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Adobe Audition for Mac at NAB 2011Completely new for Mac and 5.5 Adobe Audition from ProVideo Coalition on Vimeo. Ellen Wixted narrates a brief Adobe Audition demo for the Mac. more »FirstCom Music Library at NAB 2011How do you video a music library? Firstcom from ProVideo Coalition on Vimeo. Sure, there’s not much to see in a video about a new website for a music library, but the spokesperson is engaging and informative. more »KTEK Booms and ShoesNew from KTEK KTEK from ProVideo Coalition on Vimeo. Ktek makes pretty great products. I have 2 poles myself and love checking out the goodies every NAB. more »Zaxcom Audio at NAB 2011: Nomad Production SoundI want…. Zaxcom at NAB from ProVideo Coalition on Vimeo. Zaxcom booth is always understated, but the products are drool worthy. We’re hoping to get our ProAudio Coalition guys to review this soon. Stay tuned… more »Advertisement Audio-Technica Head Worn MicrophoneThis mic would have been a good choice for NAB coverage. Audio-Technica from ProVideo Coalition on Vimeo. Cool announcer voice guy walks us through Audio-Technica head-worn microphone. This is part one for Audio-Technica. more »FreshDV NAB 2011 Video CoverageOur complete video content and coverage of the NAB 2011 expo
Welcome to FreshDV’s coverage of NAB 2011! The FreshDV crew is in Vegas for NAB week, bringing you video coverage from the show floor. If you can’t be on-site at NAB, we are the resource to watch. Watch our coverage of the show in the playlist below. If you’ve enjoyed it, drop us a line on Twitter @FreshDV. Watch below… more »After Effects CS5.5A series of videos demonstrating how to put the new features to work.
Just one year after the release of After Effects CS5, the AE team has cooked up a very nice update with some significant new and updated features (plus a lot of nice small ones as well) that will be of interest to both motion graphics and visual effects artists. To share our take on these with you, we’ve worked with AdobeTV who is hosting a series of videos we created on how to take advantage of our favorites among the new features. These are embedded over the next few pages, along with some quick comments about the new features. These movies include: more »Do you work in the broadcast industry? What does “broadcast” mean?The term “broadcast” has multiple meanings and contexts.
Do you work in the broadcast industry? What does the word broadcast mean to you? If you work for a radio or TV station or network in almost any capacity, you probably consider yourself to be a broadcaster. If you’re a stringer (an independent videographer who shoots news for TV), then you probably consider yourself to be a broadcaster too. If you manufacture or sell “broadcast” cameras or other equipment, then you probably consider yourself to be part of the broadcast industry. There was a time when people questioned whether a particular camera, recorder or other device was “broadcast quality” or not. As a certified translator, I am very aware of a particular word’s many nuances, especially when someone asks me to translate that word. In this article, we’ll explore and define different meanings of the term broadcast in various contexts. Then these meanings will become reference points for upcoming articles. more »Page 3 of 13 pages < 1 2 3 4 5 > Last » Advertisement |
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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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