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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
Quick Look: Sony F65 4K Digital Cine CameraReview: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersAffordable PL-mount Primes ComparedQuick Look: Three New E-Mount PrimesLSS Notes: Sony F3/FS100 preso at MTE; “C300 = Awesome”Quick Look: Canon EOS C300 LSS 1080p CamcorderQuick Notes: ETE Panel; MTE Open HouseCaleb Crosby’s FS100 Top HandleCine Gear Expo LA 2011NAB 2011 - Odds ‘N’ EndsNAB 2011 - Plasma Lights, and The Problem With LEDsNAB 2011 - SCCE ChartsNAB 2011 - CamerasNAB 2011 - Camera SupportNAB 2011 - LensesNAB 2011 - Stereo 3DNAB 2011 - RecordersNAB 2011 - FilmLightNAB 2011 - Ikegami’s HDS-F90 LSS 4/3” CamcorderNAB 2011 Video - 3rd-Party Support for the AG-AF100NAB 2011 Video - Panasonic AG-HPX250NAB 2011 Video - Panasonic’s second-generation 3D CamcorderNAB 2011 Video - Panasonic AJ-HPX3100NAB 2011 - Arri AnnouncementsNAB 2011 Video - Two New Video Recorders, and More…
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HPA Technology Retreat 2009Three solid days of “Tech Treat”.
How is the Tech Retreat like (and unlike) a location shoot? Why does New York’s Metropolitan Opera put ten minutes of solid white at the tail end of each live HD cinemacast? more »
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Most recent comments by:
Steven Bradford,
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Panasonic’s AG-HPX300: full-res camcorder with AVC-I under $11KWill the HPX300 be the “it” camera for 2009?
Panasonic announced the AG-HPX300, a 1/3”, 3-MOS shoulder-mount P2 camcorder with a 17x Fujinon interchangeable lens (the Euro version will be the AG-HPX301E). In many ways, it’s a companion to the HVX200A and HPX500: six scene files, 1080i/p recording, 720p variable frame rate recording, SD recording in both DV and DVCPRO50 formats, 24p capability, and two P2 card slots, but there are three things that put the 300 in a class of its own:
Let me repeat: full-res sensors and AVC-I recording for under $11K. more »
Cameras •
(4) Comments •
Most recent comments by:
DanConklin,
Simon Wyndham,
Bruce A Johnson,
Simon Wyndham,
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Upcoming: HPA Tech Retreat, and NABThere’s still room at the Tech Retreat, and a free exhibits pass for NAB
• The HPA Technology Retreat happens February 17-20 in Palm Springs, and there’s still time to register. It ain’t cheap, but it’s probably the most information-packed and thought-provoking TV-tech conference in the world. Links below for last year’s coverage. • NAB 2009 takes place April 18-23 in Las Vegas (of course). A nice lady in their PR department stumbled across Camera Log, and decided to bestow a boon on its readers:
NAB isn’t just a show; there’s a whole raft of conferences and seminars before and during the expo. Check it out; looking at the website is free, grin, even if the conferences aren’t. BTW, this can be a handy time to pick up vendor training: Apple, Adobe, and Avid are all holding classes in the “Post|Production World Conference”. Last year’s coverage:
Review: Sony HDW-650F HDCAM CamcorderThe 650F is cheaper, lighter, quieter, faster, and more capable than its predecessor.
The Sony HDW-650F (US$44,950 list) is a 2/3” 3-CCD 1080i/1080p shoulder-mount HDCAM camcorder using “Power HAD FX” CCDs, a 14-bit A/D, and a newer generation of DSP for a better image than previous HDCAM camcorders have offered. Yet it costs less, weighs less, and offers more features than the 700-series HDCAMs it succeeds. While it’s primarily aimed at broadcasters, it also offers 23.98p shooting and PsF recording, so it can also serve as a digital filmmaking tool—or just add the “film look” of 24p to TV production. more »Page 1 of 1 pages |
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Designer Templates for Final Cut Studio
Professionally designed templates for Final Cut Pro and Motion
Students, customers, and colleagues have been asking me for years to design templates for Motion and Final Cut Pro. I always resisted, because I didn’t want to do it unless I could do something that would really stand out.
Over the past several months I have been working with Ripple Training and a professional design team to do just that.
To be considered for listing, contact pr (at) provideocoalition (dot) com
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