Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
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Tuesday, April 29, 2008
Art’s first chance to use a RED ONE on a location shoot.
We arrive on location at 4:00pm. The shoot occurs at the elegant Craftsman-style house of Craig and Diana, an unsuspecting Oakland couple.
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Monday, April 28, 2008
What NAB 2008 told me about where things are going.
I spent NAB 2008 walking around, looking for gear for our production company and getting a feel for where things are headed in general. I took away several strong impressions about where the industry is going—as well as a couple of interesting toys.
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Saturday, April 19, 2008
Stuff I saw on the final day of NAB 2008
Softron Media Systems demoed their suite of fully Mac-native broadcast automation apps, with OS X compliant user interfaces. Their capture and playout apps use AJA or BlackMagic cards, standard codecs, and are AppleScriptable. Never heard of Softron? They’ve been in TV Stations in Europe and Asia for several years; in Russia this past year; they’re just now coming into North America. If you’re interested in Mac-flavored broadcasting, dowload demo software or the user manuals and see for yourself.
Of course, there are other Macintosh broadcast apps—BUG.tv is also Mac-centric, and Building4Media‘s front ends are cross-platform—but I thought Softron deserved a look since they’re new to our market.
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Thursday, April 17, 2008
More pix from the show floor
The Panasonic HPX170 is a P2-only update to the HVX200 (The HVX has been updated to the 200A and remains in the lineup). The HMC150, which records to AVCHD and lacks many of the 170’s advanced features, looks much the same.
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Wednesday, April 16, 2008
Codex Digital, SpeedGrade, Tangent, SI2K, and Nila
Highlights of my walking around the show floor on Tuesday…
Codex Digital showed working versions of their Portable digital cine recorder. $44K gets you the lunchbox plus a three-hour drive pack, and the superb Codex user interface.
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Tuesday, April 15, 2008
Various images from the show floor
Carlos Acosta shows off his prototype shoulder mount for the F23 at the Band Pro booth. Fully flexible configuration: grips rotate freely or lock down, and adjust laterally, vertically, and in or out. Shoulder pad is positionable and can be angled; split foam padding velcroed in place allows easy changes, such as a thicker pad on the “outboard” side for better balance. Completely tool-free adjustment and assembly, too; and squeak-free by design. Nice work!
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Monday, April 14, 2008
Some highlights of what Sony is showing
Sony’s Juan Martinez gave me a night-before-the-show tour of the Sony booth (really a miniature city; “booth” doesn’t do it justice), and here are some of the highlights from a camera operator’s perspective.
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Friday, April 11, 2008
Finally, a non-self-ejecting HDMI cable
A colleague and I were discussing the sorry state of the physical HDMI connection; we call it a “self ejecting” technology. HDMI cables fall out of HDMI sockets with surprising ease. Fortunately there’s now a solution to this problem: a locking plug that works with any HDMI socket.
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