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Adam WiltAdam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off. 
August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives
Sticky: Traveling with batteries, Pro Apps Updaters, etc.Aperture 2.1.1 Won’t Preview Raw PhotosAJA Io HD drivers updatedAccessorizing RED ONEReview: Panasonic BT-LH1760 17” LCD MonitorRED notes: Build 16 released; “nearly ready”Non-Locking Connectors Considered HarmfulHow Important is Resolution?Quick look: RED Build 16Cine Gear Expo 2008 - Day 2Cine Gear Expo 2008 - Day 1Maelstrom - Production (part 2)Maelstrom - Production (part 1)In LA? Hire this editor!Maelstrom - PreproductionReview: Sony HVR-Z7 & HVR-S270 1/3” 3-CMOS HDV camcordersProcess Note: Deleted CommentsRandom RED RevelationsMore RED Res Testing: The Mystery(ium) ResolvedSchneider IR Filter TestsRED on location: Art Adams shoots a spec spotNAB 2008 - Take-awaysSnapshots - NAB 2008 Day 4Snapshots - NAB 2008 Day 3Snapshots - NAB 2008 Day 2 |
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Monday, March 10, 2008Exporting stills from FCPCorrecting for FCP’s assumptions, and a surprising discovery.
I recently had a chance to compare the PMW-EX1 with a RED and an F23 (about which, more will be said in coming days). I collected quite a few video clips from the cameras and I’m going through the process of exporting still frames from the two Sonys, using Final Cut Pro. As I want to capture the full exposure range in the stills, there’s more to it than just parking the playhead on a frame and doing File > Export > Using QuickTime Conversion. As it turns out, there’s also a surprise. more »Cameras • Editing • Post Production • (3) Comments • Most recent comments by: Shane Ross, Mark Weiss, Sean Safreed, • Permalink Page 1 of 1 pages |
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3DAudioBudgetingBusinessCamerasDistributionEditingHardwareInteractiveLightingMotion GraphicsNAB '08Post ProductionProductionPre-ProductionProductionTrainingVisual Effects
Exporting stills from FCPCorrecting for FCP’s assumptions, and a surprising discovery. I recently had a chance to compare the PMW-EX1 with a RED and an F23 (about which, more… Advertisements |
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