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Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
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Sunday, February 17, 2008
Those cine gammas I like? They’re not for everyone.
When I reviewed the Sony PMW-EX1 camcorder, I raved about its cine gamma settings, derived from the hypergamma curves in the F23, F900/R, and various XDCAM HD ‘corders. The email I’ve been getting indicates that my enthusiasm isn’t universal. Let’s explore the issue a bit further.
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