|
crowd sourcing the experts |
||||||||
| |
||||||||
 |
||||||||
Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
Quick Look: Sony F65 4K Digital Cine CameraReview: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersAffordable PL-mount Primes ComparedQuick Look: Three New E-Mount PrimesLSS Notes: Sony F3/FS100 preso at MTE; “C300 = Awesome”Quick Look: Canon EOS C300 LSS 1080p CamcorderQuick Notes: ETE Panel; MTE Open HouseCaleb Crosby’s FS100 Top HandleCine Gear Expo LA 2011NAB 2011 - Odds ‘N’ EndsNAB 2011 - Plasma Lights, and The Problem With LEDsNAB 2011 - SCCE ChartsNAB 2011 - CamerasNAB 2011 - Camera SupportNAB 2011 - LensesNAB 2011 - Stereo 3DNAB 2011 - RecordersNAB 2011 - FilmLightNAB 2011 - Ikegami’s HDS-F90 LSS 4/3” CamcorderNAB 2011 Video - 3rd-Party Support for the AG-AF100NAB 2011 Video - Panasonic AG-HPX250NAB 2011 Video - Panasonic’s second-generation 3D CamcorderNAB 2011 Video - Panasonic AJ-HPX3100NAB 2011 - Arri AnnouncementsNAB 2011 Video - Two New Video Recorders, and More…
January 2012December 2011November 2011October 2011September 2011June 2011May 2011April 2011March 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010February 2010January 2010December 2009November 2009October 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives |
|
Review: Panasonic AG-HPX370 1/3” 3-MOS P2 HD CamcorderThe HPX370 offers 50/60Hz AVC-Intra and DV-format recording, and improves noise, sensitivity, and skew over the HPX300.
The Panasonic AG-HPX370 (US$11,700 list; $9,200 street price) is a 1/3” 3-MOS shoulder-mount HD camcorder with interchangeable lenses. It records everything from 480i to 1080p in 10-bit AVC-Intra 50/100 and 8-bit DV/DVCPRO50/DVCPROHD formats, with variable frame rates in 720p. Its MOS sensors capture a true 1920x1080 image with remarkably high sensitivity and low noise; and its “rolling shutter” skew is comparable to other affordable high-quality CMOS cameras like the PMW-EX series Sonys. more »
Cameras •
Hardware •
Production •
(6) Comments •
Most recent comments by:
Adam Wilt,
DeanCSmith,
Adam Wilt,
DeanCSmith,
DeanCSmith,
Charles Angus,
•
Permalink
Mysterium-X Exposed, part 2A more carefully calibrated comparison of RED’s M and M-X sensors.
With two RED ONEs back in from their M-X upgrades, and with the results of my previous test in mind, I ran a more rigorous examination comparing the Mysterium to the Mysterium-X. more »Click to audio / video »
*VIDEO* •
Cameras •
(3) Comments •
Most recent comments by:
ccarroll,
Adam Wilt,
ccarroll,
•
Permalink
Mysterium-X Exposed, part 1A quick ‘n’ dirty comparison of RED’s M and M-X sensors.
We received our first RED ONE back from the Mysterium-X upgrade, so without further ado, I slapped it on a tripod and compared it to a RED ONE with the original Mysterium sensor. more »Click to audio / video »Page 1 of 1 pages |
|
|
||||
|
|
|||||||
After Effects and Motion Share and Compare
MacBreak Studio Special Episode
On this week’s MacBreak Studio, I host Steve Taylor - an LA-based motion graphics designer who’s tool of choice is After Effects. I thought it would be fun and interesting to compare how After Effects and Motion handle different motion graphics tasks and so this is the first of a series of “share and compare” sessions that looks at cameras and null objects in both After Effects and Motion. Enjoy.
Mastering Motion’s Camera
Working with Angle of View
In this excerpt from Ripple Training’s newest tutorial Mastering Motion’s Camera, host Mark Spencer explains how to work with the camera’s Angle of View.
To be considered for listing, contact pr (at) provideocoalition (dot) com
Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.