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Camera Log

by Adam Wilt | Founder

Sunday, February 24, 2008

Sticky: Traveling with batteries, Pro Apps Updaters, etc.

Stuff to watch out for; tips ‘n’ tricks

FAA rules on lithium battery transport
Apple Pro Apps - save those updaters!
PMW-EX1: XDCAM Transfer 2.5.1 for Mac Released; fixes CLOCK-mode timecode import bug.

CamerasEditingPost ProductionProduction • • Permalink

Wednesday, June 25, 2008

Cine Gear Expo 2008 - Day 2

The second day of the hottest equipment show in LA


Cine Gear Expo on the blazing-hot Universal backlot

Day 2 of Cine Gear Expo dawned sunny and hot—our in-car temperature display registered 102 degrees Fahrenheit by 1:30pm. Despite the heat, there were plenty of things worth seeing.

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CamerasHardwareLightingProduction • (0) Comments • • Permalink

Friday, June 20, 2008

Cine Gear Expo 2008 - Day 1

The hottest equipment show in LA… literally…


Cine Gear Expo on the Universal back lot.

We came down to LA for Cine Gear Expo, a two-day showcase of all manner of production things: grip gear, lighting, camera accessories, and so on.

It is quite literally the hottest equipment show around…

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CamerasHardwareLightingProduction • (0) Comments • • Permalink

Wednesday, June 18, 2008

Maelstrom - Production (part 2)

Shooting “jazz style” on a Rob Nilsson feature


Sunflowers: two VistaBeam 600s fill the shadows.

[See also: Preproduction; Production (part 1)]

Day 4 - We have a 3pm call for a 4pm start (we’re skewing later in the day as we need to shoot nighttime footage) and plan to shoot to midnight, covering the climactic dinner and post-dinner scenes. 

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CamerasProduction • (0) Comments • • Permalink

Tuesday, June 17, 2008

Maelstrom - Production (part 1)

Shooting “jazz style” on a Rob Nilsson feature


Still life with water bottle: An EX1 sports a DvRig Junior; Alan Hereford’s homebrew DvRig is at the bottom of the picture.

Day 0 - Finishing up our preproduction for Rob Nilsson’s film, “Maelstrom”, Tim and I head up to San Francisco and Emeryville to pick up gear. Videofax has an EX1 with wide-angle adaptor to back up ours and serve as a B camera, and Chater Camera has two Lectrosonics wireless systems with Sonotrim mikes to supplement my two existing Sony WRR/WRT-28 wirelesses with ECM-77s. 

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CamerasProduction • (1) Comments • Most recent comments by: Mark Spencer, • Permalink

Friday, May 09, 2008

Random RED Revelations

Stuff we learned during testing and Art’s spec spot shoot


Tim Blackmore helps John Chater tweak back-focus on a RED ONE

The more we work with RED ONEs, the more we learn about what they do and how to work with them, thus the following grab-bag of observations and experiences.

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CamerasProduction • (8) Comments • Most recent comments by: Adam Wilt, Hugo, Adam Wilt, Praxis, Adam Wilt, luis Bustamante, Stephen Murphy, Scott Gentry, • Permalink

Thursday, May 01, 2008

Schneider IR Filter Tests

Using the 486 UV-IR Cut filter to improve imaging.


Art Adams with the 486 filter on a RED ONE

Last week, Art Adams, Tim Blackmore, Ted Allen, and I tested the Schneider 486 UV/IR cut filter on a RED ONE and on a Sony PMW-EX1. Tim wore his famous “doesn’t look anything like that in real life” “black” shirt, and we lit him with IR-rich incandescent sources.

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CamerasProduction • (6) Comments • Most recent comments by: Art Adams, Claudio Rocha, Steve T., dane, Piotr Wozniacki, Art Adams, • Permalink

Tuesday, April 29, 2008

RED on location: Art Adams shoots a spec spot

Art’s first chance to use a RED ONE on a location shoot.


Saturday, 3:33pm: crew assembles at Chater Camera to pick up the bulk of the gear and load it into Simon Sommerfeld‘s truck.

We arrive on location at 4:00pm. The shoot occurs at the elegant Craftsman-style house of Craig and Diana, an unsuspecting Oakland couple.

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CamerasProduction • (4) Comments • Most recent comments by: Simon Sommerfeld, Adam Wilt, David Hudson, Luc Meisel, • Permalink

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Camera Log by Adam Wilt

Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.

Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.

He is currently a filmmaker with Meets The Eye LLC, a digital production company in the San Francisco bay area.





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