Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
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Sunday, January 17, 2010
RED shows off their new sensor and new “color science” at their new studios.
On Saturday 16 January, RED hosted three open-house sessions in Hollywood, for CML (cinematography mailing list) members, ASC (American Society of Cinematography) members, and for RED ONE owners. I attended the CML session, and here’s a quick writeup on what we learned. [updated 10:15pm PST: M-X performance details]
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Scott Simmons | 03/20
Scott Simmons | 03/19
Use the FCP Log and Transfer tool to directly transcode and import into FCP
Scott Simmons | 03/11
Jon Chappell talks about a tool that might save your butt
Scott Simmons | 02/24
From the Editblog archives: October 08
Scott Gentry | 02/22
...to find out what’s on tap for the company’s Production Premium collection of applications
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