Tim Blackmore helps John Chater tweak back-focus on a RED ONE
The more we work with RED ONEs, the more we learn about what they do and how to work with them, thus the following grab-bag of observations and experiences.
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Friday, May 09, 2008
Stuff we learned during testing and Art’s spec spot shoot
The more we work with RED ONEs, the more we learn about what they do and how to work with them, thus the following grab-bag of observations and experiences.
more »Cameras • Production • (8) Comments • Most recent comments by: Adam Wilt, Hugo, Adam Wilt, Praxis, Adam Wilt, luis Bustamante, Stephen Murphy, Scott Gentry, • Permalink
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Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
He is currently a filmmaker with Meets The Eye LLC, a digital production company in the San Francisco bay area.
Sticky: Traveling with batteries, Pro Apps Updaters, etc.
Maelstrom - Production (part 2)
Maelstrom - Production (part 1)
Review: Sony HVR-Z7 & HVR-S270 1/3” 3-CMOS HDV camcorders
Process Note: Deleted Comments
More RED Res Testing: The Mystery(ium) Resolved
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