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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
Quick Look: Sony F65 4K Digital Cine CameraReview: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersAffordable PL-mount Primes ComparedQuick Look: Three New E-Mount PrimesLSS Notes: Sony F3/FS100 preso at MTE; “C300 = Awesome”Quick Look: Canon EOS C300 LSS 1080p CamcorderQuick Notes: ETE Panel; MTE Open HouseCaleb Crosby’s FS100 Top HandleCine Gear Expo LA 2011NAB 2011 - Odds ‘N’ EndsNAB 2011 - Plasma Lights, and The Problem With LEDsNAB 2011 - SCCE ChartsNAB 2011 - CamerasNAB 2011 - Camera SupportNAB 2011 - LensesNAB 2011 - Stereo 3DNAB 2011 - RecordersNAB 2011 - FilmLightNAB 2011 - Ikegami’s HDS-F90 LSS 4/3” CamcorderNAB 2011 Video - 3rd-Party Support for the AG-AF100NAB 2011 Video - Panasonic AG-HPX250NAB 2011 Video - Panasonic’s second-generation 3D CamcorderNAB 2011 Video - Panasonic AJ-HPX3100NAB 2011 - Arri AnnouncementsNAB 2011 Video - Two New Video Recorders, and More…
January 2012December 2011November 2011October 2011September 2011June 2011May 2011April 2011March 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010February 2010January 2010December 2009November 2009October 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives |
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NAB 2011 - FilmLightThe film scanner / color management / grading system company’s NAB offerings.
UK company FilmLight is packaging their high-end color-grading system Baselight as an “under US$1000” plugin for Final Cut Pro. They’ve also announced the new Blackboard 2 soft-key control surface, and they’re now the non-US distributor for Visionary Archive. more »
Apple •
Final Cut Pro •
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
NAB 2011 •
Post Production •
Software •
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HPA Tech Retreat 2011 Day 43D ghosts, camera arrays, etc.; final thoughts.
On this fourth and final day of the 2011 Tech Retreat, we learned about standards activities, 3D ghosts, camera arrays, automated audio “recognition”, a new method for making film protection masters, how bending a cable affects its performance, and a whirlwind tour through TV Tech history. Also: the death of tape… for real this time? more »
*VIDEO* •
3D •
Audio •
Business •
Cameras •
GentryMedia Sister Sites •
HDSLR •
ProVideo Coalition •
Hardware •
Post Production •
Stereoscopic •
(3) Comments •
Most recent comments by:
Corbor,
Adam Wilt,
Corbor,
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HPA Tech Retreat 2011 Day 3After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.
Day 3 (by my counting; HPA calls this Day 2, because Tuesday’s Super Session doesn’t count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations. more »
*VIDEO* •
3D •
Business •
Cameras •
compression •
Distribution •
GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
Legal •
Mobile Devices •
Post Production •
Production •
Stereoscopic •
Training •
(0) Comments •
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HPA Tech Retreat 2011 Day 2Mayhem, confusion, and chaos continue!
Day 2 of the Tech Retreat covered the year in review, CES, cloud storage, broadcasting, pool feed audio, content protection, transcoding, stereo subtitles, and more… more »
*VIDEO* •
3D •
Audio •
Business •
compression •
Distribution •
GentryMedia Sister Sites •
ProVideo Coalition •
Interactive •
Mobile Devices •
Post Production •
Software •
(0) Comments •
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HPA Tech Retreat 2011 Day 1HPA Super Session 2011—Snowflake Workflows
HPA set the stage for the Super Session with these words: “With all the options in workflow today, it seems no two projects are exactly alike. Just like snowflakes, our projects begin beautiful, shiny, and a unique wonder to behold. But as they slowly drift to their final destination, they seem to just turn into slush, as we leave them behind searching for our next wonderful, pristine, new way.” more »
*VIDEO* •
3D •
Business •
Cameras •
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
Post Production •
Production •
Visual Effects •
(1) Comments •
Most recent comments by:
Benjamin Rowland,
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HPA Tech Retreat 2011The industry’s most thought-provoking conference happens this week.
There’s a quiet gathering in Palm Springs every February. Many of the post-production industry’s leading luminaries, along with a gaggle of production folks, hangers-on, and ne’er-do-wells (including your correspondent) assemble for the Hollywood Post Alliance’s Tech Retreat, three and a half days of discussion about where the industry is and where it’s going. more »
*VIDEO* •
Business •
GentryMedia Sister Sites •
ProVideo Coalition •
Hardware •
Post Production •
Production •
Training •
(1) Comments •
Most recent comments by:
Ben Green,
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Pro Apps PDFs!Oh, frabjous day: Apple offers PDF user manuals again!
OK, so maybe I’m stupid (no comments, thanks very much) and these have always been available, or maybe they’re new: Apple has PDF user manuals for Pro Apps available for download. more »
Apple •
Final Cut Pro •
Motion •
Editing •
Post Production •
Software •
Tips •
Training •
(4) Comments •
Most recent comments by:
maniaco007,
Michael Horton,
Adam Wilt,
Michael Horton,
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Remembering the DPS SparkAye, laddie, it takes you back…
Over the weekend I cleared out a bunch of old gear, including the capture card that launched a revolution: the DPS Spark. Thirteen years ago, this card changed low-cost video editing forever. more »
Editing •
Hardware •
Post Production •
(3) Comments •
Most recent comments by:
Gerry Fraiberg,
ericescobar,
Scott Simmons,
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How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
Gear In 60 Seconds – Nauticam NA-60D
Getting watery trick shots with this DSLR housing
Here’s another FreshDV Gear in 60 Seconds video, on the Nauticam NA-60D housing for Canon 60D DSLR stills & video. In this case, we used the housing to get some wild trick shots for a short narrative film. Watch me jump off a waterfall in the video below…
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