 |
|
|
|
|
|
 |
Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
|
|
Monday, April 27, 2009
It’s all RED’s fault: an explosion of PL mount lenses. Here’s what I found at NAB.
As soon as the RED ONE was announced, the market for PL mount lenses capable of covering a Super35mm-sized image started heating up. Aspiring R1 owner/operators hunted down almost every decent used lens available, and caused the lead times on new PL mount glass to skyrocket. At NAB ‘09 several vendors stepped forward to fill the demand, mostly at bargain prices (at least by traditional cine lens standards).
more »
Page 1 of 1 pages
|
|
|
|
|
|
|
|
|
To be considered for listing, contact pr (at) provideocoalition (dot) com
Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.
Terms of Use | Privacy Policy
|
|
|
