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Adam Wilt
Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC.
Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Final Cut Pro System", part of the Apple Pro Training series; he hopes you'll buy a copy, as there's still a large advance to be paid off.
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Sunday, September 26, 2010
I hold an EPIC in my hands, and get a glimpse beneath the covers and behind the scenes.
[Update 2010.09.27: Spanish version / versión en español with thanks to / gracias a Carlos Zapater.]
At five minutes to midnight on 13 September, I received a short message from RED Digital Cinema’s Jim Jannard: “Want to come to the studios and get a sneak peak of EPIC and the soon to be famous HDRx?” Eight days later—this past Tuesday, at high noon—I stood at the gates of RED Studios in Los Angeles, not really sure what to expect.
I wasn’t disappointed.
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