Allan Tépper
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony VO-3650 editing deck in his high school in Connecticut. Since 1994, Tépper has been consulting both end-users and manufacturers via his Florida company. Via TecnoTur, Tépper has been giving video technology seminars in several South Florida’s universities and training centers, and in a half dozen Latin American countries, in their native language. Tépper has been a frequent radio/TV guest on several South Florida Latino stations, and on a couple of Venezuelan stations too. As a certified ATA (American Translators Association) translator, Tépper has also translated and localized dozens of advertisements, catalogs, software, and technical manuals for the Spanish and Latin American markets. Tépper’s most recent translation was the user interface for a Hong Kong company which makes a calling card application (BerryDialer) for Blackberry users.
Over the past 17 years, Tépper’s articles have been published in more than a dozen magazines, newspapers, and electronic media in Latin America, mainly in Producción & Distribución and TTV. In 1998 Tépper founded SOPRÉPROC, the Sociedad para la preservación y progreso del castellano or Society for the Preservation and Evolution of the Castilian language (the world’s most widely used Spanish language). From 2000-2002, Tépper was also the editor of TTV, of the Izarra Group. From the end of 2006 until September 2007, Tépper was the co-director of the South Florida Final Cut Pro User Group. Currently, Tépper is writing for ProVideo Coalition and editing more episodes of his TecnoTur audio podcast, which includes international telephone interviews of industry professionals in Spain and Latin America. Subscribe free to TecnoTur in iTunes or at TecnoTur.us
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Monday, April 05, 2010
The whiners need to wake up and understand the message that has already been written on the wall for over two years.
I am glad that the iPad doesn’t support Flash, and I hope it remains that way. I like efficiency, stability, security, omni-platform compatibility, direct search engine friendliness, truly open-standards, and long battery life. Back in 2008, I published Encoding web video in the age of the iPhone. Among many other topics, the 4-page article talked about how content producers are best served by steering clear of Flash-dependent media if they expect to have it be readable by what I called the fastest-growing computing device segment, which of course was —and still is— mobile devices. Since then, there has been exponential sales growth in that category, including iPhones, iPod Touches, multimedia Blackberries, and a handful of Android phones from several different manufacturers, including the recent Droid, Milestone, and Nexus One. On time for the iPad launch, some of the most important content producers in the world have understood the message that has been on the wall for over two years, and have already made themselves compatible with these Flash-free mobile devices, including Brightcove, CBS, CNN, ESPN, Facebook, Flickr, Major League Baseball, National Geographic, the National Hockey League, Netflix, Nike, NPR, People magazine, Reuters, Sports Illustrated, TED, The New York Times, Spin, Sports Illustrated, Time, the TWIT network, YouTube, Vimeo, Virgin America, and the White House. It’s time for the whiners to stop complaining and get the message too. Despite some criticisms about certain details in their products (i.e. their current lack of SFTP support), I love Adobe, and I admire its past, present, and future developments. Flash is perhaps the only thing that we don’t need anymore from Adobe, and that simply creates content that is unreadable on multiple millions of devices. My appreciation for Adobe should also be clear by my recent article called: Will Adobe’s new Mercury technology provoke a sudden exodus from Final Cut Pro to CS5?
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