Sunday, February 20, 2011

HPA Tech Retreat 2011 Day 4

Adam Wilt | 02/20- 10:13 PM

3D ghosts, camera arrays, etc.; final thoughts.

On this fourth and final day of the 2011 Tech Retreat, we learned about standards activities, 3D ghosts, camera arrays, automated audio “recognition”, a new method for making film protection masters, how bending a cable affects its performance, and a whirlwind tour through TV Tech history. Also: the death of tape… for real this time?

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Wednesday, February 16, 2011

HPA Tech Retreat 2011 Day 2

Adam Wilt | 02/16- 07:43 PM

Mayhem, confusion, and chaos continue!

Day 2 of the Tech Retreat covered the year in review, CES, cloud storage, broadcasting, pool feed audio, content protection, transcoding, stereo subtitles, and more…

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Tuesday, February 08, 2011

Maybe Facebook Is Good For Something After All

Bruce A Johnson | 02/08- 09:11 PM

SmartSound is giving away free music tracks!

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I’m not really a huge Facebook fan, but I can recognize a bargain when I see one.  If you are on Facebook and you “like” Smartsound, they’ll send you a free music track on February 15th.  Hey, what can it hurt?  It’s not like they want you to play Farmville or something. 

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Friday, January 21, 2011

What $300 Buys These Days

Bruce A Johnson | 01/21- 03:30 PM

One of those “I sure hope this is true” stories…

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OK, folks, have a look at “Lazy Teenage Superheroes,” a funny, really watchable (and slightly NSFW for language) 13-minute riff on science fiction:

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Friday, January 21, 2011

Film-Office Tax Credits Scandal!

Bruce A Johnson | 01/21- 06:30 AM

Wow, this would make a GREAT screenplay!

The Los Angeles Times has an interesting article about Iowa’s “alleged abuses of its film tax credit program.”  I don’t know how surprising this is, given that the Iowa film office apparently described their program as “half-priced filmmaking.”

It would be wrong not to note that the LA Times has a horse in this race - there is more than a hint of schadenfreud in this piece - but on the whole, this revisits well-trodden ground.  Jeez, even I wrote about it!

Not to pile on, but there is yet another article on the subject this morning from the New York Times (registration probably required), regarding New Jersey’s film subsidy program, which Republican Governor Chris Christie is looking to gut.  The intense problem of gauging these programs effectiveness is summed up in this one excellent paragraph, written by NYT reporter Michael Cieply:

Studies about the efficacy of film credits, which became widespread in the last eight years, have been maddeningly divergent in their conclusions, depending on methodology, the structure of the credit and, sometimes, who sponsors the report.

I believe we have a BINGO!

When I wrote about Wisconsin’s film subsidy program back in 2009, things were tough for state governments.  By all accounts, things are worse in 2011.  If I were a betting man, I’d wager that film subsidy programs are going to become an even more endangered species in the near future.

What do you think?

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Thursday, November 25, 2010

Gifts For the HDSLR Shooter in Your Life

Clint Milby | 11/25- 01:45 AM

That Won’t Break Your Budget!

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For those of us in the industry who spend most of our life engaged in activities that many of our friends and family don’t really understand, shopping for us can be a daunting task.  Although warned to just get gift cards, sometimes our loved ones insist on getting something more personal.  The result can be a gift that never sees the light of day, is re-gifted or we have to make that awkward request for a receipt which never sets well… 

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Wednesday, November 24, 2010

TecnoTur 6 (Castilian): interviews with Escuchalibros, RAMM Animation, and actress Carla Sánchez

Allan Tépper | 11/24- 09:08 AM

2D animation in Latin America, audiobook production in Spain, and Venezuelan actress/model Carla Sánchez

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TecnoTur episode 6 in Castilian (aka “Spanish”) is now available. In episode 6, we learn about Venezuelan actress/model Carla Sánchez’s latest projects, and we briefly discuss Allan Tépper’s book Unleash GoogleVoice’s hidden power for 3G, WiFi, and free international roaming. Then we present the 2nd part of our interview with Rafael Andreu of RAMM Animation, whose projects have included the Castilian version of Sesame Street (Plazo Sésamo in Latin America or Barrio Sésamo in Spain). Finally, we discuss audiobook production with Victoria Mesas García of Escuchalibros of Spain. Here are details about how to hear TecnoTur free, or become a subscriber.

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Tuesday, September 28, 2010

Adobe’s US$99 Premiere Elements for Mac: a first look from a pro video perspective

Allan Tépper | 09/28- 09:07 AM

Adobe’s US$99 Premiere Elements for Mac is marketed for amateurs, but may have pro applications too.

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Last week, I attended Experience Adobe CS5 Production on a Mac here in Miami. Interestingly, the seminar was organized by a local reseller called Enhanced View Services, although promoted via Apple Events, and the actual presenters were from Adobe and Apple. Even though there was a presentation from Apple before and after the Adobe presentation, I estimate that 75% was about Adobe’s CS5. Many ProVideo Coalition readers know that I have written several articles about Final Cut Pro workflow, and more recently, I’ve published several about Premiere Pro CS5, and I will continue to do so. In addition to saying hello to the people from Apple and Adobe and hearing even more about CS5, I really wanted to see whether there would be any mention of the new US$99 Premiere Elements for Mac, which had been announced earlier in the week… and if not, I wanted to ask questions about it. In this article, you’ll find out more about what happened at this event, and the surprisingly positive answers I got about Premiere Elements for Mac.

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection

Todd_Kopriva | 05/22- 12:31 PM

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.

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