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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
NAB 2012: Assorted SnapshotsNAB 2012: REDNAB 2012: Camera SupportNAB 2012: Unmanned Aerial VehiclesNAB 2012: RecordersNAB 2012: New EVFsNAB 2012: Cameras & LensesNAB 2012: Canon C300 Image ProcessingNAB 2012: Is BMD the new RED, Part 2?Is BMD the new RED?$3000 BMD Cine Camera?NAB Sunday: Canon’s PresentationNAB Sunday: Panasonic and Sony Press ConferencesFS700: Fire & IceTesting the NEX-FS700 at Meets The EyeAn NEX-FS700 Amuse-BoucheQuick Look: Sony PVM-740 OLED DisplayQuick Look: Alpha A-mount Lenses on the FS100Review: Sony NEX-FS100 “Super35” LSS AVCHD CamcorderQuick Look: Variable ND FiltersThird-Party Accessories for the FS100Quick Look: Sony F65 4K Digital Cine CameraReview: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersAffordable PL-mount Primes ComparedQuick Look: Three New E-Mount Primes
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Cine Gear Expo 2008 - Day 1The hottest equipment show in LA… literally…
We came down to LA for Cine Gear Expo, a two-day showcase of all manner of production things: grip gear, lighting, camera accessories, and so on. It is quite literally the hottest equipment show around… more » Maelstrom - PreproductionA whirlwind scramble to gather gear for a Rob Nilsson film About a week ago, Tim Blackmore and I learned that we were providing tech support for Rob Nilsson’s upcoming film, “Maelstrom”, a Direct Action workshop film with four actors. We knew it was going to be shot with an EX1 (which we have), handheld (EX1, handheld? hmmm), with the wide-angle adapter if at all possible. Cool, sounds like fun, what’s the schedule? more »NAB 2008 - Take-awaysWhat NAB 2008 told me about where things are going. I spent NAB 2008 walking around, looking for gear for our production company and getting a feel for where things are headed in general. I took away several strong impressions about where the industry is going—as well as a couple of interesting toys. more »
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Snapshots - NAB 2008 Day 3More pix from the show floor
The Panasonic HPX170 is a P2-only update to the HVX200 (The HVX has been updated to the 200A and remains in the lineup). The HMC150, which records to AVCHD and lacks many of the 170’s advanced features, looks much the same. more »Snapshots - NAB 2008 Day 2Codex Digital, SpeedGrade, Tangent, SI2K, and Nila
Highlights of my walking around the show floor on Tuesday… Codex Digital showed working versions of their Portable digital cine recorder. $44K gets you the lunchbox plus a three-hour drive pack, and the superb Codex user interface. more » |
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Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.
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