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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
Sticky: Traveling with batteries, Pro Apps Updaters, etc.HPA Tech Retreat 2010 - Day 4HPA Tech Retreat 2010 - Day 3HPA Tech Retreat 2010 - Day 2HPA Tech Retreat 2010 - Day 1RED DayUpdate: the “NXCAM Prime” is the Sony HXR-NX5UPreview: Sony HXR-NX5U 1/3” 3-CMOS AVCHD CamcorderBand Pro Presents Three Days in LAReview: Panasonic AG-HMC40 1/4” 3-CMOS HD CamcorderPreview: Sony PMW-350 2/3” 3-CMOS XDCAM EX CamcorderSomething BIG from Sony—XDCAM EX Grows Up.Review: Sony HXR-MC1 1-CMOS AVCHD POV CamcorderQuick Look: Panasonic AG-HPX300 1/3” 3-CMOS P2 HD camcorderMacWorldSF 2010 Free Expo RegistrationArt shoots a spot on the Canon 5D MkIIRED+FCP: 3-channel Audio NG in STPNew Firmware for the HPX300 series camcorders“Droidmaker” available as a free downloadSxS Joins P2 in the Dustbin of History?Cine Gear Expo 2009RED+FCP+Color: Making It All WorkReview: Sony RM-1000BP LANC Remote ControlReview: Sony VCL-HG0872K wide-angle lens for HVR-Z5UIf you read my NAB 2009 wrap-up in Firefox…
February 2010January 2010December 2009November 2009October 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives |
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Sticky: Traveling with batteries, Pro Apps Updaters, etc.Stuff to watch out for; tips ‘n’ tricks • FAA rules on lithium battery transport
HPA Tech Retreat 2010 - Day 4LOUDNESS, 3D, 4K, and unshaking shakycam.
The fourth and final day of the 2010 HPA Tech Retreat started off with the vexing problem of TV loudness, and ended with an inspirational talk by Belden’s irrepressible Steve Lampen. more »
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HPA Tech Retreat 2010 - Day 3HDR imaging, animation restoration, collaborative networking, and more…
The Tech Retreat’s third day covered regulatory issues, HDR imaging, using a plasma for reference monitoring, SOA, networking, file-based workflows… and Mo Henry. more »
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HPA Tech Retreat 2010 - Day 2Panels and papers at the Tech Retreat
The 16th Annual Tech Retreat was officially opened by HPS President Leon Silverman today. (As with yesterday’s coverage, this’ll be stream-of-consciousness coverage.) more »
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Advertisement HPA Tech Retreat 2010 - Day 13D in the home, 3D and more in the Demo Room.
The Hollywood Post Alliance Tech Retreat is a gathering of postproduction, broadcast, TV, and cinema folks in Palm Springs every February. This year, 3D is a big topic, and Tuesday’s Super Session was “3D in the Home”, chaired by Jerry Pierce & Peter Fannon. more »
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RED DayRED shows off their new sensor and new “color science” at their new studios.
On Saturday 16 January, RED hosted three open-house sessions in Hollywood, for CML (cinematography mailing list) members, ASC (American Society of Cinematography) members, and for RED ONE owners. I attended the CML session, and here’s a quick writeup on what we learned. [updated 10:15pm PST: M-X performance details] more »
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Adam Wilt,
Charles Angus,
Adam Wilt,
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Neil @ Hollywood-DI,
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Synaptic Light,
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Band Pro Presents Three Days in LAF35 DIT training, a 3D symposium, Band Pro’s Open House… and some new lenses.
Band Pro Film & Digital is celebrating their 25th anniversary this year, and they put on three days of free events in Los Angeles to mark the occasion: F35 training with Jeff Cree, a 3D Symposium, and an Open House with gear, food, and conversation—and some new PL-mount primes, too.
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Adam Wilt,
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RED+FCP: 3-channel Audio NG in STPYet another example of why you want to validate a new workflow on a
Just a quick note: I took a short piece shot on RED and sent the FCP edit into Soundtrack Pro. I found to my dismay that I was unable to apply almost any processing to most of the clips: no noise reduction, no add-on processing (as shown in the image). A bit of investigation followed: more »
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Most recent comments by:
Adam Wilt,
Thomas Craul,
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A few more notes on the EOS Movie Plugin-E1 for Final Cut ProCanon finally releases their DSLR plug-in for Final Cut Pro’s Log and Transfer toolUse the FCP Log and Transfer tool to directly transcode and import into FCP Q&A with the creator of FCS Maintenance PackJon Chappell talks about a tool that might save your butt What about a low rez to hi rez conform option for 7D footage on an Avid?Is this a workflow you might be interested in? Deeper Modes of Expression, Part 3: Deeper Into ArraysHow to translate values between parameters that have different dimensions. 
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