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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
NAB 2012: Assorted SnapshotsNAB 2012: REDNAB 2012: Camera SupportNAB 2012: Unmanned Aerial VehiclesNAB 2012: RecordersNAB 2012: New EVFsNAB 2012: Cameras & LensesNAB 2012: Canon C300 Image ProcessingNAB 2012: Is BMD the new RED, Part 2?Is BMD the new RED?$3000 BMD Cine Camera?NAB Sunday: Canon’s PresentationNAB Sunday: Panasonic and Sony Press ConferencesFS700: Fire & IceTesting the NEX-FS700 at Meets The EyeAn NEX-FS700 Amuse-BoucheQuick Look: Sony PVM-740 OLED DisplayQuick Look: Alpha A-mount Lenses on the FS100Review: Sony NEX-FS100 “Super35” LSS AVCHD CamcorderQuick Look: Variable ND FiltersThird-Party Accessories for the FS100Quick Look: Sony F65 4K Digital Cine CameraReview: Panasonic AG-AC160 and AG-HPX250 1/3” 3-MOS camcordersAffordable PL-mount Primes ComparedQuick Look: Three New E-Mount Primes
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011June 2011May 2011April 2011March 2011February 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010February 2010January 2010December 2009November 2009October 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives |
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NAB 2011 Video - 3rd-Party Support for the AG-AF100Lenses, lens mount adapters, matte boxes, follow-focuses, and more…
Panasonic’s Jan Crittenden Livingston shows off some of the 3rd-party accessories for the large-single-sensor, interchangeable-lens AF100 camcorder. 900x506 QuickTime movie, 1 Mbit/sec h.264, 38 Mbytes. Click to audio / video »
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NAB 2011 Video - Panasonic AG-HPX250An AVC-Intra P2 Handheld Camcorder
Panasonic’s Steve Cooperman discusses the upcoming HPX250, a handheld camcorder with a 21x zoom recording AVC-Intra to P2 cards, as well as all flavors of DV, DVCPRO, and DVCPROHD. Think of it as a full-res HVX200 or HPX170 for the Modern Era. 900x506 QuickTime movie, 1 Mbit/sec h.264, 13 Mbytes. Click to audio / video »
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NAB 2011 Video - Panasonic’s second-generation 3D CamcorderThe AG-3DP1 has a 17x zoom and records to dual P2 cards
Steve Cooperman of Panasonic describes the 1/3” 3MOS AG-3DP1 3D P2 camcorder. It should be available later this year, but pricing has not been announced. 900x506 QuickTime movie, 1 Mbit/sec h.264, 12 Mbytes. Click to audio / video »
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NAB 2011 Video - Panasonic AJ-HPX3100A low-cost, 2/3” P2 / AVC-Intra camcorder with proxy recording and wireless metadata.
Panasonic’s Steve Cooperman talks about the AJ-HPX3100, a 2/3” 3CCD camcorder costing less than US$20,000. 900x506 QuickTime movie, 1 Mbit/sec h.264, 19 Mbytes. [Corrected 2011-06-06: CCD, not MOS] Click to audio / video »
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NAB 2011 Video - Two New Video Recorders, and More…Two new camera-top video recorders, a cool test chart, and video nametags.
Sound Devices introduced two new solid-state video recorders, and FFV showed off one, too. Also: a very cool camera testing chart from DSC Labs, and name tags that display video. 900x506 QuickTime movie, 1 Mbit/sec h.264, 68 Mbytes. Click to audio / video »
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NAB 2011 Video - Sunday Night at SonySony’s Juan Martinez shows off the NEX-FS100 AVCHD “NXCAM Super35”
Sunday night, Sony lets a few journos in to see what’s new before the doors open Monday morning. Sony’s Juan Martinez shows off some of the features of the NEX-FS100 “NXCAM Super35” camcorder, as well as a new viewfinder attachment for the PMW-F3. I also grabbed a quick pic of the dustproof / splashproof HXR-NX70 camcorder enduring watery indignities. 900x506 QuickTime movie, 1 Mbit/sec h.264, 44 Mbytes. Click to audio / video »
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NAB 2011 Video - Saturday SetupA quick look at the Las Vegas Convention Center on the Saturday before the show…
The Las Vegas Convention Center, where NAB is normally held, and what goes on there on the Saturday before the show starts (clarification: DCS sessions are in the South Hall meeting rooms, not North Hall as my narration might imply). 900x506 QuickTime movie, 1 Mbit/sec h.264, 17 Mbytes. Click to audio / video »AG-AF100 and PMW-F3 on the Charts...with RED ONE, Alexa, and EX1 resolution/aliasing comparisons.
This past Monday, Art Adams and I went up to Chater Camera to have a quick look at the tonal-scale renderings of the PMW-F3 and AG-AF100, two new large-single-sensor (LSS) interchangeable-lens camcorders, and to torture them with resolution, aliasing, and IR sensitivity tests. [updated 2001-03-19: RED M vs M-X aliasing comparison.] more »
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Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium’s two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.
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