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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
NAB 2012: Assorted SnapshotsNAB 2012: REDNAB 2012: Camera SupportNAB 2012: Unmanned Aerial VehiclesNAB 2012: RecordersNAB 2012: New EVFsNAB 2012: Cameras & LensesNAB 2012: Canon C300 Image ProcessingNAB 2012: Is BMD the new RED, Part 2?Is BMD the new RED?$3000 BMD Cine Camera?NAB Sunday: Canon’s PresentationNAB Sunday: Panasonic and Sony Press ConferencesFS700: Fire & IceTesting the NEX-FS700 at Meets The EyeAn NEX-FS700 Amuse-BoucheQuick Look: Sony PVM-740 OLED DisplayQuick Look: Alpha A-mount Lenses on the FS100Review: Sony NEX-FS100 “Super35” LSS AVCHD CamcorderQuick Look: Variable ND FiltersThird-Party Accessories for the FS100Quick Look: Sony F65 4K Digital Cine CameraReview: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersAffordable PL-mount Primes ComparedQuick Look: Three New E-Mount Primes
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DVMP - Windows-based DV25 utilityDVMP lets you view and edit DV25 metadata and manipulate files. Colin Browell has released DVMP Pro 2, an update to his Windows utility for DV, DVCAM, and DVCPRO25 .AVI and .DV files. DVMP Pro 2 displays and edits the DV Metadata that most NLEs ignore, such as user bits, time & date, shutter speed, aperture, white balance, widescreen flag, etc. With batch processing, metadata export to CSV files, file splitting (e.g., for scene change detection) based on user-definable parameters, and metadata burn-ins on the video image, it looks like a valuable addition to the DV toolkit. http://www.dvmp.co.uk/, $19.95 (UK pounds) through February 2008, about $30 thereafter; demo available; requires Windows 2000 / XP / Vista. Sony’s Mac SxS driver doesn’t play well with the Duel Systems AdapterReading P2 cards on your MacBook Pro? Read on before installing the SxS driver. Sony distributes an SxS card driver with the PMW-EX1 camcorder. If you install it on your MacBook Pro running 10.4, you won’t be able to read P2 cards using the Duel Systems Adapter. Fortunately, Sony’s uninstaller works well, so you can install the driver to work with the PMW-EX1’s SxS cards, then uninstall it to work with Panasonic P2 cards again. more »Page 1 of 1 pages |
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Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.
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