30-frame dissolve? No problem: Just create that as a source twice, one with each transition. Then, during the show, you tap whichever one you want at any particular time. After you digest the power of the template-based source system, together with the touch screen interface, you realize how more efficient and more pilot-error-free this system is compared with traditional ones.

BCC’s scene editor.

BCC’s onboard chroma keyer.

BCC’s webstreaming adjustments.

BCC’s add-on options

Optionally, you can add any of the following to a BCC:

• Instant replay with slow motion (recorded from all live camera inputs): US$4,995
• ISO recording, to have an independent recording of each source: US$7,885
• CG Design Packs, US$295

Internal components and specs

MONOGRAM informs me that the internal video processing in the BCC is 10-bit, 4:4:4, although the inboard recorder is 8-bit, 4:2:2 MPEG2 up to 60 Mb/s. The base system has in inboard i7 processor with Windows 7, 3GB RAM, and a 64GB SSD (solid state drive). Internal audio processing is 48khz stereo 16 bit.

If the ISO recording option is purchased, it comes with a 10,000 rpm SATA drive for recording, or two of them if the BCC is for 8-inputs. ISO recording is approximately three hours in HD for each camera.

BCC’s weight starts from 16kg (±35.2 pounds) and goes up to the maximum configuration weight at 24kg (±52.9 pounds).

Waveform monitor (my wish list)

The version of the latest BCC software shown at NAB was a ßeta version, and was temporarily missing the promised on-screen waveform monitor. I am hoping that when it appears, that it will offer the features and modes that I already published in my review on the NewTek TriCaster TCXD300, although adjusted for the BCC’s increased inputs:

I would like a Camera Setup mode “A”, where up to four waveform monitors (corresponding to the four camera inputs) are arranged side by side in such a way that they are occupying almost the entire raster to facilitate matching luma levels and black levels. To achieve the best S/N (signal-to-noise ratio), these adjustments are best made at the camera head, via a CCU or mini-CCU, but in case that’s not available, there should be access to the BCC’s proc-amp directly below each waveform monitor, to adjust black level and luma level. Camera Setup “B” would be the same thing, but show three huge vectorscopes side-by-side, with the proc-amp below each one, accessing the chroma saturation. Camera Setup “C” would be a huge waveform monitor (almost full raster) with each camera input signal superimposed over each other, but each one in a different color: perhaps red for input 1, green for input 2, blue for input 3, and amber, with the four appropriate proc-amp access windows below. Camera Setup “D” would be a huge vectorscope (almost full raster) but (unlike when viewing a single source on the vectorscope with the colors), it would have the same single color per channel as in mode “C”. I am still awaiting a screen shot to see how MONOGRAM will implement the waveform monitor and (possibly) the vectorscope.

Warranty and distribution channel

BCC’s manufacturer is in Slovakia in Europe. The worldwide distributor is Exwex. Readers in the Americas will be happy to know that they are implementing a manufacturing branch in Canada, and are very quickly signing up resellers throughout the Americas.

BCC comes with a 1-year standard warranty. A purchaser may prepay an additional 2-year warranty, which also includes a 96-hour replacement/new piece if something goes wrong, for US$4,995.

Inevitable competitive comparison

See the related article, BCC versus TriCaster TCXD300, together with my conclusions.

More info

More information: MonogramMultimedia.com

Allan Tépper’s articles, seminars, and audio programs

Get a full index of Allan Tépper’s articles and upcoming seminars and webinars at AllanTepper.com. Listen to his radio program TecnoTur, which is now available both in Castilian and in English, free of charge. Search for TecnoTur in iTunes or visit TecnoTur.us for more information.

Disclosure, to comply with the FTC’s rules

No manufacturer is paying Allan Tépper or TecnoTur LLC specifically to write this article. Some of the manufacturers listed above have contracted Tépper and/or TecnoTur LLC to carry out consulting and/or translations/localizations/transcreations. At the date of the publication of this article, none of the manufacturers listed above is/are sponsors of the TecnoTur programs, although all are welcome to do so, and some are, may be (or have been) sponsors of ProVideo Coalition magazine.

(Page 2 of 2 pages for this article  <  1 2)

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below: