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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
NAB 2012: Assorted SnapshotsNAB 2012: REDNAB 2012: Camera SupportNAB 2012: Unmanned Aerial VehiclesNAB 2012: RecordersNAB 2012: New EVFsNAB 2012: Cameras & LensesNAB 2012: Canon C300 Image ProcessingNAB 2012: Is BMD the new RED, Part 2?Is BMD the new RED?$3000 BMD Cine Camera?NAB Sunday: Canon’s PresentationNAB Sunday: Panasonic and Sony Press ConferencesFS700: Fire & IceTesting the NEX-FS700 at Meets The EyeAn NEX-FS700 Amuse-BoucheQuick Look: Sony PVM-740 OLED DisplayQuick Look: Alpha A-mount Lenses on the FS100Review: Sony NEX-FS100 “Super35” LSS AVCHD CamcorderQuick Look: Variable ND FiltersThird-Party Accessories for the FS100Quick Look: Sony F65 4K Digital Cine CameraReview: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersAffordable PL-mount Primes ComparedQuick Look: Three New E-Mount Primes
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011June 2011May 2011April 2011March 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010February 2010January 2010December 2009November 2009October 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives |
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Quick Look: Sony F65 4K Digital Cine CameraBandPro’s Jeff Cree shows off the F65 at Videofax in San Francisco.
Last week, San Francisco rental house extraordinaire Videofax took delivery of Sony F65 #15, and on Thursday BandPro’s Jeff Cree came up to show off the camera to local DPs, ACs, and DITs. I was able to shoot some photos and take some notes, which I have pulled together and annotated, in a somewhat scattershot manner, for your viewing pleasure. [Update 2012.01.29: typo & terminology fixes] more »
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ProVideo Coalition •
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Most recent comments by:
Adam Wilt,
Allan,
Adam Wilt,
Bruce Allen,
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Review: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersPanasonic delivers full-res, full-function, feature-rich 3-chippers.
While all the attention is focused on large-single-sensor cine-style camcorders, Panasonic has come out with a line of high-quality 1/3” 3-MOS handhelds that leave little to be desired. The HPX250 is a handheld version of the shoulder-mount HPX370, while the AC160 and its simplified sibling, the AC130, bring the same fundamentals to the AVCCAM (AVCHD) world. [Updates 2012.01.30: SDI out is 10-bit only on 250, not 160; 2012.02.24: typo page 2, should be “or any of the other misfortunes possible with location audio.”] more »
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ProVideo Coalition •
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(35) Comments •
Most recent comments by:
IEBA,
IEBA,
stevecrye,
IEBA,
Steve Crye,
Adam Wilt,
Steve Crye,
Adam Wilt,
stevecrye,
Damiaan,
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Affordable PL-mount Primes Compared85 minutes of lens tests!
If you’re in the market to rent or buy “affordable” PL-mount primes (e.g., under $10,000/lens), you won’t want to pass up this test. more »
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Cameras •
GentryMedia Sister Sites •
ProVideo Coalition •
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Most recent comments by:
Ryan E. Walters,
HotRodCameras,
Adam Wilt,
HotRodCameras,
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Marshall Debuts the Orchid, OR-2410
Grade 1 Monitor Delivers Extreme Color Accuracy On Set
Due to changes in camera technology, it’s now become possible to colorgrade on set instead of having to transfer it to another facility. Many DIT’s are using systems that empower cinematographers to apply the 3D color space on set.
DP Alex Buono Talks C300 At SF SuperMeet
SNL Veteran, Talks About Using the C300 For Network Television…
Recently I attended the 11th annual San Francisco Supermeet. Beyond some great lectures by some great speakers, there were a variety of different hardware manufacturers and software companies to show off their latest innovations to a very engaged crowd.
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