Click Here

(Page 1 of 1 pages for this article )

Thursday, May 13, 2010

Filed under: *VIDEO*Cameras

Sony consumer announces APS-C camcorders with removable lenses

Allan Tépper | 05/13

image

Sony’s consumer division has just announced three cameras with APS-C sensors and removable lenses (E-Mount), two of which look like pocket-sized DSLR cameras, and the third which looks like a Handicam, is under development. The first two are the models NEX-5 and NEX-3, and the Handicam-type model is visible in the video you’ll see ahead.

 

Time will tell what professional versions may be yet to be announced from Sony’s Professional division.

Allan Tépper’s articles, seminars, and audio programs

Get a full index of Allan Tépper’s articles and upcoming seminars and webinars at AllanTepper.com. Listen to his radio program TecnoTur, which is now available both in Castilian and in English, free of charge. Search for TecnoTur in iTunes or visit TecnoTur.us for more information.

Disclosure, to comply with the FTC’s rules

No manufacturer is paying Allan Tépper or TecnoTur LLC specifically to write this article. Some of the manufacturers listed above have contracted Tépper and/or TecnoTur LLC to carry out consulting and/or translations/localizations/transcreations. At the date of the publication of this article, none of the manufacturers listed above are sponsors of the TecnoTur programs, although they are welcome to do so, and some are, may be (or have been) sponsors of ProVideo Coalition magazine.

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

I think Sony’s on the right track. Finally someone’s putting a film lens system on a camcorder that doesn’t look and act like a still camera. No more thousand dollar accesory kit to make your DSLR “feel” like a traditional camcorder. It’s interesting that they are approaching the consumer market and not the prosumer market or professionals with this development. It would be interesting to see the estimated price tag. Once professional or prosumer camcorders have the abilities these lenses and imagers provide, the DSLR craze should subside. I say bravo, Sony.

Posted by .(JavaScript must be enabled to view this email address)  on  05/14  at  06:58 AM


Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Avid now lets you edit video on your iPad for US$4.99. Should you?
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
Pegasus Thunderbolt RAID5 from PROMISE
Can a professional really use Premiere Elements 10?
PsF’s missing workflow, Part 9: Premiere Elements 10
Sony’s FS100 camera to become “WorldCam” via free firmware update
Sony’s NX70 camera to receive its missing 29.97p framerate via free firmware update
PsF’s missing workflow, Part 8: ClipWrap to the rescue
PsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.x
PsF’s missing workflow, Part 6: Tépper asks the camera manufacturers…
PsF’s missing workflow, Part 5: Átomos hires a stripper!
PsF’s missing workflow, Part 4: file-based HD video recorders
PsF’s missing workflow, Part 3: Sony’s AVCHD & NXCAM cameras
PsF’s missing workflow, Part 2: the Canon XA10 camera
PsF’s missing workflow Part 1: BENIGN PsF versus MALIGNANT PsF
Mac Mini for pro video editing: a field report from Guatemala
DaVinci Resolve training at Staff/HDTV in Guatemala
Blackmagic breaks Thunderbolt price budget with US$299 Intensity Extreme
AJA announces Io XT interface with Thunderbolt at IBC in Amsterdam
Matrox adds optional Thunderbolt connectivity to existing MXO2 family interfaces
Blackmagic delivers its first Thunderbolt-based i/o interface, the UltraStudio 3D
Relief after Apple’s segregation of keyboards in the USA
Roland QUAD-CAPTURE: the little sister of the OCTA-CAPTURE
Why FCP X’s secondary monitor should be 1920x1200, not 1920x1080
Apple USA unfortunately segregates Mac Mini’s keyboard options
Mac Mini w/Thunderbolt: preferred platform for many new editing systems
Review: Roland OCTA-CAPTURE 8/10-channel USB 2.0 audio interface
Adobe & Avid attract FCP-defectors with special discounts
FCP7 back for Enterprise/new features for FCPX within weeks
Adobe Premiere Pro CS 5.5 brings better handling of medium framerate videos recorded as PsF







The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

Revisiting the RED workflow, Smoke 2012 style

Marc-Andre Ferguson | 02/03

image

My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…

Stereo 3D Video Production with GoPro

Jeff Foster | 01/29

Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software

Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it like I am, you quickly realize that there are few turnkey workflows out there to capture and process 3D Stereo video that’s easy to setup, shoot and edit Stereo pairs.…

Quick Look: Sony F65 4K Digital Cine Camera

Adam Wilt | 01/28

BandPro’s Jeff Cree shows off the F65 at Videofax in San Francisco.

Last week, San Francisco rental house extraordinaire Videofax took delivery of Sony F65 #15, and on Thursday BandPro’s Jeff Cree came up to show off the camera to local DPs, ACs, and DITs. I was able…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank