Adam Wilt

Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.

Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.

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Sunday, May 01, 2011

NAB 2011 - Odds ‘N’ Ends

Stuff I saw that didn’t fit in any of my other NAB articles.

The chart at the top of the page shows the chromaticity coordinates of the wide-gamut LEDs used in the DSC Labs NorthernLights chart at the end of this video clip. The LEDs get around the problem of making highly-saturated reflective patches and allow you to test the limits of a camera’s saturated-color handling ability.

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NAB 2011 - Odds ‘N’ Ends
Adam Wilt

Stuff I saw that didn’t fit in any of my other NAB articles.





NAB 2011 - Odds ‘N’ Ends

Adam Wilt | 05/01- 07:05 PM

Stuff I saw that didn’t fit in any of my other NAB articles.

The chart at the top of the page shows the chromaticity coordinates of the wide-gamut LEDs used in the DSC Labs NorthernLights chart at the end of this video clip. The LEDs get around the problem of making highly-saturated reflective patches and allow you to test the limits of a camera’s saturated-color handling ability.

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