Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
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Sunday, April 15, 2012
What the two big camera companies taked about officially.
When big companies hold press conferences, they’re a mix of marketing / sales encomiums from happy customers, and some actual useful information about technologies and products. I’ll mostly focus on the tech stuff that Panasonic and Sony announced today (and adding my own snarky commentary in [square brackets]).
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Sunday, January 22, 2012
Panasonic delivers full-res, full-function, feature-rich 3-chippers.
While all the attention is focused on large-single-sensor cine-style camcorders, Panasonic has come out with a line of high-quality 1/3” 3-MOS handhelds that leave little to be desired. The HPX250 is a handheld version of the shoulder-mount HPX370, while the AC160 and its simplified sibling, the AC130, bring the same fundamentals to the AVCCAM (AVCHD) world. [Updates 2012.01.30: SDI out is 10-bit only on 250, not 160; 2012.02.24: typo page 2, should be “or any of the other misfortunes possible with location audio.”]
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Sunday, April 24, 2011
On-camera recording devices, plus the end of tape?
If NAB had an unofficial theme this year, it was “the year of compact on-camera digital recorders.” And the subtext? Suddenly, silently: ProRes everywhere.
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Thursday, February 17, 2011
After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.
Day 3 (by my counting; HPA calls this Day 2, because Tuesday’s Super Session doesn’t count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations.
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Wednesday, February 16, 2011
Mayhem, confusion, and chaos continue!
Day 2 of the Tech Retreat covered the year in review, CES, cloud storage, broadcasting, pool feed audio, content protection, transcoding, stereo subtitles, and more…
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Sunday, February 21, 2010
LOUDNESS, 3D, 4K, and unshaking shakycam.
The fourth and final day of the 2010 HPA Tech Retreat started off with the vexing problem of TV loudness, and ended with an inspirational talk by Belden’s irrepressible Steve Lampen.
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Friday, February 19, 2010
HDR imaging, animation restoration, collaborative networking, and more…
The Tech Retreat’s third day covered regulatory issues, HDR imaging, using a plasma for reference monitoring, SOA, networking, file-based workflows… and Mo Henry.
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Wednesday, February 17, 2010
3D in the home, 3D and more in the Demo Room.
The Hollywood Post Alliance Tech Retreat is a gathering of postproduction, broadcast, TV, and cinema folks in Palm Springs every February. This year, 3D is a big topic, and Tuesday’s Super Session was “3D in the Home”, chaired by Jerry Pierce & Peter Fannon.
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Art Adams
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
Mark Spencer
On this week’s MacBreak Studio
Todd_Kopriva
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
Chris and Trish Meyer
...plus an update on what’s next for the Apprentice series.
Scott Simmons
Plus a little screencast in this blog post on a topic we didn’t get to cover.
Art Adams
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
Matt Jeppsen
Use a boom mic and some common sense!
Chris and Trish Meyer
Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.
Mark Spencer
Motion Magic on MacBreak Studio
Scott Simmons
These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement
Allan Tépper
If you agree, please sign the online petition requesting the required updates.
Michelle Gallina
CS6 Production Premium Road Show
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